HEVC

If it feels like you’ve been waiting a while for this film, well, you wouldn’t be wrong. Originally the plan was to release the film March 20, 2020, but this would be one of the first of many films that would be shelved due to the pandemic. There was talk about possibly releasing the film on one of the numerous streaming services out there, but thankfully it was decided to hold out till the lockdowns would end and movie theaters would open up wide across the US. It’s been a long wait for this highly anticipated sequel; was it worth it? I didn’t review the first film, but while I wasn’t exactly blown away by the film the first time around, as I’ve revisited the film I have to admit the film has grown on me, and I’d say it was my second favorite horror film released in 2018 (Sorry, Hereditary continues to knock my socks off to this day.)

Just when you thought the Saw franchise had finally claimed its final victim in Jigsaw, Lionsgate has decided to keep the gruesome franchise going with Spiral.  I know it seemed like the character of Jigsaw had finally been milked (or bled) for all its worth; what more can they do with this franchise?  Honestly, when I first heard about this film, I groaned. I love horror, and I love gore, but even I was feeling the franchise had gotten a bit stale. As it turns out, there does seem to be more story to be juiced from this franchise, and I’ll say it right now, this film was the game changer the franchise needed, and it helps pave the way for plenty of pain, revenge, and justice down the road. This is a film that was long overdue to the franchise, and I’ll go so far as to say it’s perhaps my favorite film of the series since the release of the first film.

"Some people have a hard time explaining rock 'n' roll. I don't think anyone can really explain rock 'n' roll. Maybe Pete Townshend, but that's okay. Rock 'n' roll is a lifestyle and a way of thinking... and it's not about money and popularity. Although, some money would be nice ... And one of these people is gonna save the world. And that means that rock 'n' roll can save the world... all of us together. And the chicks are great. But what it all comes down to is that thing. The indefinable thing when people catch something in your music." 

It doesn't take much more than that little piece of dialog to understand that Cameron Crowe really gets what rock 'n' roll was once all about. If you need more proof than that, then you're in luck, because Paramount is giving you 163 minutes of proof, and for the first time in UHD Blu-ray in all the glory of 4K. Almost Famous is one of the best rock movies ever made.

"Throughout history, different cultures all over the world reference a great tournament of champions. That dragon marking, I think it's an invitation to fight for something known as Mortal Kombat." 

While I do rate this adaptation of the popular video game better than its incarnations that came before it in the 90s, I still wouldn’t categorize it as a great movie. It’s a bit too short on explanation to reach that level. It starts off promising with a showdown battle between the two most popular characters of the game, played by Joe Taslim (Sub-Zero) and Hiroyuki Sanada (Scorpion). The fight is everything that I expected it to be; well-orchestrated with the right amount of bloodshed. However, as the story goes on, the quality of the storytelling takes a hit as the film takes the position that the audience is already well-versed in the backstory of the film.

Just in time for the first days of shooting on the next and final Indiana Jones film, Paramount cashes in on the renewed interest with the long-awaited, at least from this reviewer, release of the first four films in the Indiana Jones franchise on UHD Blu-ray in full ultra high definition complete with HDR and Dolby Vision. OK, I lied about the long-awaited four films. Most of us have long-awaited two out of the first four films, but Paramount gets that. That's why the original Blu-ray release and again the 4K release doesn't give you the option yet to just pick the two you want. If you want Raiders Of The Lost Ark and Last Crusade in 4K, you're stuck with the other two. I'll take that deal, and you should, too. Here's why.

Ever since the release of Godzilla in 2014, just the possibility of this film has been highly anticipated.  The last time we got to see these two titans go head to head, it was in the 1963 version of Kong vs, Godzilla. Sure, it has some value as a campy romp, but you’ll have a difficult time convincing anyone that it was actually a good movie.  No matter what fans may think of the new Monsterverse that we’ve gotten, I feel what can be agreed upon is that each of the films has given us an impressive look at these monsters, not just in their design, but in their fights. While I’m pretty open about my affection for these titans and how happy I am to see them finally get their due beyond the man-in-suit films (which of course I still enjoy and adore), it’s still no surprise to me that the weakest parts have always been the human aspect of the films.

By David Annandale

It is 1979. While filming a Super 8 horror movie, a group of young friends on the cusp of adolescence witness a spectacular train wreck. They later discover that they accidentally captured evidence that there was an alien creature on the train, and it is now loose in their small town. But if the mysterious disappearance of dogs, engines, and (increasingly) people wasn’t trouble enough, the military descends upon the community with an agenda far more merciless and inhuman than that of the alien itself. I was 12 in 1979, and I was shooting Super 8 monster movies, so I get the nostalgia that writer/director J.J. Abrams is going for here, and this is an utterly unapologetic exercise in nostalgia. Abrams is out to recreate the experience of a Spielberg movie from that era, and with the man himself acting as producer, the mission is accomplished

By John Ceballos

“She’s quite a common girl, very common indeed.”

Of course, we don’t need 50 years of hindsight — or more than 100 years, if you want to go all the way back to the original 1913 staging of George Bernard Shaw’s “Pygmalion” — to know that there’s nothing common about cockney flower girl Eliza Doolittle. And there’s nothing ordinary about 1964’s My Fair Lady, the beloved Oscar-winning musical that now gets an uncommonly (but appropriately) lavish ultra-high-resolution release. Chances are you know the story. But even if you don’t, its rags-to-riches DNA can be found in everything from Cinderella to Pretty Woman. In early 20th century London, Henry Higgins (Rex Harrison) is a brilliant and unbearably arrogant phonetics scholar who can spot a person’s place of origin simply by hearing them utter a few words. Higgins is fascinated by the English language

It started in 2013 with Justice League: The Flashpoint Paradox. DC decided to follow the Marvel MCU model and release a series of DC property films in a 16-film phase that ended last year with Justice League Dark: Apokolips War. After 16 films with a couple of branch-offs, that phase/story has come to a close, and a new phase begins with Justice Society: World War II. The stories were pretty much based on the New 52 reboot of the DC comics universe. There have been some exceptional films in the series and a couple of duds. The animation styles varied and conformed to the type of story being told. With the release of Justice Society: World War II we enter a new phase, and so far the theme or source of the new films hasn't been revealed. We know the next two films will be based on the Batman: The Long Halloween comic. After that it appears the DC folks' lips are sealed. While that two-part adventure looks quite enticing, the new series of films opens with a very average entry.

"Welcome to the future. Life is good! But it can be better. And why shouldn't it be? All you need is to want it. Think about finally having everything you always wanted." 

In 1917 Patty Jenkins teamed up with Israeli actress Gal Gadot to create one of the best comic book movies of all time. Wonder Woman had everything. It sported a really good lead actress surrounded by a really good supporting cast. It had a grand scope but still gave us characters at the core with wonderful chemistry and heart. We got plenty of action and huge set pieces without giving up anything in the trenches. It was easily the best superhero film of the decade and the best DC/Warner hero film since the 1978 Donner Superman movie. But the trouble here is that Jenkins already had an incredible formula going here but couldn't resist the temptation to want everything.