Posted in: Disc Reviews by J C on July 15th, 2013
“You give me a uniform, you give me a number on my back — and I’ll give you the guts.”
More than any sport, baseball is all about numbers. Unfortunately, some of those numbers — like 73 (home runs in a single season) and 500 (career homers) — mean a little less in light of the steroid era. Others, like 56 (Joe DiMaggio’s legendary hitting streak), seem destined to live on forever. The most significant number on that shortlist might be 42, worn by Jackie Robinson when he broke major league baseball’s color line on April 15, 1947. 42 — the film, not the number — is significant for a somewhat surprising reason. The movie succeeds as rousing, crowd-pleasing entertainment by functioning less as a straight-up biopic and more as the story of how Robinson became, arguably, the country’s first African-American crossover star.
Posted in: Disc Reviews by Gino Sassani on July 15th, 2013
It's hard to imagine that Sylvester Stallone and Walter Hill never crossed paths for an action movie in the early days of their careers. Both have established themselves as staples in the action movie genre, and they dominated the 1970's and 1980's. It seems like a dream come true that the actor and director have finally joined forces. Unfortunately, some dreams are actually nightmares, and if Bullet To The Head is any indication, the two stars would have been better off had they remained unaligned.
The story is based on the French graphic novel Du Plomb Dans La Tete by Alexis Nolent. I have never seen the book, so it would not be possible for me to compare the two. Here the story involves hit man James Bobo (Stallone). He's on a hit with his partner Louis (Seda). Things go smoothly until James decides not to kill a hooker witness. Is he going soft? Not really. It turns out the two have been set up by their boss Marcus Baptiste (Slater) who has sent another killer, Keegan (Momoa) to get rid of the team. James gets away, and now he wants to find out who set him up and killed his partner.
Posted in: No Huddle Reviews by J C on July 8th, 2013
“The 1860s was a decade in which one of the most terrible civil wars in history was to begin and end. But far from the bloody fields of Gettysburg and Shiloh, changes — which were to alter forever the face of the American West — had already begun.”
And that pioneering spirit continued to capture the American public’s imagination 100 years later. The Western was the big boy on the block during the 1950s and ‘60s on both television — peaking in 1959, which saw 26 such shows air in prime time — and in the movies. How the West Was Won — starring John Wayne, Jimmy Stewart and Gregory Peck, among others — is one of the more enduring titles from that era.
Posted in: Disc Reviews by Gino Sassani on June 11th, 2013
"Two can keep a secret as long as one of them is dead."
And there are a lot of secrets to be found on the ABC Family show Pretty Little Liars. It seems that Alison (Pieterse) was murdered in the small Pennsylvania town of Rosewood. She was the "queen bee" of a small clique of girls. She was fond of manipulating those around her, and it seems her head games have finally caught up with her. That leaves her four close friends behind to get on with their lives. That's going to be hard now. Allison's body has finally been discovered, the missing-person investigation is now a homicide investigation, and the four little busy bees are at the heart of the storm. Then there's the anonymous "A" who has begun to send them messages that indicates she/he knows many of their most closely guarded secrets. "A" torments them with her/his intimate knowledge not only of the past but what the girls are up to even now. It's obvious that "A" is close and keeping tabs on the girls. Alison may be dead, but it's "A" who is manipulating them now.
Posted in: Disc Reviews by J C on June 3rd, 2013
Bringing big-screen action and spectacle to the small screen is almost always a losing proposition. (A moment of silence for Terra Nova.) It’s just too hard to maintain on a week-to-week basis over the course of multiple seasons. Falling Skies — which, like Terra Nova, counts Steven Spielberg as one of its executive producers — may not be terribly original, but it’s one of the more successful attempts at consistently bringing large-scale thrills to television.
In case you missed the first season of TNT’s hit sci-fi series, here’s a quick catch-up. Less than a year after a devastating, worldwide alien invasion that wiped out most of Earth’s population, we meet the members of the Second Massachusetts Militia Regiment. (Better known as the 2nd Mass.) Tom Mason (Noah Wyle) is the history professor-turned-second in command of the 2nd Mass who frequently clashes with the more militant Captain Dan Weaver (Will Patton) and flirts with pediatrician-turned-combat surgeon Anne Glass (Moon Bloodgood). Tom has three sons: jockish oldest son Hal (Drew Roy), eager youngest son Matt (Maxim Knight) and middle son Ben (Connor Jessup), who was kidnapped by the aliens and outfitted with what humans call a "harness", which affixes itself to children’s spines and allows the invaders to control their minds. A lot of the first season centered around Tom’s efforts to save Ben and culminated with the 2nd Mass’s attempt to bring the fight to the aliens in Boston. The final scene had Tom voluntarily entering a spaceship in an effort to keep Ben safe.
