Warner Bros.

This is a film that has become a significant contribution to the very the timeline it depicts, which is that of US President Nixon being forced into resignation after the Watergate scandal. This film is an engrossing depiction of the actual reporters who used anonymous tips to help uncover a scandal so big that it rocked the entire US nation. This film was released only four years after the infamous attempt to bug the Democratic offices in Watergate, which spurred the entire course of events in this film. This was a bit of a passion piece for Robert Redford, as he began production while its main characters Bob Woodward and Carl Bernstein (who would be played by Robert Redford and Dustin Hoffman, respectively) were still reporting on related elements. Redford spent tireless hours, acting officially as the producer and star, researching the stories and the characters in order to deliver a compelling but painfully accurate adaptation.

By making these two reporters the main characters, the film became more of a detective story instead of merely a dramatization for what could easily have been a documentary. By seeing the actual methods these two men apply to uncover the details of Watergate, and “follow the money,” makes the audience all the more engaged in their findings. This, despite the fact that most everyone knows exactly how the film ends well before it begins.

"What if a child dreamed of becoming something other than what society had intended? What if a child aspired to something greater?"

It's appropriate that exactly 75 years ago this very month Superman was born at the hands of Jerry Siegel and Joe Shuster. He was born to be the patriotic hero symbol for a nation on the brink of a devastating world war. The war came and went as many others would since the hero's inception. Styles would change. Technology would come and go. Superman would find himself invading each and every medium that has come along since. Television shows, cartoons, comics, novels and even previous films have all continued the ongoing adventures of the man from Krypton. In those years styles have changed so much that the symbols of the hero himself have become quite dated. But in any time there will always be a need for larger-than-life heroes. They don't come any larger than Superman, The Man Of Steel. Can he be as relevant today as he was in 1938?

James Wan is simply a director who continues to impress me.  Ever since Saw was released, I’ve been a fan of his visual style that he brings to every film.  Let’s face it, Saw is pretty much the biggest horror franchise of the past decade, and it all started with a simple little indie film that took place mostly inside a dirty bathroom.  When Death Sentence came out, I was floored by how well he managed to construct a Death Wish film for a new generation.  The parking garage scene was just freaking awesome.  Then along came Insidious, which was another massive smash for Wan.  Sure, the movie had its creepy moments, but for me the final act just fell apart.  Now Wan is set to release The Conjuring upon the masses; is it another smash hit like Saw and Insidious, or will this be destined to fall flat as Dead Silence did?

The Conjuring is based on a true story about famed paranormal investigators Ed and Lorraine Warren who are staples of the paranormal investigation history and made famous for their “findings” with the Amityville investigation in Long Island.  With ghost-hunting shows saturating the cable channels, it was inevitable that we would finally get a tale about the investigators who somewhat started it all.  But this isn’t so much just about the Warrens, but instead about the most terrifying case of their lives.

“Zoe Hart, you went from no boyfriends to two in one night… which one you gonna keep?”

That’s the burning question at the heart of this charming dramedy's second season. Most of the fish-out-of-water shenanigans from the previous year are done now that city girl Zoe Hart has settled into her medical practice in fictional BlueBell, Alabama. As a result, season 2 of Hart of Dixie focuses heavily on the many romantic entanglements of BlueBell’s citizens, led by the least convincing doctor since Dr. Pepper.

"We always thought that alien life would come from the stars, but it came from deep beneath the Pacific."

The only thing we seem to love more than giant monster movies are movies about giant dudes going a few rounds with said giant monsters. It was huge television fare in the 1960's and 1970's. We had Ultraman, Space Giants, and Johnny Socko. All of them were Japanese imports that gave us daily or weekly monsters doing the old "Tokyo Stomp", and just when things appeared at their darkest, the giant hero would arrive and give us a show more akin to the weekend wrestling shows than anything else. We'd get choke-holds and body slams that would make the rubber suits jiggle as they fell. It was all in good fun and appears to have pretty much disappeared from the television and film landscape. That is, until Guillermo del Toro brings us one of the summer's eagerly awaited tentpole films: Pacific Rim.

There's a saying that in the land of the blind the one-eyed man is king. No one would have expected that a one-eyed man could become the king of 3D. But that's exactly what happened with House Of Wax. The film has become one of the definitive films in the 3D format. To look at it on Blu-ray now, it holds up quite nicely in a day where 3D has become almost passé. Still, it's hard to believe that Warner Brothers would choose a man with only one eye to shoot their 3D film. That man was Andre' De Toth, and he was at the forefront of 3D filmmaking. He had written a 1946 article on the potential of the format, and it's likely what got him the job. The result is a horror cinematic masterpiece.

Vincent Price plays Henry Jarrod, co-owner and the genius behind a small wax museum. His figures are so lifelike that patrons almost expect them to reach out and touch them. Unfortunately, the public mind has drifted to the macabre, and the museum is losing money. Jarrod considers the figures to be real enough that he has developed a fatherly love for them, particularly that of his Marie Antoinette. Business partner Matthew Burke (Roberts) has a different feeling for the museum pieces. They are worth more to him burned in a fire for the insurance money. Unable to convince Jarrod, he burns the museum down along with Jarrod.

"My name is Oliver Queen. For five years I was stranded on an island with only one goal: survive. Now, I will fulfill my father's dying wish to use the list of names he left me and bring down those who are poisoning my city. To do this I must become someone else. I must become something else."

That someone...that something else is the DC Comics character Green Arrow. Not to be confused by the same-colored Hornet or Lantern.

Everyone on TV has nicer clothes and a bigger house than you do. And I’m not just talking about fictional doctors or lawyers. Even small-screen characters with relatively modest incomes manage to live in palatial apartments. Need proof? The 2 Allegedly Broke Girls in CBS’s hit sitcom live in an apartment that is literally big enough to fit a horse. (Hi, Chestnut.) Of course, the show isn’t exactly going for gritty realism. The most important thing here is the terrific comedic chemistry between stars Kat Dennings and Beth Behrs, which continues to carry this uneven show.

Max Black (Dennings) and Caroline Channing (Behrs) are best friends, despite the fact that they appear to be polar opposites. Caroline is blonde, skinny and sweet, while Max is dark haired, busty and sour. (Or, as one character put it during the second season, “That’s your brand…the Double D’s and the Ditz.”) Last season, Caroline (the disgraced daughter of a Ponzi schemer) convinced Max (a talented baker) to start a cupcake business together.

"Welcome Back."

"We've started seasons like this many times before. The Winchester Brothers have been separated by apocalyptic events, and someone has to escape from Hell, or in this case Purgatory, to get back to the comforts of Earth. It's just business as usual. Another day at the office for the Winchester boys.

 "Mystic Falls. I was born here. This is my home. For centuries, supernatural creatures have lived among us. There are vampires, werewolves, doppelgangers, witches and even hybrids. There are those who protect them. And those who want them dead. They're our friends. Our enemies. The ones we love. And the ones we've lost. And then there is me. I'm human... at least I was."

And, of course, that was the big news as season 3 of The Vampire Diaries ended and season 4 begins. To save her life Elena was turned into a vampire by Damon's blood. She died in a crash while the blood was still in her system, and as Damon reminds us, we all know either you feed or you die. Those are the choices. What will she decide?