Disc Reviews

This may very well be our last mission, Ethan…make it count.”

You wouldn’t know it from looking at him, but Tom Cruise was 53 years old when he did this film. So it’s only natural to wonder how many more Missions the indomitable superstar has left in him. Well, if Rogue Nation is any indication, the above quote is meant to be more winking than prophetic. Just like its tireless star, the fifth installment of the 19-year-old Mission: Impossible film franchise is spryer, tighter, and more energetic than its age might suggest with the sixth just about to drop at the box office

No adults? Well, that must be every kid’s and teenager’s dream. No one to tell them what they can and can’t do, what to wear, or how late to stay out. Then again, I suppose if all the adults were transformed into mindless, violent zombies, that might put a damper on the festivities. I know it did for the group from Don’t Grow Up. For this group of juvenile delinquents, they are the last to know that the world as they know it has changed. One minute they are living it up, and the next they are fighting for their lives. Granted, production value is not of the highest caliber. The film more than makes up for it in an engaging story and not shying away from gore in this post-apocalyptic tale.

You might call me jaded, but I am pretty disappointed by the state of horror movies. It's not just the last few years. The truth is I haven't seen 10 really good horror movies in over a decade. Now that I've had a chance to see A Quiet Place, that number isn't going up. A Quiet Place is not a really good horror movie. It ends up making a lot of the same mistakes that filmmakers think define a horror film in the modern age. It relies too heavily on jump scares and characters who do some of the most idiotic things, thus placing them in a somewhat self-created dangerous situation. But I will make the argument that A Quiet Place is still a pretty good horror film because

"The Secretary is dead. The President has invoked Ghost Protocol. We're shut down. No satellite, safe house, support, or extraction. The four of us and the contents of this car are all that remains of the IMF."

The fourth Mission: Impossible entry exchanges digits for a subtitle, and brings in Brad Bird to direct his first live-action feature. So the man whose The Incredibles made fun of the sort of thing that is the bread-and-butter of the M:I franchise is brought in to revitalize said franchise. Result? Job done. Gotcha. You thought I was going to say, “Mission accomplished,” didn’t you?

"You can tell a lot about a person's character by how they treat people they don't have to treat well." 

It had been a decade since Brian De Palma’s Mission: Impossible hit theatres to box office success, established a new blockbuster franchise, and added ‘action hero’ to Tom Cruise’s resume, and six years since John Woo’s highly stylized follow-up raised the franchise to new box office heights. In 2006 the long-awaited third installment arrived amidst controversy about Tom Cruise’s crazy off-screen antics. It was feared that the happenings of Cruise’s personal life would somehow bring down this movie

"This is not Mission: Difficult, Mr. Hunt. It's Mission: Impossible. Difficult should be a walk in the park for you."

After four years and nearly $200 million at the box office, it was only a matter of time before Paramount and Tom Cruise would partner again for a new Mission Impossible film. This time the move would be completely toward the action and stunts and farther away from the television series. The hiring of John Woo to direct the second film put quite a punctuation mark on that move.

“Welcome to North Dakota, the least visited state in America.”

Yeah, that’s what you want to hear when you go to visit a place. I mean, according to Frat Pack, entertainment is so scarce that you have to kidnap a person as a first impression. Well, then again, as first impression goes, I can’t imagine a better one to set up the kind of movie you are watching. Frat Pack is a story in the vein of Animal House. Let me be clear, I am not putting it in the same league as Animal House, just merely pointing out their similar genres.

“Every time a black woman gets mad, she's a stereotype.”

Taraji P. Henson has been a very good and versatile actress for a long time, but she didn’t become a star until she started getting very angry on screen. Her breakout role came in 2015 courtesy of Fox’s Empire, in which Henson’s Cookie Lyon has been known to get into some scraps. So it made sense for Henson to bring her talent for tantrums to the big screen with the help of a filmmaker who once directed a movie called Diary of a Mad Black Woman. Writer/director/producer Tyler Perry seems to be going for “trashy fun”…unfortunately, he only gets halfway there.

"Well, you think about it, Ethan, it was inevitable. No more cold war. No more secrets you keep from yourself. Answer to no one but yourself. Then, you wake up one morning and find out the President is running the country without your permission. The son of a bitch, how dare he. Then you realize, it's over. You are an obsolete piece of hardware, not worth upgrading, you got a lousy marriage, and 62 grand a year."

The more things change, the more they tend to remain the same. In 1996 Paramount was nearing the end of a run of feature films that started with a 1960's Desilu Studios television series called Star Trek. That same year the studio was beginning a run of feature films based on a 1960's Desilu Studios television series that at one time shared an actor with Star Trek, Leonard Nimoy.

Sometimes a movie comes along that has everything going for it: a great cast, a great cinematographer, and a decent plot, but when you watch it, you just scratch your head wondering why it ended up so bad.  That in a nutshell is Terminal.  It stars Margot Robbie, Simon Pegg, and Mike Myers, and for each of them I believe this is a film they quickly want to move past. The tagline for the film is Revenge Never Looked So Good, which is a big part of the problem with the film. I absolutely love the look of the film. It’s beautiful and to a point creates its own style I’d call neon-noir, but unfortunately no matter how good something may look, it doesn’t always mean it will be good.