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"Events have been set into motion that you couldn't possibly understand."

If you're thinking of joining The Flash for the first time in season six, that's not going to work out so well for you. Hopefully you're a speed watcher, because you have five seasons to catch up on before you start in on this release. In fact, it's not just The Flash you might want to check out. The Arrowverse DC shows will become more interconnected in this season than they ever have before. It's all leading to the end of Arrow, the beginning of Batwoman, and a five-part crossover that will blow your mind. This is without question the best show in the Arrowverse television family and has been since the day it aired. You're going to love what this series has cooking, but you need to start with getting yourself caught up in order to fully appreciate what is in store for you here. In addition to Arrow, Supergirl, Legends of Tomorrow, and Batwoman, you can find out what we've had to say about The Flash. Check out our reviews of the previous five years here.

"Trust me. This isn't the story I expected to be telling. But you know as well as I that stories, like the people who tell them, aren't always what they seem to be. I suppose I should start here, in Gotham. Three years ago when Batman mysteriously disappeared, it divided the city. Some hoped he'd be back; others figured he was dead. I thought he abandoned Gotham for the same reason he abandoned my family. Because he didn't care." 

The Arrowverse is losing its founding member. The shortened 8th season of Arrow was its last. It was certainly time. The series was starting to literally fold back on itself, and it was time to move on. But that doesn't mean the universe it created is getting smaller. It's expanding. Batwoman joined the universe, and the huge crossover this season and Superman & Lois is about to join next season. There are no empty spaces around this table, at least not for long. Enter Kate Kane, played by Ruby Rose. It's a character almost as old as the Batman himself.

t’s a bold move when a film wants to compare itself to an 80’s classic like The Goonies. If anything, it more closely resembles the 2007 film Disturbia, and that film borrowed heavily from Alfred Hitchcock’s Rear Window.  Had this film stuck closer to the Hitchcock formula, I feel The Wretched could have easily been a stronger film, but the biggest problem the film has is that it tried to be too clever for its own good, and as a result it comes off a bit sloppy and contrived.  That doesn’t mean that this is a bad film; in fact it’s a fun late-night romp, but what’s frustrating is seeing how it could have been so much more.  While I know there was some buzz for this film earlier in the year, I’m kind of wondering if this buzz was generated by those who had actually seen the film or those who had only seen trailers? The film opens up with a young girl arriving at a house to babysit. It doesn’t take long for her to see that something is wrong at the home, and of course something is definitely going on in the basement.  This is our first introduction to the skin-walking, body-modifying witch.

I remember when The Golden Compass came to theaters. I know I saw it because I was a projectionist and had to screen the print, but for the life of me I couldn’t remember anything about the film. Perhaps that’s why that when I first heard about HBO doing a TV series adaption of the beloved book series His Dark Materials that I wasn’t all that thrilled.  I’d never read the young adult series, and considering the amount of awful YA film and TV adaptations that have bombarded us for nearly two decades, it too played a role in squashing any excitement I may have had in different circumstances.  To be fair, when presented the offer to review the series, the odds were stacked against it, though I do attempt to always give a show or film an unbiased chance when I sit down with it.  I feel it’s important I say all this because I want to express just how blindsided I was by this show and its story. Although its target audience with its books may be young adult, by the time the credits of the last episode rolled for its first season I found myself not just engaged with the story, but I had quickly grown attached to these characters and their story in a way I haven’t experienced since perhaps the first season of Stranger Things.

"At least attempt to hide the bias."

Witness the birth of -- actually make that rebirth of --one of the most popular action heroes in literature. Tom Clancy’s Jack Ryan has been a character of many jobs and many faces over the years. Baldwin, Ford, Pine, and Affleck have all stepped into the role of the man who has been a soldier, an analyst, an operative, and a president. What might appear as a clear advantage for this Amazon Prime streaming television show can be just as much a liability. When you throw in the Tom Clancy novels, comic books, and fan fiction, there is a ton of Jack Ryan history that pretty much gives us a story arc from his humble beginnings to extraordinary exploits and wearing the faces of a few good performers. It's a tall order for the series and perhaps an even taller order for actor John Krasinski, who has created a nice little horror franchise with wife Emily Blunt on the side. I don't really have the time or energy to watch streaming shows and films. There's always a backlog here of discs that need to be watched and reviewed, and I've created a rather comfortable viewing experience with my home theatre I call The Reel World. Our motto: Here there be monsters. So last year I had my first experience with this series when Paramount sent the first season on Blu-ray. It was far more of a captivating and compelling series than I expected. Now the second season has reached the Blu-ray home platform format, and while I certainly detect a sophomore slump here, there's still enough interesting drama to keep a fan engaged for another year.

