Paramount

Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character that has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial.
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The fourth season of Matlock brought more of the same. If you’re a fan, that’s very good news indeed. What is that, you ask? Imagine Sheriff Andy Taylor older and now an attorney, and you pretty much have the setup for Matlock. Forget for a second that both characters were played by Andy Griffith. That’s not all they have in common. Matlock is every bit the “southern gentleman” that Taylor was. He might be a little smarter, but he walks and talks like Andy Taylor.
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By 1978 the television detective model had been nearly complete and possibly already a cliché. Dan Tanna might have well been the complete model as far as the formula goes. It was almost as if you could go down a checklist and, like Dr. Frankenstein creating a monster, you would check off the necessary elements. The scripts could then almost write themselves, and you let the show fly on autopilot for three seasons or so until someone decides to look behind the curtain.
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Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character that has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial. While we may not remember the novels, we all remember the man in the persona of Raymond Burr.
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It’s been some years since I had seen an episode of Nash Bridges. I had almost forgotten everything about the show except for two things. I remembered how great Johnson and Marin were together and, of course, that ugly-colored Cuda. I watched these episodes and found that my perspective hadn’t changed. Who cares what the story is about? Who remembers any of the cases? I remember the characters and the car, and 10 years later it feels exactly the same way. In many ways Nash Bridges was the last of its kind. The cycle of buddy cop and car chases was pretty much over. What started with James Rockford
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