1.78:1 Widescreen

As you might be surprised to find out, my aspirations include more than being a darn good dvd reviewer & video game columnist. I like to write, really write and not just interpret other people's works into a ten to twelve paragraph summary document. By really writing, I mean fantasy or the creation of heroes. My wish beyond being published was always to see my work come to life on either the small or big screen. It was refreshing to find a television series based on a fantasy series of books. The Legend of the Seeker is based on Terry Goodkind's Sword of Truth series. But there was something awfully familiar about the series as I continued to watch it. Let's find out what that is.

A woman named Kahlan Amnell(played by Bridget Regan) is traveling with her sister through the countryside and beach but there is one problem. She's being followed by a pack of angry guardsmen on horses. Her sister is struck by an arrow and falls down a cliff. Kahlan soon realizes that her sister is dead and that she must continue en route to her destination. The woman soon reaches the barrier on a nearby beach and it looks like she might meet her end.

I guess they didn’t tell the producer and director of Wrong Turn that an official remake of the Texas Chainsaw Massacre would be gracing the screens in October of 2003. This movie borrows very heavily from the horror classic in terms of the setup, the killers, and the level of gore. Now that being said, this is an above average horror film with excellent makeup and special effects delivered by one of Hollywood’s greatest – Stan Winston, and a good performance by Buffy and Angel regular Eliza Dushku (although it is kind of weird seeing her scream and run away from villains that would be considered lightweights in the Buffy and Angel universe).

The film follows the ill-fated decision by the main characters to drive on a seldom used dirt road to avoid a lengthy delay on the interstate. Once they discover that a barbed wire trap laid in the middle of the deserted road has incapacitated their cars, four of the group of six leave the vehicles to find help. Well, you don’t have to think too hard to guess what happens next – our two remaining young people are the first to encounter the chromosomally challenged inbred hillbilly cannibal killers. Enter the first of many Hollywood horror clichés that are used in this film. The second cliché happens upon the viewer quickly thereafter as our remaining four young people come across the dilapidated home of the aforementioned chromosomally challenged inbred hillbilly cannibal killers. They first investigate the shack only to find a collection of various items that have been left by the previous victims of the inbred family, and upon further searching then find the remains of the victims on plates, in jars, and of course in the refrigerator. As this grisly find is made, the hillbilly three return home for an early lunch, while our heroes scramble to hide and not become dessert. Of course they are discovered as they make their escape (cliché #3) and spend the rest of the movie being chased, culminating in a showdown back at hillbilly central.

“Yellowstone. Volcanic wonderland. Two million acres in the heart of North America, Yellowstone is deep in the Rocky Mountains, an isolated high plateau defended by rugged peaks; in the middle is the National Park. The park and the surrounding mountains form one of the most important and spectacular wilderness areas on Earth.”

There have been a lot of these nature shows coming to Blu-ray high definition lately. No less than two of them cover the beauty that is Yellowstone National Park. While there is a lot to learn about the natural treasure, more in fact than I suspected, it’s not going to be the facts that will drive you to watching this particular three part feature. It’s the absolutely stunning images that make this all that you could want in a travelogue documentary. You’ll soon find yourself completely mesmerized by images that look almost impossibly brilliant in color and sharpness to be real. If you’ve been to the park, this might serve as the ultimate way to recapture such a personal experience. If, like me, you’ve never witnessed the place with your own eyes, now you have. Everyone knows about Old Faithful, but Yellowstone National Park is about so much more.

Written by Adrienne Ambush

Romance. Drama. Tragedy and more tragedy. These four words sum up the entire storyline of Jada in a nutshell.

Most of us watch cop shows. The numbers indicate that the viewing public likes the CSI’s, Law & Orders, NYPD Blues, and even older shows like Hill Street Blues. Apparently about the only cop show we don’t like is Cop Rock (and even that show has been re-broadcast on other networks). So, naturally we get some cookie cutter cop shows that try to break the mold. Flashpoint is one such cop drama that focuses on the art of negotiation. Perhaps this one is interesting already.

Sergeant Gregory Parker (played by Enrico Colantoni) is the head of an elite tactical squad known as the Strategic Response Unit. They work in situations that normal police offers can not normally handle from bomb threats to hostage situations to criminals with an extreme amount of firepower. But the response of lethal force is a last resort as they try to use negotiation and alternative methods to bring the various situations back where they belong.