James Cameron is easily one of the most recognizable names in the Hollywood industry. Every time he makes a movie, it manages to break box office records.  As many of us have been waiting patiently for his sequel to Avatar, it seems he was busy working on a small project that takes an intimate look into science fiction.  This isn’t a boring history lesson, though; instead he’s gathered some of the biggest actors and directors of the genre and has a discussion about the various ideas that science fiction presents its viewers and readers. Whether you’re a science fiction novice or a self-proclaimed expert in the field, there’s at least something for everyone in this six-part, four-hour-plus series. The series is broken up into six episodes. Each episode covers a specific theme in the science fiction genre, so it allows you to watch it in any order you’d like. For me, I have to be honest; it’s hard to be impartial and not let my inner geek get excited over this series.  When you have James Cameron and Steven Spielberg discussing how Close Encounters of the Third Kind came to be or see Cameron and Christopher Nolan discuss time travel, this is some engaging material.  The closest thing I’ve seen recently where we get to see talented filmmakers sit down and talk is The Director’s Chair that Robert Rodriguez hosts, but what makes Story of Science Fiction stand out is seeing these filmmakers express their appreciation of the genre and what inspired them.

Despite my dad being away a lot on business as I grew up, he would often make the most of his time spent with me and leave lasting impressions on my mannerisms and character to this very day.  We would play baseball (even though I wasn't very good); he would teach me about money and how to be financially sound (which for the most part I think I do OK).  He would also introduce me to the things he enjoyed, like root beer floats and Abbott & Costello.  Even though these days I can't have many root beers, I can enjoy an Abbott and Costello movie almost any time I like.  One of those movies I remember watching with my dad was Africa Screams.  It was my distinct pleasure to watch that movie again and bring my review to you today.

"I shall tell you of William Wallace. Historians from England will say I am a liar, but history is written by those who have hanged heroes. The king of Scotland had died without a son, and the king of England, a cruel pagan known as Edward the Longshanks, claimed the throne of Scotland for himself. Scotland's nobles fought him, and fought each other, over the crown..."

Mel Gibson had a bit of a rollercoaster life for a while there. His DUI arrest and subsequent anti-Semitic rant caused many to look less favorably upon the man himself. He appears to be making his way back into the fold. Of course, it helps that Hollywood has bigger fish to fry now, and suddenly Gibson's flaws don't appear quite so damning with all the new revelations that really started with Bill Cosby but blossomed with Harvey Weinstein. Gibson's directed films hadn't been as accessible to the public, but last year he took the film world by storm when he released Hacksaw Ridge. It was perhaps the most meaningful World War II film since Saving Private Ryan 20 years earlier. Little by little, Gibson is coming back. He won't win everyone over, but he's making some headway. Still, no matter how you view Gibson or his work today, it can’t be denied that he has created one of the more compelling films of our day in Braveheart.

"Everyone in this country is getting dumber, and I wish marijuana was illegal again!" 

If anything can push the weed cause back 20 years, it's Tegridy Farms. South Park starts its 23rd season with a bit of a new twist on things. For the entire first half of the season, the opening credits change to make it look like a Tegridy Farms show. It's cute and funny for like the first three minutes. I was sick of the concept already last season. So for the first half of Season 23, you're going down to Tegridy farms. In fact it's only the 10th season where the credits and show come close to returning to normal. After Tegridy Farms, there's PC Babies, which actually made me pine for Tegridy Farms for a few minutes. The season sees a few highs, and I don't mean in Randy March's pot farm. Mostly the boys appeared to coast this season, and with a new 3-year deal in place to keep South Park airing into its 26th season, I hope the coast was merely a break so that everyone could catch their wind just a little bit.

It continues to amaze me how Warner Brothers does so well with their DC products in the television universe but manages to execute so poorly with their films.  Despite being a bit formulaic, the CW DC shows are still a blast to watch, but it’s the more adult-oriented shows Titans, Doom Patrol, and Swamp Thing that have left me most impressed.  Now they have released Pennyworth for the Starz Network. Despite the confidence I have in the other shows, I went into this one with cautious optimism.  The biggest question that bothered me was do we need another series that delves into the Batman universe? Gotham recently wrapped up, there’s a Batwoman  series, Joker was last year, and a new Batman film coming next year, not to forget all the other incarnations of the Dark Knight. What had me interested, though, is the notion of finally getting to see Alfred Pennyworth as the former SAS officer in his prime and the chance to see how he became entangled with the Wayne family.  Was the series a letdown or yet another success for the DC television universe?