The Reel World

You can't make this stuff up. OK, maybe you can. When Evan Goldberg and Seth Rogen decided to embark on their directorial debut, they must have spent many hours huddled together to come up with the perfect concept. When they finally reached that perfect pitch they threw it in the trash can and decided to have fun instead. The whole idea is based on a short film by Jason Stone called Jay And Seth vs. The Apocalypse. With a title like that, you probably already know more than you need to know to figure out this movie.

It starts when Jay Baruchel comes to L.A. to visit his buddy Seth Rogen. Seth has been trying to help his old friend fit in with his new Hollywood friends. Jay doesn't really like the Hollywood guys and resists any chance to hang out with them. Of course, Seth also has a week of weed and video games planned, which is more Jay's speed. Seth does get Jay to agree to come with him to James Franco's housewarming party. That goes pretty much the way Jay expected. He gets some "fake" nice talk from the assembled celebs and is basically abandoned by Seth. The night's going pretty much according to plan...well...except for the nasty Apocalypse that just happens to strike while Jay's making a store run. The Earth is opening up and fire is raining down on the world. Some folks are being beamed up in bright blue shafts of light. So he heads back to Franco's where no one believes him. But if you can't bring this collection of funny guys to the Apocalypse, the Apocalypse comes to the funny guys. A huge hole opens up on the lawn and most of the party guests get sucked into the ground.

“Commencing at the siren, any and all crime — up to and including murder — will be legal for 12 continuous hours. Blessed be our new Founding Fathers and America, a nation reborn.”

You know writer-director James DeMonaco has a killer concept on his hands because the plot for this movie is simultaneously outlandish and thought-provoking. Unfortunately, The Purge ends up being a prime example of when bad movies happen to great ideas.

“Come in close. No, closer. I want you to really pay attention because the closer you look, the less you’ll see.”

With these words, J. Daniel Atlas sets the tone for Now You See Me, warning us not to focus too much on what he and his fellow magicians are doing, but to look at the big picture…the overall plan. Sadly, curious creatures that we are, we can’t help but look closely, trying to catch them in the act, believing we’re a step ahead when we’re actually three steps behind.

“Fear is not real. It is a product of thoughts you create. Do not misunderstand me. Danger is very real, but fear is a choice.”

It’s been seven years since father and son Will and Jaden Smith partnered up for Jaden’s first film role in The Pursuit of Happiness. Since then, Jaden has managed to forge a path similar to his father’s albeit his own starring in his blockbuster films The Day the Earth Stood Still and a reboot of 80’s popular franchise The Karate Kid. No doubt Will Smith looks upon his son’s accomplishments with pride, but no matter how fulfilling it may be to forge your own way, there is something to be said about the comforts of familiarity. Opportunity for a re-teaming comes in the form of the Shyamalan-directed dystopian film After Earth.

“Any of this feeling familiar to you?”

Remember how everybody was really excited to see some of their favorite superheroes — plus Hawkeye (I kid, I kid) — in the same movie last summer? Well, I feel compelled to point out a different group of muscle-bound misfits actually beat The Avengers to the finish line by more than a year. Fast Five, released in April 2011, featured characters from each of the previous four Fast & Furious entries and, not coincidentally, easily became the biggest hit in the action franchise. So getting the gang back together for another round of motor-based mayhem was — much like these movies — a no-brainer.

“Someone should burn this place to the ground.”

How do you satisfactorily finish a story? You bring it full circle. They say, “What happens in Vegas, stays in Vegas.” But for Phil (Bradley Cooper), Stu (Ed Helms), Alan (Zach Galifianakis) and Doug (Justin Bartha), what happened in Las Vegas four years ago will come back to haunt them. In this conclusion to The Hangover saga, the Wolfpack returns to where it all began to face their toughest challenge yet.

"The needs of the many outweigh the needs of the few."

Every Star Trek fan has had that phrase beaten into their brain about as many times as Uncle Ben's mantra about great power and great responsibility. Who knew that the tagline was appropriate to filmmaking? When J.J. Abrams signed on to direct the reboot/remake/reimagining/rehash (insert your own word here) of Star Trek he quickly made it known that he was not really that into the franchise. He considered himself a Star Wars man, and a chill went through the spine of every Trek fan on the planet. I approached the 2009 effort with dread.

I still remember reading “The Great Gatsby” in my high school English class and dissecting its many themes, including the corruption of the American Dream. “One day, someone should make this into a big-budget 3D movie,” said Absolutely No One. When this project was first announced, it seemed more like a commercial parody on Saturday Night Live than a real movie. I mean, what other high school English staple was Hollywood going to co-opt next? Maybe next summer will bring To Kill a Mockingbird: Die Mockingbird Die! (in IMAX 3D, of course). It’s not that I believe 3D should be confined to cartoons, cheesy horror flicks or anytime James Cameron decides he actually wants to make a movie. The absurdity of the 3D tag for The Great Gatsby had less to do with the film’s literary origins — the extra dimension was used to stellar effect in the adventurous Life of Pi — and more to do with feeling totally unnecessary when applied to such rich source material.

My fears that the book’s substance was going to get buried under a mountain of excessive style were heightened when I found out Baz Luhrmann — most famous for the audacious, gaudy “Red Curtain Trilogy” comprised of Strictly Ballroom, Romeo + Juliet and Moulin Rouge! — would be adapting the novel. But as the film’s release date grew closer, got pushed back, and then grew closer again, something strange happened. Something even more unlikely than Jay Gatsby cranking a Jay-Z track from his iconic yellow roadster; I actually started to warm up to the idea of The Great Gatsby 3D.

The first question you have to ask: “Was Stanley Kubrick a genius?" There are those who assert his IQ was ridiculously high (200+). Kubrick himself replied that he was below average. I tend to agree with the former rather than Kubrick himself. Kubrick is a monumental legend in film history. I personally think he is the single greatest director of all time, but I say that with a little reservation. There are hundreds of directors who I admire and think are deserving of high praise, but Kubrick's incredible mystique is what raises him above the rest. You can question his shifting subjects and styles as well as his sporadic output, but he is ultimately a source of endless discussion. That is the ultimate test of greatness. How long can you talk about someone? If you take the example of Room 237, you can talk about Kubrick endlessly.

Room 237 is the in-depth examination of Kubrick's 30-year-old film The Shining that has received rave reviews. Why would a documentary of a 30-year-old film get so much attention? Because it's fascinating, fun, mystifying and a clear example of the mystique of Kubrick. Room 237 is basically six well-educated but somewhat obsessive commentators outlining and diagramming minute details to reveal hidden messages.

It’s easy to forget how important it was for 2008’s Iron Man to be great. After all, the film was only asked to A.) properly introduce a B-list comic hero to the movie-going masses and B.) successfully kick off what turned out to be Phase One of Marvel’s March Toward Global Domination Cinematic Universe. “Good” would’ve been a letdown; Iron Man needed to be great. Fortunately, it delivered in spades; its critical and commercial success paved the way for an unprecedented run of films that culminated with The Avengers last summer. With a release date for the Avengers sequel already on the horizon, Tony Stark and Co. have once again been asked to set the tone.

“I’m different now. I’m…well, you know who I am.”