The Reel World

“Who could ever learn to love a beast?”

Although it’s not quite a tale as old as time, people around the world have been enchanted by the story of “Beauty and the Beast” for centuries. The French fairytale was first published in 1740 and has subsequently spawned everything from a classic 1946 big-screen romance to Ron Perlman. Still, the most popular iteration of this story is Disney’s beloved 1991 animated musical, which helped solidify the Mouse House’s cartoon revival and serves as the most direct inspiration for this dazzling live-action adaptation. Then again, the fact that this new version is essentially a pretty close copy of a copy takes some of the bloom off this particular rose.

Every year it seems the “summer” movie season starts sooner than the year before.  Here we are, the second Friday of March, and already we’ve seen the huge box office weekend for Logan, and now this weekend we have the release of Kong: Skull Island.  Ever since Kong first graced the big screen back in 1933, every film that followed was a mega-event. Personally it wasn’t till 2005 that theatergoers got to fully experience the massive beast in all his glory as he became worthy of the title “the 8th wonder of the world”.  Now we have Legendary Entertainment playing in the giant monster movie sandbox with plans to set up a series of monster films.  All this leads up to the inevitable clash of the kaiju monsters where we will finally see the showdown of Godzilla vs. King Kong.  Before we begin to get too excited, how does our current trip to Skull Island fare?

"I always know who you are. It's just that sometimes I don't recognize you."

Logan is perhaps one of the most interesting, endearing and popular characters in the Marvel universe. Wolverine has the distinction of having been created by someone other than Stan Lee and Jack Kirby. While they invented the X-Men team from which the adamantium-clawed warrior was born, he was actually created by the team of Len Wein and John Romita, Sr. in the mid 1970's. Since that time the character has taken on a life of his own, a life that is as much owed to actor Hugh Jackman as anyone else.

“Sometimes...if there's too many white people, I get nervous.”

Some of the very best horror films/psychological thrillers succeed by taking a relatable source of anxiety and cranking it to 11. For example, The Exorcist can be viewed as the worst-case scenario for anyone suffering a crisis of faith, while The Shining taps into the madness of being cooped up with your family for too long. Get Out works because it uses the nerve-wracking experience of meeting your significant other's parents for the first time as a jumping-off point to tell a subversive, insightful, and entertaining story that mashes together Guess Who's Coming to Dinner and The Stepford Wives.

It’s kind of a big deal when discussing the film The Great Wall to mention that it is the most expensive Chinese film made to date.  With an estimated budget of a $150 million, I can understand the stunt casting of putting Matt Damon in the film that takes place during the Great Wall’s construction.  It’s quite simple; Matt Damon is an international star, and he puts people in seats.  What’s more surprising is that at one time Edward Zwick was on board to direct, but eventually that position would be passed on to  Yimou Zhang. For those unfamiliar with Zhang, he’s responsible for such martial arts epics Hero and House of Flying Daggers, and for Zhang this would be his first Hollywood feature.

"You wanted me back. I'm back."

Keanu Reeves has enjoyed somewhat of a career renaissance thanks in no small part to the success of John Wick in 2014. There he teamed up with some stunt friends of his going back to The Matrix, and together they brought a new action hero to the screen that was as much graphic novel as it was action film. It would become the directing debut of the stunt team of Stahelsky and David Leitch. Along with their action star, everyone stuck to what they knew and refused to overcomplicate the whole thing.

“Black...all important movies start with a black screen...”

I completely understand if you're Batman-ed out by now. The Caped Crusader barely had a chance to catch his breath since the end of Christopher Nolan's landmark superhero trilogy in 2012 and being pressed back into duty to help kickstart Warner Bros.' budding superhero universe last year. But between those two iterations, we got a glimpse at a fresh, knowingly funny version of a hero that takes himself entirely too seriously. Batman was a scene-stealing supporting player in 2014's block-buster The Lego Movie, and now he once again takes center stage in a sharp, hilarious, irreverent adventure that celebrates practically every version of the beloved character.

From the suggestion of the title, you would think that we would be diving deeper into the world of BDSM, but after watching, the only thing that I can say about Fifty Shades Darker is that it’s a love story. Yes, I know that it was always a love story, but the first film possessed an edge and intensity, which no longer exist in the sequel. Disappointing is too pale a word for the film. From its failure to properly capture the essence of the source material, less than engaging performance of the leads, and the vanilla nature of the sex scenes, the movie does not live up to the hype. If 50 Shades of Grey pushed the envelope with its sexuality, 50 Shades Darker embraces the commercialism of a sequel for profit rather than effect.

Robert De Niro is arguably one of the most talented actors living today. There's little doubt that he'll long be remembered as a legendary force in motion picture history. But there has long been a downside to the iconic actor. He hasn't had a good starring role in over a decade. It looks too often as if he's been more interested in chasing a likely unneeded paycheck than adding to his already established legacy. For every Godfather Part 2 or Deer Hunter, there's a Dirty Grandpa or Fockers sequel. For each Good Fellas or Raging Bull, there's a Stone. And since the turn of the millennium, De Niro has gravitated more and more to comedy.

When The Ring (2002) first came out, if you looked hard enough you could still find movies on VHS, so the thought of a mysterious tape that kills you seven days after watching it wasn’t so entirely farfetched.  Now that we are in 2017, if someone were to find a mysterious VHS tape, well, they’d be out of luck for the most part, since I’d wager most of the US population no longer has a VCR.  But Hollywood won’t let this stop their successful franchise from moving forward, even though it’s been 12 years since The Ring Two, this weekend is the release of the third film in the series, and quite frankly, I have to wonder if anyone really wanted this.