Alliance Films

In 1983, director Tony Scott wasn't quite as prone to self-caricature as he is today, but he was already enamored of glossy, pretty surfaces, and if nothing else, his vampire movie The Hunger was glossy and pretty. The film arguably remains the most high-profile mixture of eroticism and horror, its place in libidinal history cemented by the love scene between Susan Sarandon, Catherine Deneuve, and Deneuve's body double. The film's lasting cult appeal resulted in a short-lived TV horror anthology series, presented by brothers Tony and Ridley Scott, and running two seasons (1997-8 and 1999-2000). Here we have Season 1, hosted by Terence Stamp.

Woody Harrelson is Arthur Poppington, a child-like adult who fights crime by night in the guise of Defendor. His costume and weapons are DIY: a helmet that records his adventures on VHS, a duct tape “D” on his black turtleneck, a trench club, a slingshot, marbles, lime juice. He is obsessed with tracking down “Captain Industry,” a mythical figure whom he blames for the death of his drug-addicted mother. He runs afoul of corrupt cop Dooney (Elias Koteas at his scuzziest best), beating him and “rescuing” prostitute Kat (Kat Dennings), and the latter convinces him that the crime boss Dooney works for is, in fact, Captain Industry. Arthur sets out on his crusade, and the question is whether his naiveté will triumph, or get him killed.

Several years ago comedian Doug Benson made a joke about wanting to parody the film Super Size Me, after watching it while high, by smoking pot continuously for 30 days. A filmmaker heard that joke and decided to make it a reality. Upon making the film, there was an added catch to Benson's plan of 30 days being “Super High,” as he would have to be stone sober for the 30 days leading up to it.

Nick Twisp (Michael Cera) is a 16-year-old in terminal virgin mode. His home life with his mother and piggish boyfriend (The Hangover's Zach Galifianakis) is a nightmare, but when said boyfriend runs afoul of a trio of sailors, an enforced vacation is mandated. At the trailer park, Nick meets Sheeni (Portia Doubleday), a girl who not only speaks to him but shares his tastes. But Nick has a rival for Sheeni's affection, and in order to win her heart, he must be bad. Conjuring suave alter ego François as his guide, he embarks on an escalating campaign of mayhem designed to unite him with his beloved.

Meg Ryan arrives at her country home a day early, catching hubby Timothy Hutton in the middle of writing her a note telling her that he wants out of their marriage. Knocking Hutton out, Ryan duct-tapes him to a chair, and declares that he will remain her prisoner until he loves her again. Hutton is understandably skeptical that this tactic will work. He is also furious and freaked out. He is even less happy the next day when Ryan heads out to do some grocery shopping, and a thief (Justin Long) breaks enters the house.

The title is grammatically ambiguous. Is this a film about vampire killers who happen to be lesbians, or killers of lesbian vampires? The former might have given the film some nicely subversive potential, but the latter is the case. Our heroes are the gormless pair of the serially dumped Jimmy (James Corden) and the piggish Fletch (Mathew Horne) – basically Shaun and Ed from Shaun of the Dead, minus the wit. Heading out to a randomly picked village in rural England for a low-budget vacation, the duo happen upon a VW bus filled with women who, based on the available evidence, have just finished a gig as background dancers for a hip-hop video. The group arrives at a decrepit mansion and proceed to party, unaware that the area is cursed by the lesbian vampire queen Carmilla. Seeking to resurrect their matriarch, her minions proceed to vamp all but one of the women, and the stage is set for a supernatural battle of the sexes.

Having accidentally blinded a singer during a contract killing, hit man extraordinaire Chow Yun-Fat, consumed with guilt, becomes the woman's protector, and seeks redemption by finding some way to restore her sight. Meanwhile, Danny Lee is the plays-by-his-own-rules cop on his trail, and inevitably the two men will find themselves as unlikely allies in gigantically operatic gunfights.

We are in the midst of the Great War. Michael Dunne (Paul Gross) is a Canadian solider recovering from physical and psychological wounds. He falls in love with his nurse (Carline Dhavernas), and when her asthmatic brother enlists, Dunne heads back to the trenches to protect him, and the two men wind up at the gigantic, murderous battle that gives the film its name.

It's the Bronx in the early 60s and a psychotic man named Heinz (John Turturro) is released from jail and immediately starts stalking the girl he tried to rape (Jodie Foster), which landed him in prison in the first place. Upon hearing about his release, the son of a cop turned pacifist/activist is enlisted as protection despite his hesitancy and desire to move to Mississippi to support the Black communities' struggles there.

A young girl, who is obsessed with purity, appears on a “Chicks Go Crazy” video (a parody of Girls Gone Wild) and gets a group of rowdy (by comparison to her) friends to go on a road trip to track down the dvd and its maker (played by an easy paycheck receiving Rob Schneider), all the while resisting the temptations of drinking and sex.