The Reel World

The world’s most erotic novel series is coming to an end with the release of the final chapter, 50 Shades Freed. Dakota Johnson and Jamie Dornan reprise their roles as Anastasia Steele and Christian Grey, as the pair enters wedding bliss. Their romance has been a whirlwind, going from meeting to marriage in what seems to be less than six months. However, when it’s right, it’s right; besides, it’s rare that you find someone with the same taste, if you know what I mean. Naturally, happily ever after won’t come as easily as our couple will have to face an old enemy and a new challenge that could threaten to tear the two of them apart.

For Dylan O’Brien, it just seems like his start just keeps getting bigger and bigger. Going from the awkward best friend on MTV’s Teen Wolf to becoming a leading man on the silver screen, he has shown charm and charisma normally only seen in veterans. Another great way a star distinguishes himself is to get attached to a franchise, something he has done with the Maze Runner trilogy. Of course, Maze Runner: The Death Cure spells the end of that run; given his performance in the film; it does not spell the end to his rise. An entertaining and engaging conclusion to the franchise, Maze Runner: The Death Cure follows former glader turned revolutionary Thomas as he continues his battle against his former employers

"We just shoot you. Less paperwork."

Most of us like a good heist film. It's fun to watch clever crooks work out complicated plans and then execute them. It's not hard to root for the crooks if they're likable enough characters. With me I almost have a kind of reluctant respect for criminals who are able to outsmart sophisticated systems. There's something about the perfect crime that fascinates a film lover like me. Logan Lucky was one of the better heist films I've seen in years, and I was ready to spend an hour and a half being impressed by ingenious crooked plan that runs like clockwork once again.

The film Phantom Thread may be flying under the radar for most cinema-goers, but this little gem is a nice distraction from the big-budget fare that floods the theaters. While I’m a fan of director Paul Thomas Anderson’s earlier work (Boogie Nights and Magnolia), the big draw for this film is the perhaps last cinematic performance we may see from Daniel Day-Lewis, who last collaborated with Anderson in the 2007 film There Will Be Blood. While I have to admit the trailers for this film didn’t inspire much excitement from me, it’s the pairing of Anderson and Day-Lewis I was more curious about. The result is one of the more unexpected film experiences I’ve had in sometime. 

"Afghanistan is the graveyard of empires."

You will hear it said several times throughout 12 Strong: For over 2000 years invaders and conquerors throughout history have attempted to bring the mountainous country under a foreign flag. The Russians had been the latest power to attempt to fight there, and in the 1980's that war quickly became their own Vietnam. Such was the plight of the American armed forces after Bin Laden sent planes crashing into buildings on September 11, 2001.

The year kicks off with its first major action thriller The Commuter, and it’s a barn burner.  Total action after an introduction to the plot, the film takes you on the ride of your life with surprises on every turn.  If you like gripping films that work on your mind to try and figure out who the perpetrator is and what they want, then this movie should be on the top of your list. And it’s way better than last year’s Murder on the Orient Express. It’s becoming a monotonous routine for Michael MacCauley (Liam Neeson), a former police officer and now a life insurance agent. He gets up early in the morning, spends only minutes with his wife Karen MacCauley (Elizabeth McGovern) and the children.

Several movies have been released over the past three decades that defend the press or show the importance of the media to inform the public.  This is one of them that for the most part does reveal the inner sanctum of one newspaper as it deals with exposing the government for wrong decisions leading to the death of thousands in the Vietnam War. While the script does reveal the sadness of human life losses that could have been avoided, unfortunately the film uses it to glorify newspapers using old news. A platoon starts taking heavy fire in a wooded area, and the body bags start to fill at a high rate.

“You can't get rid of me that easy.”

Elise Rainier was the only casualty in 2010's Insidious, but the character has proven to be impossible to kill. In fact, Lin Shaye's sympathetic psychic quickly evolved into the main character of this low-budget, high-box office horror franchise. Chapter 2 brought her back in spectral form, while Chapter 3 went back in time to show us an earlier run-in with a restless demon. The Last Key goes even further back in time while simultaneously inching closer to the first film. While the series has pretty much run out of interesting ways to scare audiences, this film does explore the connection between real-life monsters and malevolent spirits.

“The worst thing that can happen to you in sports is fourth place at the Olympics. Seriously……f$*& you.”

So I only had a vague knowledge of the name Molly Bloom when I initially heard about this movie. Basically, I knew that she used to organize poker games for celebrities and masters of industry. I even recall hearing about her getting into legal trouble, but the specifics regarding her situation escaped me. I imagine that was the case for many people that don’t closely follow the tabloids. Molly’s Game, the film based on the experience, sheds a great deal of light onto her legal trouble as well as providing an in-depth look into the titular character herself. Narrated by Jessica Chastain, who also stars as Molly Bloom

I suspect that at about this time last year too few Americans knew anything about Dunkirk and the pivotal role it played in the early moments of World War II. In July Christopher Nolan brought his 70mm cameras out to play and we relived the courageous evacuation of over 300,000 British soldiers from their surrounded position just across The English Channel. Dunkirk was an incredible film that will likely take away some Oscars for the year. But what Nolan's spectacle failed to demonstrate was the reason for all of that action. Why were civilian vessels picking up these soldiers? Those questions are answered in Darkest Hour. I suspect that this film might be sharing some of the stage come Oscar night. e two films appeared less than 6 months apart in the cinemas but they make extraordinary companion films. As movie-goers we couldn't have asked for a better one-two punch on a subject a lot of people have been learning more about just by going to the movies.