Posted in: Disc Reviews by Brent Lorentson on June 17th, 2018
When it comes to the Italian western aka the spaghetti western, the first director who comes to mind is Sergio Leone (The Good The Bad And The Ugly); and then there is Sergio Corbucci. While Leone was blazing a successful career, Corbucci first came onto the scene with his film Django. The film was dirty, violent, and mean. For those who are only familiar with the Quentin Tarantino version of Django, well, you’ll definitely see the films are drastically different aside from them both being revenge films. Much later on Corbucci got the chance to follow up his first big hit with another western, The Great Silence. I had gotten to see this dark western before, though it was in the form of a bootleg copy. There was a lot of grain, and the ending attached to the film was radically different from the one Corbucci had intended. Film Movement Classics has done an amazing job at cleaning this title up and giving it a new 2K restoration. As for the film itself, saddle up, because this is like something many have not seen before.
One of the first striking things you will notice about this western is that it is mostly filmed in the cold and in the snow. We meet Silence (Jean-Louis Trintignant) as he is jumped by a group of bounty hunters whom he quickly dispatches, and when one surrenders himself, Silence manages to shoot off the man’s thumbs. That’s the thing about Silence that’s pretty cool. He kills in self-defense but seems to enjoy crippling bounty hunters so they won’t be able to kill again. We later get to find out just why Silence has it out for bounty hunters, but also the grisly reason why he’s been given the name Silence.
Posted in: No Huddle Reviews by John Delia on June 17th, 2018
Irreverent, totally off-the-wall, and exaggerated are the good things about the dark comedy Death of Stalin. The film goes bonkers on the Russian regime lead by Stalin as they picture the death of their leader in 1953. In actuality when the Soviet leader died rumors were rampant on whether it was ordinary or murder; well, this film isn’t going to answer that question, but it’ll lay to rest the madness of it all. You don’t have to be a historian to enjoy the film, just be able sit back and laugh at what may or may not have taken place.
The head of the Russian USSR (Union of Soviet Socialist Republics) Joseph Vissarionovich Stalin has taken ill, and those who are the most important to his reign are buzzing on whether he will live or die. They all have an invested reason why each of them want to see him live or die, but mostly they would rather have the tyrant out of office. Those among them with the most to gain by his death are Georgy Malenkov (Jeffrey Tambor), Nikita Khrushchev (Steve Buscemi), and head of Russia’s secret service Lavrentiy Beria (Simon Russell Beale). Each time Stalin’s health starts to fail him, the three and close relatives gather to check the odds and hover over him like vultures.
Posted in: Disc Reviews by J C on June 15th, 2018
“Americans are loud, aren't they?”
Oh Lucy! earns the exclamation point in its title within the first two minutes. The movie opens with a shocking leap that is meant to jolt the audience, but barely causes our disaffected heroine to raise an eyebrow. It's played off as a throwaway moment, but it establishes the fact that this quirky Japanese/American dramedy with oodles of personality probably isn't going to go where you expect.
Posted in: Disc Reviews by Brent Lorentson on June 14th, 2018
For some reason, adapting video games into good films has been the nut Hollywood just can’t seem to crack. The Resident Evil series has been successful, but I wouldn’t say it really holds up to the game. Personally, Silent Hill has been the only adaption I’ve really enjoyed, and that film has divided fans as well. As for the Tomb Raider franchise that kicked off in 2001, sure, it had some fun sequences. And with Angelina Jolie becoming a hot commodity at the time, it’s not too much of a surprise that it did well at the box office. Now 17 years later, the time has come for Tomb Raider to get a makeover and work its way through the reboot machine. This is a reboot, though, I don’t mind; after all, the video game gave its featured character a makeover and decided to tell the story of a much younger Lara Croft. As for the film, how did it do as it followed the game’s footsteps by casting a younger actress to fill the role?
Tomb Raider is kind of a big deal for Warner Bros. Sure, they kicked in a lot of money for this film, but, more importantly, this was obviously a potential tentpole franchise that they hoped to squeeze several sequels out of. Because of the franchise potential, it is no surprise that they would cast a younger talent for the role of Lara Croft, and for me Alicia Vikander is great choice. For those unfamiliar with Vikander, I simply can’t recommend Ex Machina enough. Is she Angelina Jolie? No, but that’s okay; times have changed, and, instead of sexualizing the role, we get a more grounded and relatable take on the character.
Posted in: Disc Reviews by J C on June 14th, 2018
“Why are they doing this to us?”
Back in 2008, The Strangers stalked its way into theaters. The movie was an especially nasty bit of home invasion horror; its stunningly simple premise (three masked psychos terrorize doomed couple) and the random nature of its killings was both what the movie's fans admired about it and what left its detractors wanting more. Ten years later, The Strangers: Prey at Night hits a lot of the same notes while incorporating a self-aware tone about horror movies and some '80s-inspired flair. Call it The Strangers Things.
