Posted in: The Reel World by J C on January 5th, 2018
“You can't get rid of me that easy.”
Elise Rainier was the only casualty in 2010's Insidious, but the character has proven to be impossible to kill. In fact, Lin Shaye's sympathetic psychic quickly evolved into the main character of this low-budget, high-box office horror franchise. Chapter 2 brought her back in spectral form, while Chapter 3 went back in time to show us an earlier run-in with a restless demon. The Last Key goes even further back in time while simultaneously inching closer to the first film. While the series has pretty much run out of interesting ways to scare audiences, this film does explore the connection between real-life monsters and malevolent spirits.
Posted in: The Reel World by Jeremy Butler on December 27th, 2017
“The worst thing that can happen to you in sports is fourth place at the Olympics. Seriously……f$*& you.”
So I only had a vague knowledge of the name Molly Bloom when I initially heard about this movie. Basically, I knew that she used to organize poker games for celebrities and masters of industry. I even recall hearing about her getting into legal trouble, but the specifics regarding her situation escaped me. I imagine that was the case for many people that don’t closely follow the tabloids. Molly’s Game, the film based on the experience, sheds a great deal of light onto her legal trouble as well as providing an in-depth look into the titular character herself. Narrated by Jessica Chastain, who also stars as Molly Bloom
Posted in: The Reel World by Gino Sassani on December 23rd, 2017
I suspect that at about this time last year too few Americans knew anything about Dunkirk and the pivotal role it played in the early moments of World War II. In July Christopher Nolan brought his 70mm cameras out to play and we relived the courageous evacuation of over 300,000 British soldiers from their surrounded position just across The English Channel. Dunkirk was an incredible film that will likely take away some Oscars for the year. But what Nolan's spectacle failed to demonstrate was the reason for all of that action. Why were civilian vessels picking up these soldiers? Those questions are answered in Darkest Hour. I suspect that this film might be sharing some of the stage come Oscar night. e two films appeared less than 6 months apart in the cinemas but they make extraordinary companion films. As movie-goers we couldn't have asked for a better one-two punch on a subject a lot of people have been learning more about just by going to the movies.
Posted in: The Reel World by Gino Sassani on December 19th, 2017
"You may think, "That thing looks human." Stands on two legs, right? But - we're created in the Lord's image. You don't think that's what the Lord looks like, do you?"
A couple of years ago I talked to Joe Dante about a variety of subjects. One of them was The Creature From The Black Lagoon. Dante along with several other directors like John Carpenter had once been attached to a remake of the Universal classic. I asked him why it never worked out. He told me it was the suit. We agreed that no one could ever improve upon the original design and that the temptation would be to go computer-generated and that would be a bit of a shame no matter what it looked like
Posted in: The Reel World by Gino Sassani on December 13th, 2017
"A long time ago in a galaxy far far away..."
It was exactly 40 years ago that we first saw those words flash across the screen. Star Wars was born, and it has become one of the most enduring franchises in film history. The franchise survived a long drought when it didn't seem likely we would ever see those words again. The franchise survived the throes of George Lucas, who created it all and then went a little rogue when he finally did follow up his iconic trilogy. If The Last Jedi and the two previous films are any measurement at all, the best thing George Lucas ever did for the universe he created was to give it up.
Posted in: The Reel World by J C on December 8th, 2017
“Wish we could just make our own movie.”
I have more than 800 reviews to my name on this site, and I've probably watched several thousand movies overall throughout the course of my life. A lot of them are bad. Some are even worse than The Room, which has been dubbed “the Citizen Kane of bad movies.” However, I've never seen a movie that is bad in the way The Room is bad. It seems a substantial chunk of Hollywood — led by star/filmmaker James Franco — feels the same way. The creation of The Room is chronicled in The Disaster Artist, but there's more here than just an anatomy of a trainwreck. The film also works as an ode to underdog Hollywood dreamers who take a DIY approach to (accidental) stardom.
Posted in: The Reel World by John Delia on November 24th, 2017
A great assembling of actors, excellent control by director Martin McDonagh and a vicious script make Three Billboards Outside Ebbing, Missouri a winner. The crime drama, laced with cynical comedy, puts the film up there with the movie Fargo and even TV’s Fargo. While I may like the film, it does have some racist tones that may offend. That said, McDonagh has a penchant for turning the tables on the offensive comments and actions, and here he does it big time.
Posted in: The Reel World by J C on November 23rd, 2017
“Sometimes I think I'm cursed.”
Up until recently, Pixar Animation Studios had a pretty spotless reputation. (At least when it came to the quality of their films.) But while the studio's last three efforts (Cars 3, Finding Dory, The Good Dinosaur) have been financially successful, Disney's own in-house animation studio (Moana, Zootopia, Big Hero 6) has been out Pixar-ing Pixar in terms of delivering creative, crowd-pleasing blockbusters for all ages. (I didn't even mention a little movie called Frozen.) That's why I'm pleased to report that Coco — Pixar's moving, colorful and exhilarating take on Mexico's Day of the Dead holiday — is a thrilling return to form.
Posted in: The Reel World by Gino Sassani on November 22nd, 2017
It is very likely that no story has been retold in films and television more than A Christmas Carol. It has been made as animated specials and computer-generated features. There have been comedy versions. Most television shows, if they're around long enough, get around to spoofing at least the themes. If by now you’re wondering what the dickens I'm going on about, well... you're correct. It's all about classic author Charles Dickens, who literally invented many of the modern trappings of our Christmas celebrations with that one little holiday ghost story. You know the story. But do you know how it came to be? Dickens' writing process is legend to those of us who know his work intimately. Now everyone can get the inside scoop with the charming The Man Who Invented Christmas.
Posted in: The Reel World by Gino Sassani on November 21st, 2017
Last Flag Flying was adapted from a book by Darryl Ponicscan which is a sequel to his The Last Detail. That book was adapted for the screen in 1973 and starred Jack Nicholson, Otis Young, and Randy Quaid and was directed by Hal Ashby for Columbia Pictures. In The Last Detail we find two characters taking Randy Quaid's character to the Navy prison for stealing $40 from the CO's wife's favorite charity drive. Along the way they all bonded a bit, and the film played out as a statement, of sorts, to the Vietnam era we were just finally about to put behind us in a year. Last Flag Flying is based on the written sequel but is not exactly a true sequel to the earlier film.