The Reel World

“Are you a believer in order?”

The natural order of things during the summer movie season is to be pummeled by one would-be blockbuster after another, each aiming to be louder and more extravagant than the last. So debuting A Little Chaos — a 2014 British period drama about a seemingly esoteric chapter of French faux-history — amidst all this noise is a curious decision. While the film certainly nails the “extravagant” part and largely adheres to costume drama conventions, there's just enough here to make it a thoroughly pleasing alternative to the typical multiplex fare.

The original Ted movie gave us the answer to what would happen if a beloved toy came to life. I know what you are thinking; Toy Story provided us with the same answer, except Ted went a step further and revealed what happens when the little boy and the beloved toy grow up. Ted was a hard-drinking and drug-taking movie that was beloved by many. When it came to that movie I was thoroughly satisfied, and I did not believe that it could be improved upon, so when I heard the announcement of the sequel, I had reservations. In my opinion, the sequel was clear money grab that was going to ruin all that the original accomplished. I told you that to tell you this: I stand corrected. As it turns out, there was more story to tell, and I am glad that I got to experience it.

I should say right up front, it seems like everyone loves this film but me. That is pretty much true of all Pixar films. They seem to be above reproach, regret and retribution. I love some Pixar films very much, but many I find to be overpraised. In the case of the new film Inside Out, it is not so much bad as disturbing. It is well made but suffers from two problems. It is not overwhelmingly profound while being somewhat bewildering. Some people might say it is a film for kids, so I should give it a pass, but I disagree.

"We need more teeth."

That's the problem with sequels, isn't it? There's always the belief that you have to go bigger and stronger than you did before. It's an ideal that is also reflected quite literally in the story of Jurassic World. You know what kills worse than dinosaurs? Expectations. It is those expectations that will turn what is a pretty solid action movie into a disappointment for so many. No doubt, Jurassic World is a fun and entertaining movie. But it's not Jurassic Park, and the truth is it never could be. If you go to this movie hoping to recapture what you felt the first time you heard the words "Welcome to Jurassic Park"

I don't enjoy writing negative reviews. It's a struggle when the film experience was joyless and then to have to go back and relive that. I also don't enjoy reading reviews by other critics that get everything completely wrong. It's even worse when almost all the critics get it wrong. Even worse than that is when I see critics dumping on a film that's actually good, but that's a story for a different day. How can I say Spy is so bad? Because I had to sit through the movie. I can get some enjoyment out of even the worst movies, and that's true here, but I would not recommend it to unsuspecting viewers.

“If you call out to one of the dead, all of them can hear you.”

This lesson is very familiar to anyone who has seen either of the first two Insidious films, a pair of old-fashioned (no sex, no gore), highly-profitable chillers. Of course, a potential problem for this third installment was that the characters in these movies really should have learned that lesson by now too. The makers of Insidious: Chapter 3 smartly sidestep that issue by turning back the clock on the franchise. I just wish the rest of the film had more of that ingenuity and fewer blatant, unearned jump scares.

“We'll get hit again...and it's going to be a bigger monster.”

The character who utters these words in San Andreas is referring to an impending earthquake that could literally rip California apart. But he could just as easily be talking about the summer movie season, when audiences who have just been rocked by a catastrophic quake have to deal with something called “Indominus Rex” a mere two weeks later. San Andreas almost certainly won't end up as the biggest bully on the Hollywood block, but it's a big, dumb, fun disaster flick the whole family can enjoy.

We all love underdogs. Even if we think we're the greatest thing since chipped beef on toast, secretly we think we're the underdog.  No matter how great our life is, we don't think it's good enough, and everyone's out to get us. Pitch Perfect was a movie about underdogs, and it was an underdog itself. It was a movie about women, nerds and dorks. Just in case you think I'm being insulting, I actually think all three of those things are great, but they are not always given the respect they deserve. The first movie was thrown out in the marketplace with the expectation that it would starve and die.

It is one of the most anticipated movies of the summer and another subject in the category of can Tom Hardy do no wrong? Mad Max: Fury Road is the reimagining of the iconic film that helped launch Mel Gibson’s career decades earlier. This is not new territory in Hollywood by any stretch of the imagination; remakes have happened so often in recent years that they have practically become their own genre. However, I would like to point out something that will hopefully set this film aside in the eyes of the audience: how often do you see a remake that is overseen by the creator of the original film that you know and love?

by Dustin P. Anderson

The entirety of this movie is shot from the perspective of our main protagonist’s (Blaire) computer screen. Her friends start a video conference, and they are soon haunted by the memory of their friend who committed suicide due to cyber bullying (and I guess some regular bullying too). Her friends start dying from forced suicide (or suicide from being possessed by a spirit), and they must play this spirit's game in order to survive. I was pretty excited to see if this movie could accomplish being scary from a bold new way of filmmaking.