2.40:1 Widescreen (16:9)

“That’s a great fifth option; let’s work on the other four.” 

This line is one of the signature witty clips that Ryan Reynolds brings to the character of Pikachu in this movie adaptation of the popular Nintendo DS video game, Pokemon: Detective Pikachu. It is clear that Pokemon is standing the test of time, as I remember collecting and playing the cards in my youth. Though the card game appears to have fallen out of favor, the franchise received a resurgence a few years ago with the emergence of popular mobile phone app, Pokemon GO! In fact, I wouldn’t be surprised of the popularity of app led to the decision for this live action film starring Ryan Reynolds, Justice Smith, and Bill Nighy. This was a solid opening in my opinion, though I am skeptical of its film franchise potential, given that those without a basic understanding of the video game or card game (there does not appear to be any connection to the original animated series or subsequent animated films besides inclusion of the Pikachu character) are unlikely to get by the questions of “What are Pokemon?” or “Where do they come from?” 

Dolph Lundgren is one of those guys that I enjoy watching and can make a bad action movie worth watching.  Even when he starred in Masters of the Universe, it wasn’t the He-Man I was used to, and it was a B-movie mess, but he pulled off playing the character.  Many love the guy from his performance in Rocky IV, and for me I’m a fan of Universal Soldier, but he never quite reached the superstardom I feel he deserved. Thankfully, decades after his heyday on the big screen, he is still starring in films, though unfortunately a good portion of them are B-caliber action flicks that are simply not taking full advantage of the man’s awesomeness. Dead Trigger is the latest and the newest forgettable film to add to the actor’s catalog.  From its opening moments where it seems to be riffing on Starship Troopers but with zombies, I was certainly hopeful that this could be a fun cinematic romp.  While Lundgren does his best to deliver the goods, it’s everything that surrounds him in front of and behind the camera that seems to be working against him.

With the 50th anniversary of the murders committed by Charles Manson’s followers coming up in August, it’s no big surprise that we’re seeing films that focus on those events popping up on the big screen.  Hollywood has always had a fascination with the crimes. After all, it involved a rising starlet, Sharon Tate, and director Roman Polanski was making a name for himself in the states after the success of Rosemary’s Baby.  We all know what happened with Manson and his followers and the unfortunate fall Polanski took, despite managing to maintain a directing career long after the child rape accusations first percolated.  It’s a tragic story all around, and it’s no surprise why it continues to fascinate people.  Already there has been the film Charlie Says from Mary Harron (American Psycho), and next month we’ll be getting the long anticipated Once Upon a Time in Hollywood from Quentin Tarantino, whose film takes place around the time of the murders.

It hasn’t quite been four months since A Star is Born was released on Blu-ray and 4K and already we have a new release, only this time the film is about 11 minutes longer.  For some this might seem like a double dip, while others this is exactly what fans of the film have wanted.  For me, I’ve always been a fan of extended cuts of films where we get to see how certain deleted scenes actually fit in the film.  Sometimes the extended cuts of films can improve the experience. The Lord of the Rings series is one set that comes to mind. As for A Star is Born, does it breathe new life into the Oscar-nominated film, or does it drag it down?

"Welcome to Benghazi."

It shouldn't matter what your politics might be. The events in Benghazi on September 11th, 2012 bring up some very important questions. Contrary to one 2016 presidential hopeful's declaration, it does make a difference. It did to the people who were there. It does for the families of the four who lost their lives. And it should make a difference to you. With such a political hotbed issue, you'll find that 13 Hours goes out of its way to avoid the political questions. Some might view this as an oversight, but I think it gives the film a greater sense of credibility and makes its impact on the audience to fill in their own political blanks.

In my review for The Hole in the Ground I talk about my feelings about the “Evil Kid” sub-genre. To sum it up, it’s pretty much my least favorite of the horror genres. Well, this week I got back to back reviews for movies in that genre, and I have to say, The Prodigy managed to surprise me. It brought in only $14 million at the box office with a production cost of about $9 million, and most of the critic reviews were not so kind to the film.  Horror and critics really don’t get along so well, as history will show, mainly because for the longest time there has been a bit of a stigma attached to the genre. Thankfully things have started to change in recent years, but some critics still look at horror as nothing more than flashy B-rate cinema.  Here at Upcomingdiscs I’d like to think we have always loved the genre and appreciate it at its most absurd and sometimes gory nature.

If I’m being honest, I never would have guessed that Nicole Kidman could ever pull off playing a dirty undercover cop.  I’m not saying she’s a bad actress; I just never thought the day would come that she would play such a lowdown gritty role, and I’m so glad she did. How Kidman wasn’t showered with awards this past year for her performance in Destroyer is beyond me. This isn’t just a good performance, but what we get in this film is a woman who transforms herself into a role so different from what she’s done in the past that I respect the chance she took with this role, and the result is mesmerizing even if the film suffers from some pacing issues.

Ever since I was a kid I used to love to hear and read stories about the iconic filmmakers from the days before I was born. I soaked up material on John Ford and Hitchcock. Fritz Lang and James Whale were superhuman, it seemed. Meeting Robert Wise was a dream come true, and getting an invitation by Ray Harryhausen himself to attend his Hollywood star ceremony was an honor. But all of these folks were either already gone or at the end of their careers by the time I got to this planet. Since that time there have been plenty of great talents, but the only one in my lifetime who ever seemed to live up in that rarified air was Clint Eastwood. As both an actor and director, I'm not sure anyone has made more of a mark during my generation. Clint's approaching 90, and reality dictates that his days of directing movies are coming to a close.

This is one of those films where the cast had me equally excited and concerned with how the film would turn out.  On one hand it has Harvey Keitel; the guy is a living legend between his roles in Reservoir Dogs, Bad Lieutenant, Taxi Driver, Mean Streets, and countless others.  Keitel is one of those actors who elevates just about any film he’s in, and he’s in several films I’d even call classics.  Then on the other end of the spectrum there is Hayden Christensen, one of the most lifeless performers to ever grace the screen in my opinion. I still have bouts of anger when I see him as Anakin Skywalker.  But I’m always ready to have an actor surprise me, and I always go into a film with an open mind once I sit down and start watching it.  Unfortunately The Last Man is a dud and was a film I struggled with so many of you won’t have to.

"The wizarding and non-wizarding worlds have been at peace for over a century. Grindelwald wants to see that peace destroyed." 

Back in the early days of the internet before videos went "viral", there was a Thanksgiving cartoon about a chef who needed to serve too many people with a small turkey. So to compensate, he kept stuffing that sucker until it eventually exploded. Watching the latest entry in the J.K. Rowling Wizarding World, I was very much reminded of that early video. There's an attempt to make the running time a bit leaner than we've typically seen with these films.