Do you believe that a numbers wizard can predict the most random of human actions with mathematical equations so accurately as to know where and when such a person will be? If so, then I suggest you put down that letter you are writing to Santa, finish eating that egg a bunny left for you, go to your pillow and pull together all of the loot you got from the tooth fairy, and plunk it down on season three of Numb3rs. No, that’s not a typo, apparently they believe that letters aren’t good enough to stand on their own, so they inserted a 3 where the e should be. Aren’t they so clever? Not. In the fairy tale world of Numb3rs, all you need is an almost obsessive knowledge of math and the crooks don’t stand a chance. It’s almost unfair, isn’t it? Those poor criminals go about their carefully plotted crimes, unaware that everything they do is controlled by math. They live their lives oblivious to the fact they are at the mercy of a diabolical equation which forces their every move. In fact, I suspect some clever attorney somewhere is already preparing the “math made me do it” defense at this very moment. Soon our justice system will be forced to account for this undeniable force on our very destinies. I would go on, but I can’t… must… fight… numbers

Don Eppes (Morrow) is a decorated FBI officer in charge of a unit of the local field office of the FBI. His brother, Charlie (Krumholtz) is a math professor at CalSci. His brilliant mathematical mind is called upon to help the Feds track killers and rapists. No matter how complicated the trail gets, when the going gets rough these guys call on Charlie. Agent David Sinclair (Ballard), the smart tough guy, and Agent Colby Granger (Bruno) the young upcoming agent. Charlie has professor Larry Fleinhardt (MacNicol) to guide him through his struggles. Both of the geeks are socially inept, and we are “treated” to their constant struggles to relate to others, particularly women. Why can’t they write an equation to fix that? Navi Rawat is Amita, a student of Charlie’s who remains to take a job at CalSci, possibly to remain near Charlie. Judd Hirsch is the father to the Eppes brothers. A new agent is added to the mix this year in Nikki Betancourt, played by Sophina Brown. The show is produced by brothers Ridley and Tony Scott, who have had far better luck on the big screen.

What can I say about Showtime’s huge hit, The L Word? If you don’t already know what this show is about, and I was surprised at the number of people I talked to who didn’t, then I’m pretty sure this isn’t the show for you. Remember the old days when you used to watch Sesame Street, and each day the show would be brought to you by a letter and number of the day? Today this review is brought to you by the letter L and the number 6. L stands for lesbians, and 6 is how many seasons the series would be fated to last. Unlike that adorable count, I won’t be able to take you through the count, as I have never seen the show before last season and so only have seen 2 season releases. If you’re a fan and have collected the previous years, this is the portion of the review where you can go to your DVD shelf and count the sets. When you’re done, you may return to the review.

Finished? Good. Now unlike that wonderful muppet inhabited street we were just talking about, The L Word is strictly for the adults in the group. There is little doubt that the series is not only about gay women but for the most part is targeted to that same demographic. If you take a look at the limited extras, it is quite obvious who the intended audience is. There are obvious winks to the lifestyle that I’m really not able to understand, so I missed many of the in jokes. The storytelling is also very much in the vein of a soap opera, so you need to already know these girls before you can really get into these stories. It also doesn’t help to come to this party so late. If you have not been following the show to this point, this is not the time to join in. I suggest that if you are at all interested you go back and start from the beginning. Time and money make that impossible for me, so I’ll have to tell you what I think based on this limited exposure.

Cheesy horror-fests can often be cringe worthy. Take a couple of actors, have a few supporting ones that die and put them in a plot where either they face some giant disgusting creature, a ridiculous serial killer or a lot of little pests. The heroes no matter how bumbling they might be somehow come out with the victory and the rest is cinema magic. We received one such movie with the title: Infestation. Maybe this would be the one that is a little better than the rest?

Cooper (played by Chris Marquette) is a slacker. He goes through life just making from one day to the next. He works at a local call center where he is always late and in the middle of obnoxious games. Today, he is late as usual and tries to make it seem like he is working to no avail. It just so happens he is called into his bosses' office. As the boss, Maureen (played by Deborah Geffner) looks like she is about to fire the young employee, a loud screeching sound is made. People cover their ears and everything goes to black.

If Santa’s making a list, he won’t have to check it twice when it comes to these cheerful little tykes. Lionsgate brings back their popular Ghost House Underground series from last October. The series title likely borrows a bit from the old Grind House Theater that Quentin Tarantino brought back to fashion in the last couple of years. I assume it is intended to denote a horror film that skirts the art house scene. So, how does The Children fit into that mold?

It’s Christmas time in the English countryside. A family has gathered to share some eggnog and Christmas cheer. It’s the typical normal slightly dysfunctional family, and they’re staying in the nice little house in the woods with the children. They definitely drink a lot as the bottle count climbs higher than the bodies after a chainsaw party in Texas. There’s the uncle who wants to get into the pants of his 15 year old niece. Another guy is trying to con his relatives into joining him in a pyramid scheme to smuggle illegal Chinese medicines into the country. But at least the kids are a cheerful bunch. That is, until they appear to contract some kind of a disease that has them spitting up tons of creamy green mucus. Soon the children begin to exhibit aggressive behavior, and before you know it they’re slicin’ and dicin’ their way through the paper mulch snow.

Written by Adrienne Ambush

Imagination is better than knowledge – Albert Einstein