Video

"The film which you are about to see is an account of the tragedy which befell a group of five youths, in particular Sally Hardesty and her invalid brother, Franklin. It is all the more tragic in that they were young. But, had they lived very, very long lives, they could not have expected nor would they have wished to see as much of the mad and macabre as they were to see that day. For them an idyllic summer afternoon drive became a nightmare. The events of that day were to lead to the discovery of one of the most bizarre crimes in the annals of American history, The Texas Chain Saw Massacre."

Marilyn Burns, Paul Partain, Allen Danziger, Teri McMinn, William Vail and Gunnar Hansen individually may not be that well known.

"You should never stop thinking about a life you’ve taken.  That’s the price you pay for taking it."

In 2010 David Michod directed his first full-length feature Animal Kingdom. It was a critical success, and he went on to pick up a Best Director award with the Australian Directors’ Guild.  Now Michod has completed his sophomore effort, The Rover, which does explore some familiar ground with criminal families, but the film takes a more introspective approach to life and what matters most in the world when you believe you have nothing left to lose.

Sibling filmmakers Howard J. and Jonathan Ford seem to be huge believers in the “Location, location, location” real estate adage. The duo — collectively known as The Ford Brothers — previously made The Dead, which was billed as “the first zombie road movie set against the spectacular scenery of Africa.” I actually wasn't a fan of that flick, but saw enough technical skill and enough potential in the concept to make me curious about a follow-up. With The Dead 2: India, the Ford Brothers have once again transplanted old-fashioned zombie thrills to an exotic, under-explored location. Only this time, they brought a story and more engaging performers along for the trip.

"Oh boy, zombie apocalypse!"

No, it's just South Park. But it has invaded pop culture as much as zombies have over its amazing 18-year run. Trey Parker and Matt Stone have been walking a tightrope for over 18 years now, and it just doesn’t get old. One of the reasons the show doesn’t grow stale is their ability to make such a quick turnaround on current events.

In case you’ve been hiding beneath a rock the past few years, The Big Bang Theory isn’t just a hit TV show, but instead it’s a show that has ingrained itself into pop culture.  You can go out to most major retailers and find shirts with “Bazinga”, and I’m willing to bet at least one of your Facebook friends has posted a GIF on their feed about the show.  It’s a show I told myself I wouldn’t get caught up in because I was so sure it was nothing more than a fad.

"The city still needs saving. But not by the Hood. And not by some vigilante who's just crossing names off a list. It needs... something more."

That someone, that something more ...that something else is the DC Comics character Green Arrow. Not to be confused with the same-colored Hornet or Lantern. In season 2 Oliver Queen finally sheds the name and reputation of the Hood or Vigilante. He has vowed not to kill, and he no longer has the list to guide him. His job now is to go after any bad guys in Starling City.

“It’s not the end of the world.”

I still remember the night I walked out of the screening of the Roland Emmerich version of Godzilla.  I can’t remember a time I had ever been so angry at a film.  It was a film that was an insult to the monster that I had held in such high regard right alongside King Kong.  Sure, I had seen the trailers, but when I saw that first reveal of their “Godzilla” I cringed. I hated it. 

"Spartacus' mongrel horde has swelled with each passing victory since Glaber's defeat at Vesuvius. They added thousands to rank liberating the mines of Lucania. Slaves across the Republic, humble and grateful to their masters for so many years, have broken to treachery in the wake of the ever-expanding legend of Spartacus."

Starz has had a pretty good run with their Spartacus series. Coming off the style of blood and violence that was popularized with Zach Snyder's 300, Spartacus brought that comic book/graphic novel intensity to television.

"There's virtually nothing the Winchesters can't do if they work together."

But that's the rub, isn't it? The tradition has been that each of the last several seasons end up beginning with the brothers separated for one reason or another. Often one of them is trying to escape Hell, purgatory or some fantasy mental land. There are at least two times a year they split up over an argument.

"One must regard the 30 years of strife, turmoil and suffering in Europe as part of one story. One story of a 30 years war." - Winston Churchill

He was exactly correct, and one of only a few people of the time who had the vision to understand that concept. Before the end of World War II the first world war was known as The Great War. The idea of two separate world wars came later.