Posted in: Disc Reviews by J C on June 5th, 2014
“Our planet, our war.”
Those four words neatly summarize the overriding theme for the third season of Falling Skies, TNT’s earnest alien invasion drama. While the show still takes its broad thematic cues from the American Revolutionary War, this batch of episodes directly references some of the uneasy alliances formed during World War II. So in between the numerous instances of human characters shooting at aliens — and at each other — the show explored the question of whether the enemy of my enemy really is my friend.
Posted in: Disc Reviews by Jeremy Butler on June 3rd, 2014
What makes us human? That is the primary theme of Robocop, the remake of the 1987 film of the same name. The 1987 film was a huge blockbuster success, spawning two sequels, and no doubt that is the hope for the remake at the very least. Joel Kinnaman steps into the suit made famous by Peter Weller, and he is not the only big name to grace the film: Michael Keaton, Samuel L. Jackson, Abbie Cornish, and Jackie Earle Haley, as well as the great Gary Oldman playing the doctor who made Robocop possible: with such a top-notch cast, how could the project fail?
Deviating from the original plot a bit, Omnicorp is the largest manufacturer of cybernetic organisms and has made billions supplying their devices to the government, which has used the machines to reduce our human military presence overseas, believing that the use of machines makes the process more efficient and prevents the loss of life due to human error. Omnicorp CEO Raymond Sellars (Michael Keaton) aspires to have his product used domestically, taking over for humans as the guardians on the police force.
Posted in: Disc Reviews by J C on May 19th, 2014
“If we act like we belong, they'll think we belong.”
You never know who could be watching when you post something online. Sophia Grace Brownlee is a perfect example of how to become a “star” in this decade. In 2011, the 8-year-old Brit starred in a video of herself singing Nicki Minaj's “Super Bass” alongside her silent, hype man cousin Rosie McClelland. The clip went viral and caught the eye of Ellen DeGeneres, who has repeatedly featured the diminutive duo on her daytime talk show over the last few years. I suppose it was only a matter of time before Sophia Grace and Rosie jumped to the big screen; well, the straight-to-DVD screen anyway.
Posted in: Disc Reviews by Archive Authors on May 13th, 2014
Her is someone you could fall in love with. Her is full of wonderful qualities. Her is elusive and unattainable as well as enticing and satisfying. Her is the awkward title of the new Spike Jonze film starring Joaquin Phoenix, Scarlett Johansson (though not all of her), Amy Adams, Rooney Mara, Olivia Wilde and Chris Pratt. It does not star Samantha Morton, Carey Mulligan or Chris Cooper. It might have, but the project evolved so much that they dropped by the wayside. It grew out of the third collaboration between Jonze and Charlie Kaufman (Being John Malkovich, Adaptation) but Charlie Kaufman also dropped out, and this became a written-by-Spike Jonze project. Her takes place in a non-specific but soon-to-be future in a gorgeous and ethereal L.A. The production design and cinematography couldn’t be more tantalizing and beautiful. The performances by all are soulful and full of nuance in every nook and cranny of their being. Joaquin Phoenix is a whole new bunch of wonderful as our main character. It also applies to her (even though her being is much more elusive).
Her is an Operating System, but an advanced one. It ponders the day that is soon coming where artificial intelligences will start to proliferate. That day is practically here, but it hasn’t quite happened yet. But that day is here in movies. We all remember Hal in 2001: A Space Odyssey. That led Kubrick much later to develop Artificial Intelligence, which show us a little boy who was created to love.
Posted in: Disc Reviews by Brent Lorentson on May 7th, 2014
It was 2007 when Veronica Mars concluded its three-season run on the CW. The door was left open for more seasons, and the season three set came with a bonus that showed us the direction things could have gone. But after one of the most successful Kickstarter campaigns and seven years later, fans of the show will finally get to see their favorite little marshmallow, Veronica Mars, on one last investigation. I’m going to come out and say it; I was a big fan of the show. The high school noir series was more than just your standard teen melodrama. Veronica Mars seemed to always evoke the hard-boiled spirit of Raymond Chandler detective yarns, only it boasted a good-looking cast that spit witty dialog and pop culture references.
The film introduces us to a more mature and refined Veronica (Kristen Bell) who has moved on from being the teenage private eye and is now applying to law firms. She’s come a long way, (literally across country) and has tried to make a life for herself in New York with her boyfriend Piz (Chris Lowell). Everything was going as planned until Veronica sees on the news that her old flame, Logan Echolls (Jason Dohring) is under investigation for murdering his girlfriend. The heart strings are tugged for Veronica, and she hops a plane to travel back home to Neptune and help him out.
Posted in: Disc Reviews by Brent Lorentson on May 5th, 2014
When it comes to the feud between Marvel and DC film adaptions, I think we can all agree Marvel at this point may be winning the battles on the big screen, but when it comes to the animated films DC has been delivering hit after hit. Perhaps it’s because the landscape in animation is virtually unlimited and comes with a significantly smaller price tag to deliver. With the new animated release from Warner Brothers we get a new Batman film that goes where we haven’t seen the caped crusader go, and that is into the shoes of fatherhood. Before you get to thrown by the idea, this isn’t a costume hero version of Three Men and a Baby, but instead something much darker and well deserving of its PG-13 rating.