Posted in: Disc Reviews by Jeremy Butler on June 13th, 2018
“A straight line…you just go, and you never…look…back.”
Well, I hope you’re ready to have everything you know about the Terminator franchise turned on its head. As a franchise known for his alternative timelines where the things we come to know are often turned around, my previous statement may sound like the usual bread and butter to you. However, I must say that I feel like the latest incarnation of the franchise, Terminator Genisys, has really outdone itself this time. As far as reboots go, this may be one of the best that I have seen in quite some time as we are introduced to a completely new cast (well, almost completely new cast) portraying characters already near and dear to our hearts. Terminator Genisys was an action-packed experience sure to leave the audience entertained.
Posted in: Disc Reviews by J C on June 13th, 2018
“I am someone who wakes up in a different body every day.”
Every Day manages to be both clumsily straightforward and frustratingly vague about its fantastical premise. The movie centers on a mysterious traveling spirit known as “A,” which — as you can read above — inhabits a different body every day. Unfortunately, there's little-to-no exploration as to why or how A (conveniently) only inhabits the bodies of camera-friendly teens. The best thing about this premise is that it injects the otherwise tired and homogeneous teen romance genre with a new look. (Actually, it ends up being closer to 15 new looks.)
Posted in: Disc Reviews by Gino Sassani on June 11th, 2018
Eddie Murphy has a ton of films under his belt. If you’re like most folks, his antics have long ago become tired and worn out. Come with me now to a time when Murphy was young and full of energy. Trading Places was really only Murphy’s second film after 48 hours. In Trading Places, we get vintage Eddie Murphy. You can tell he was still hungry. Today he simply calls too many performances in. Dan Aykroyd was also at a turning point in his own career. It hadn’t been too long since he lost his longtime partner Jim Belushi to a drug overdose. He was just learning to stand on his own. Put these two guys together today, and there’s not much chance you’d get the solid gold that was possible in 1983. Fortunately for us, there is this HD release of Trading Places, when both actors still felt they had something to prove. The cast was brilliant all the way around. Jamie Lee Curtis displayed her obvious assets for the first time in a film. Known mostly as a scream queen at that time, Curtis was a choice the studio was not at all happy with. The Wolf Man’s own Ralph Bellamy, along with fellow veteran actor Don Amechi, played the Duke brothers to perfection. Finally, Denholm Eliott added his own understated brilliance as Coleman, the butler.
Trading Places was originally written as a vehicle for Gene Wilder and Richard Pryor. That team had had great success with a few films already, and it was felt they were the only ones capable of pulling off this kind of a film. I’m not sure how that might have worked. Certainly it still might have been a funny outing, but somehow I think everything worked out for the best. Trading Places broke many conventions of the time. The black and white stereotypes were a concern, as were other elements. Having a hooker play such a pivotal role was questioned. The studio even expressed some problems with the fate of Mr. Beaks. A little gorilla love went a long way toward the poetic justice these kinds of villians often require. John Landis stood his ground the entire time, refusing to budge. Remove any of these elements, and who knows what we might have ended up with.
Posted in: Disc Reviews by Gino Sassani on June 11th, 2018
Remember when Eddie Murphy was funny? You know, before the fat suites and fart jokes. I guess many of you hadn’t even been born yet. Ronald Reagan was still president of these United States. CD’s were the latest thing. VHS was just catching on. The Rams were still in L.A., and it was the Cardinals that were playing in St. Louis. No one had ever heard about DVD, Blu-ray, 4K, MP3, or Wi-fi. It was 1988 and Eddie Murphy was staring in Coming To America. This is the second of 2 classic 80's Eddie Murphy films that Paramount is delivering on Blu-ray this week. They happen to be 2 of his best films in 40 years.
I’ve long considered this the last funny Eddie Murphy film. It just seems like he’d turned to gimmicks and quick physical humor. He got lazy, and you know what? So did I. I decided it wasn’t worth the effort to get my seat into those theater seats to see him clown around anymore. So journey with me back to a magical time when Murphy was still hungry and he let his talent shine.
Posted in: No Huddle Reviews by Brent Lorentson on June 11th, 2018
“Drugs are tested by the people who manufacture them, in poorly designed trials, on hopelessly small numbers of weird, unrepresentative patients, and analyzed using techniques which are flawed by design, in such a way that they exaggerate the benefits of the treatments.” Forbes
This is the quote that opens up the film Altered Perception. It lets us know right out of the gate that we are about to watch a film that involves drug testing. Unfortunately, it doesn’t quite deliver. The cover art shows us a needle as it’s about to be injected into the eye with a government logo on the eye. It’s a little amusing considering the film is supposed to be about false perceptions that people develop, and, well, for what the film really is, it’s a bad take on couples therapy.