Posted in: Disc Reviews by J C on May 20th, 2013
The conclusion of the wildly popular Twilight saga last fall left a nation of haters high-fiving each other, but it also created a giant, heart-shaped vacuum in Hollywood. Where is the industry’s next big young adult-oriented, human-on-supernatural romance franchise going to come from? This past Valentine’s Day was as good a time as any to find out if Beautiful Creatures — based on Kami Garcia and Margaret Stohl’s “Caster Chronicles” series — was up to the task.
Ethan Wate (Alden Ehrenreich) can’t wait to get out of Gatlin, South Carolina. Thanks to some nimble narration, Ethan explains why he feels trapped in his fictional dead-end town, where virtually every important piece of literature is on the banned list and people enthusiastically re-enact the Civil War as if they’re expecting a different result. Ethan’s spirits brighten when he meets moody outsider Lena Duchannes (Alice Englert), who is literally the girl of his dreams. You see, Ethan has been having the same dream every night about a mysterious dark-haired beauty; unfortunately, he always dies at the end. After a rocky start (is there any other kind?), the two grow closer and Ethan discovers that Lena is a witch.
Posted in: Disc Reviews by J C on April 22nd, 2013
“I want to talk to you about the war for the soul of Los Angeles.”
This could easily describe the current rivalry between the surging L.A. Clippers and the geriatric Los Angeles Lakers, but Gangster Squad has slightly weightier matters on its mind. The stylish 1940s and 50s cops-and-crooks saga wants to tell a story about corruption and violent men unable — or unwilling — to turn off their capacity for hurting others. Instead, the film winds up being a somewhat shallow 21st century gloss on The Untouchables. And there’s absolutely nothing wrong with that.
Posted in: Disc Reviews by Gino Sassani on March 18th, 2013
"My dear Frodo, you asked me once if I had told you everything there was to know about my adventures. Well, I can honestly say I've told you the truth, but I may not have told you all of it..."
It's hard to believe that it's been a decade since Peter Jackson last brought us to the fantastic lands of Middle Earth. It was one of Hollywood's most ambitious projects ever. Jackson took on the perilous journey of adapting J.R.R. Tolkien's famous Lord Of The Rings trilogy, perilous because of the beloved place the works hold in the hearts of those who have read them over the years. There is such a wonderfully detailed world delivered by Tolkien that we already had very vivid ideas of these places and characters. To his credit, Jackson proved to be up to the task and delivered a trilogy that one can only describe as brilliant. The lands and people were just as I had envisioned them since I first encountered them in my own youth. Expanded versions hit the home video market, and about 12 hours of story have made it to our screens. And there it has sat for the better part of that decade.
Posted in: Disc Reviews by Brent Lorentson on February 23rd, 2013
Ever since Ben Affleck stepped behind the camera and took on the role of director, I’ve found myself not only becoming a fan of his work but believing the man has greatness ahead of him. When I first watched Gone Baby Gone, I was more than a little impressed; after all, it was his first time at the helm. But then Affleck released his follow-up film, The Town, and it blew me away. Sure, there were some great movies that came out that year, but the fact that it didn’t make the list of best picture nominees I just can’t understand. But with the release of Argo it would seem the Academy will have a chance to right that wrong and shower this film with plenty of adoration. Sure, this is pretty much a shoe-in for the best picture nomination, but not just because it’s great, but really, what is the competition?
There is a lot that I enjoyed, and dare I say loved, about the film. As the old Warner Bros. logo appeared on the screen I got a little excited. No time is wasted, thrusting us right into the middle of a protest growing out of hand, outside the US Embassy in Iran. The opening works great as the tension builds between the protestors and the Americans doing all they can to destroy all the confidential files they have on hand. With time running out before the embassy is over run, six Americans manage to escape taking refuge with the Canadian ambassador (Victor Garber).
Posted in: No Huddle Reviews by J C on February 20th, 2013
“We never found a single body. Now they’re just missing girls that nobody missed.”
Fictional serial killers have to work extra hard these days if they want to stand out or shock us. Network shows like Criminal Minds bring us a different sicko every week, and a certain popular pay cable hit actually has viewers rooting for the killer. So the best thing I can say about The Factory is that it gives us an exceptionally sick premise. Unfortunately, the straight-to-DVD thriller is ultimately derailed by a sloppy screenplay and a truly preposterous final act.