The League of Assassins are in the middle of training when we first meet Damien (voiced by Stuart Allen); he’s the grandchild of the leader of the league as well as a long standing foe to Batman Ra’s al Ghul. Damien hasn’t simply lived the life of luxury, but instead has lived a life training to be a deadly assassin. I’d love to see this kid in public school dealing with school yard bullies, but this isn’t that story. His mother, Talia al Ghul (voiced by Morena Baccarin) is firm but loving, and her true nature comes through as the temple is attacked by an army of armed ninjas. The battle is intense, and despite all the training by the League of Assassins, they are simply no match for the firepower that is unleashed. Damien isn’t one to run and hide; he doesn’t hesitate to pick up a weapon and fight. Leading this hostile takeover is Deathstroke (voiced by Thomas Gibson); he’s filled with rage and wants to rule the league and kills Ra’s al Ghul in the process.
Posted in: Disc Reviews by Gino Sassani on April 8th, 2014
"There are dark spirits, old and full of hate...The world is in great danger."
A trilogy is a hard animal to pull off. Even when you have a popular franchise, it is extremely difficult. All of the pieces have to work just right, or you could have a disaster on your hands. It is even harder when you've already beaten the odds once and delivered a trilogy that is both loved and a huge box office success. You run into an almost insurmountable mountain of expectations. Your pieces must somehow fit together so that they can be viewed as one whole product. They also need to match the world and production style of the previous trilogy even though technology has changed quite a bit in the decade that separates the two. Lightning doesn't often strike the same place twice, unless you happen to live in Florida, or, apparently, New Zealand, where Peter Jackson has managed to do the impossible...so far.
Posted in: Disc Reviews by Gino Sassani on April 8th, 2014
You know exactly what's going on here. It's Rocky Balboa vs. Jake La Motta, and they're not exactly in their prime. For reasons of property rights, of course, this really isn't Rocky or La Motta, but you and I know it is. The film takes great pains to remind us of each of these iconic characters. Sly's character tries to take a shot at some hanging meat after drinking a glass of raw eggs. De Niro's character is found telling boxing jokes in his own club, just as the real-life La Motta did after his fighting days were over. Both of these actors played iconic fighters in their day. It's safe to say that both the characters and the actors themselves are beyond their physical prime. Sly is just three years shy of 70, while De Niro reached that milestone back in August. And that's what makes Grudge Match a better film as a comedy.
It's been 30 years since Pittsburg's greatest fighters Henry "Razor" Sharp (Stallone) and Billy "The Kid" McDonnen (De Niro) left the fight game. They faced each other twice in their careers, splitting the victories. For each, the other was their only loss. A rubber match was going to happen, but Rocky Razor decided to retire before the fight. Since then, La Motta The Kid has not been able to let it go. He wanted to show the world he was best. It doesn't help that they had an issue out of the ring.
Posted in: Disc Reviews by Gino Sassani on February 26th, 2014
"Let me tell you a story."
Remember the tagline in Alien? "In space no one can hear you scream." Gravity begins, appropriately enough, with complete silence. We're treated to a rather spectacular view of the Earth from orbit. Eventually chatter begins to intrude upon our revelry. We soon meet the crew of a space shuttle mission to do repair work on the Hubble telescope. We quickly learn that this is the final mission for retiring astronaut Matt Kowalski, played by George Clooney, although I certainly consider it a bad sign when he's told to enjoy his last walk. He's acting as a mentor of sorts to younger astronaut Ryan Stone, played by Sandra Bullock. There are others on the mission, but we're treated to very little time with them. In a short time, they won't really matter.
Posted in: Disc Reviews by Archive Authors on November 28th, 2013
What makes a bad movie? What makes a good movie? The standards are getting lost in murky waters, because many of the critics have no interest in film history and the clear record of what is great and what is garbage. That goes for many filmmakers too. Their standards are what works in the last 12 months and how to try out the latest technology. Unfortunately they often forget the tried and true basics like good writing and good acting. Ethan Hawke gets a lot of these small movies. Sometimes it's a fantastic independent film like Before Midnight (part of a series of films for director Richard Linklater including Before Sunrise and Before Sunset) and sometimes it a genre picture that costs nothing that makes a fortune like The Purge or Sinister. Hawke knows what he's doing. He wants to make every kind of picture, because he knows that's the only way to stay viable. Sometimes it doesn't work out.
Getaway is a simple genre picture made to make people happy. The goal of this movie is to have as many car crashes possible in under 90 minutes. Is that so terrible? Not really, but the problem is that it does get monotonous. There are too many crashes. One wouldn't expect that to be a problem, but it is. I've sat through six Fast and Furious movies, and I thought they were all crap except for the last one. Why? Fast and Furious 6 gave up any pretense of being taken seriously and just went all the way to make the movie fun. They spent a ton of money, but they finally just made the movie fun.
