The Reel World

What do you do with your life when your Dad is Chucky? You star in your own films. Of course, some of those are going to be of the horror variety. That's the story with Fiona Dourif who stars with Robert Englund and Thomas Dekker in Fear Clinic out from Anchor Bay. I got the chance to talk to her about her new film. Certainly, we had to touch on father Brad Dourif and her experiences in the Chucky franchise. Want to know what she had to say? Of course, you do. Bang it here to listen in on my chat with Fiona Dourif.

I hope you have your fuzzy cuffs ready. Not only is this weekend Valentine’s Day, but it is also the release of the highly anticipated film Fifty Shades of Grey.  It’s just about impossible to have not heard of the enormously successful book series that women across the globe have devoured and obsessed over since the books first hit the shelves.  It’s a phenomenon that has sparked interest in women to think of new and creative ways to spice things up in the bedroom.  On the other hand, since the announcement of the book being made for the big screen, men across the globe have dreaded the day that their wives and girlfriends would drag them to the theaters.

"Did you see the movie Trading Places?"

Well, this isn't that movie. It can be as funny as Trading Places, though. There aren't any shades of gray here either. It's good old fashioned “good guys and evil genius” stuff all the way. It's a thrill ride that we won't have to wait in long lines to get on. This is like going to a summer movie and trudging through the snow to get there. Depending on where you live, of course. I'm talking about Kingsmen: The Secret Service. 

Riding on the coattails of the success of the The Lord of the Rings films and The Hobbit, studios have attempted to cash in on the revived interest in fantasy films.  There have been many flops along the way; Game of Thrones seems to be the only series that has managed to not only be a success but break out as a hit with a legion of loyal fans. Universal now has stepped up to the table to hopefully embark on what they could hope to be a new successful fantasy franchise with Seventh Son.

“To live is to consume.”

Sometimes it feels like we've already consumed every conceivable type of Hollywood blockbuster. Besides movies adapted from comic books or, um, older movies, we've gotten mega-budget films based on board games and theme park rides. And that's why I was so excited and intrigued by Jupiter Ascending, especially when The Wachowskis' nutso space opera was slated to hit theaters during what seemed like a particularly sequel-heavy Summer of 2014. The movie, in theory, represented a wholly original vision

"I found something."

Once in a while a film comes along that defies the current trends and styles in Hollywood. Inevitably, those films usually end up being dumped on the box office in the late winter months after the holiday blockbusters have run their course and the push for notice by the Academy has reached the end of the calendar year. It is in the depths of these cold months that studios deliver the almost-rans, the square pegs, and once in a while a gem that doesn't really fit any of the other models.

There are certain things that are obvious to some of us, and nobody wants to talk about them. All people are full of weaknesses that they then try to deny exist. People are people, but some people think they are better than other people. It seems obvious that we should all try to get over our hatred and be more accepting of all our differences and see how much alike we all are. Black or White is an important movie that comes in the form of a fun and heartwarming melodrama.

"The thing that haunts me are all the guys that I couldn't save."

I have to admit I was a little skeptical that Clint Eastwood followed up his directing stint on Jersey Boys as quickly as he did to shoot American Sniper. The former was far from one of his better efforts, and he looked increasingly out of his element by the time it was said and done. He jumped into his preparation for American Sniper almost immediately, and the results could have been...underwhelming. Instead Eastwood hit his target with the kind of profound impact I don't think I've seen from him since Unforgiven.

While writing up this review the Oscar nominations are going to be announced in a few hours and for Foxcatcher, any nominations it receives will be yet another footnote in this films journey as it widens its release to a larger audience.  Ever since director Bennett Miller won best director at Cannes in 2014 for the film Foxcatcher has become one of the most buzz worthy films of 2014 with a trio of actors that have had more than their fair share of  praise for their performances.

“We negotiate, we demonstrate, we resist.”

Early on in Selma, Martin Luther King Jr. succinctly summarizes his preferred method for affecting change during the Civil Rights Movement. The film then proceeds to effectively dramatize each bullet point in that mantra. Selma sometimes looks like the typical “Great Man” biopic and it is very much a period piece rooted in a specific time and place. But the film still manages to feel alive and relevant today by embracing the deeply humane — and deeply human — spirit of Dr. King's righteous work.