Posted in: The Reel World by Brent Lorentson on March 12th, 2015
“Tell everyone to get ready. Jimmy is coming.”
If someone were to tell me while walking out of Schindler’s List that 20 years later Liam Neeson would be an action star, I would have thought they were out of their mind. Between the trio of Taken films and numerous films that seem to be cut from the same ilk, Liam Neeson seems to be walking in the same footsteps as Charles Bronson and Clint Eastwood as being the go-to everyman that just so happens to be a badass with or without a gun.
Posted in: The Reel World by Archive Authors on March 10th, 2015
It's hard to understand our relation to the past today, especially in America. Africa, Europe and Asia had ancient history, but the USA only really has the Old West. This country has no real history, and most of its people came from other parts of the world. The immigrants would funnel into New York City to get away from the Old World, looking to build a better life. The West was unpopulated and barely governed. Most small towns were ruled by the man who could hire the most guns. If we think things are bad today, we really don't understand how it was when people could be gunned down with little consequence. Sheriffs were often scared, alone, and afraid that each day could be their last. Most people tried to stay to themselves and avoid getting shot. It was a dirty and bleak life.
Posted in: The Reel World by Archive Authors on March 7th, 2015
Unfinished Business starring Vince Vaughn, Tom Wilkinson, Dave Franco, Sienna Miller, James Marsden and Nick Frost is a raunchy comedy. I say that because it is the most important thing I can say that would make people want to see this movie. It is raunchy, but it is mixed with so many other issues and tones that the raunchiness and comedy sometimes get lost in the mix. The film is really more about anxiety and failure. There are so many elements mixed in that this emotional rollercoaster of a movie is so full of strange turns that it is difficult to enjoy the ride.
Posted in: The Reel World by Brent Lorentson on March 6th, 2015
Despite the twinge of disappointment I felt as I exited the theater after seeing Elysium, I still believed writer/director Neill Blomkamp was more than a one-trick pony with District 9. Now two years after the release of Elysium, Blomkamp is set to release Chappie, a sentient-robot film that from the trailers evokes comparisons to Robocop and Short Circuit, which could mean either that could be a hit or another disappointment. A disappointment could be trouble for Blomkamp. After all, his concept images and storyline for an Alien sequel has relit excitement for a franchise that many had felt died after the third entry.
Posted in: The Reel World by J C on February 27th, 2015
“That’s what you get when you hire a con man.”
As much fun as it is to watch clever, cagey characters try to outsmart one another on screen, the real appeal of movies about con artists is watching filmmakers try to pull the wool over the audience’s eye. It’s an especially tricky proposition when you consider that — thanks to the Internet — moviegoers might be more sophisticated than ever in terms of knowing how movies are supposed to work. (Or at least *thinking* they know how movies are supposed to work.)
Posted in: The Reel World by Gino Sassani on February 20th, 2015
What do you do with your life when your Dad is Chucky? You star in your own films. Of course, some of those are going to be of the horror variety. That's the story with Fiona Dourif who stars with Robert Englund and Thomas Dekker in Fear Clinic out from Anchor Bay. I got the chance to talk to her about her new film. Certainly, we had to touch on father Brad Dourif and her experiences in the Chucky franchise. Want to know what she had to say? Of course, you do. Bang it here to listen in on my chat with Fiona Dourif.
Posted in: The Reel World by Brent Lorentson on February 13th, 2015
I hope you have your fuzzy cuffs ready. Not only is this weekend Valentine’s Day, but it is also the release of the highly anticipated film Fifty Shades of Grey. It’s just about impossible to have not heard of the enormously successful book series that women across the globe have devoured and obsessed over since the books first hit the shelves. It’s a phenomenon that has sparked interest in women to think of new and creative ways to spice things up in the bedroom. On the other hand, since the announcement of the book being made for the big screen, men across the globe have dreaded the day that their wives and girlfriends would drag them to the theaters.
Posted in: The Reel World by Gino Sassani on February 13th, 2015
"Did you see the movie Trading Places?"
Well, this isn't that movie. It can be as funny as Trading Places, though. There aren't any shades of gray here either. It's good old fashioned “good guys and evil genius” stuff all the way. It's a thrill ride that we won't have to wait in long lines to get on. This is like going to a summer movie and trudging through the snow to get there. Depending on where you live, of course. I'm talking about Kingsmen: The Secret Service.
Posted in: The Reel World by Brent Lorentson on February 7th, 2015
Riding on the coattails of the success of the The Lord of the Rings films and The Hobbit, studios have attempted to cash in on the revived interest in fantasy films. There have been many flops along the way; Game of Thrones seems to be the only series that has managed to not only be a success but break out as a hit with a legion of loyal fans. Universal now has stepped up to the table to hopefully embark on what they could hope to be a new successful fantasy franchise with Seventh Son.
Posted in: The Reel World by J C on February 6th, 2015
“To live is to consume.”
Sometimes it feels like we've already consumed every conceivable type of Hollywood blockbuster. Besides movies adapted from comic books or, um, older movies, we've gotten mega-budget films based on board games and theme park rides. And that's why I was so excited and intrigued by Jupiter Ascending, especially when The Wachowskis' nutso space opera was slated to hit theaters during what seemed like a particularly sequel-heavy Summer of 2014. The movie, in theory, represented a wholly original vision
