"Everything is always about Sheldon."

Warner Brothers is very familiar with superheroes. That goes double for the character of Sheldon, played by Jim Parsons, on The Big Bang Theory. A common thread in the superhero business, of course, is the origin story. With the popularity of The Big Bang Theory, and the Sheldon character particularly, it isn't all that surprising that we would eventually be treated to Sheldon's origin story. But instead of flashbacks on the series, the decision was made that Sheldon's childhood was territory that could be mined for years. Thus is born Young Sheldon. For fans of the original show and character, it couldn't have come at a better time. Parsons just turned down an offer of $50 million for two more years of Big Bang. I can't imagine how it must feel to be able to turn down that kind of money. But faced with doing the series without him, the smart decision was to shut it down.

"Don't stop me now. I'm in the zone."

Every year at this time, I end up having to binge watch a ton of television. A lot of previous seasons get released on disc in anticipation of the new seasons about to get underway. It's a daunting task that often makes me feel a little silly when I complain to friends that I have to watch so much television.  You kind of have to get yourself on a roll and immerse yourselves in these fictional television worlds. More and more I find so much of my time is taken by the NCIS franchise, which has just completed 30 seasons of episodes and is about to rack up three more very soon. Add that to the fact that this has been going on for the better part of the last decade, and NCIS has accounted for a fair amount of my waking hours. And while it does appear that the L.A. version of the show might be pulling up to its final destination, the New Orleans show is just getting its legs and looks to be here for the better part of the next decade. But it's the mothership, originally spun off from JAG, that has just completed its 16th season with no signs of slowing down.

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“This meeting of the Losers’ Club has officially begun.”

I don’t think I’d be exaggerating by saying It Chapter 2 might be the most highly anticipated horror film in quite some time. Two years ago when the first It hit the cinemas, sure, I expected it to be a hit, but the film went on to be a pop culture sensation.  Pennywise was already well known because of the books by Stephen King but also because of the loyal fan base of the 90’s mini-series.  Debates were heated about which Pennywise was better and more terrifying, while other debates went on about which adaptation was better.  I always felt it was unfair to compare this new version to the mini-series simply because we only had half a film, and now finally this weekend we have the conclusion to the story about our favorite Losers’ Club, only instead of teenagers they are all grown up.  Now that the wait is over, how does this film stack up alongside the first half and the mini-series? Well, I’ll say it’s better than the mini-series but doesn’t quite have the magic of the 2017 film.

"Sam Hannah without a bomb is like Aquaman without... I got nothing."

This is absolutely an explosive year for NCIS: LA which just finished its 10th year, and now those episodes are together in one place thanks to CBS Home Entertainment. The series has become one of the most successful spin-off shows in the history of television. Only CSI and the Law & Order franchises have brought more episodes to our television screens, and next season the NCIS franchise will have passed CSI. The truth is, if you go all the way back to the original JAG series, this is hands down the most prolific one-hour series in television history. What is even more amazing is that the NCIS shows continue to be the most-watched franchise in the entire world, a position they have held for over a decade. No one has come close to this kind of television domination. If this collection of episodes is any indication, the ride isn't anywhere near reaching the end. All three shows have been renewed, with NCIS getting a new two-year commitment at CBS. If you haven't already caught up on all of those earlier episodes, you don't necessarily need to do that, but why wouldn't you? You can at least catch up with the first nine seasons of NCIS: L.A. Here.

Here we go again, another revenge film. Despite my love for the “revenge” sub-genre, it is getting to the point where there just seem to be too many uninspired films flooding the market.  Blue Ruin is perhaps the best revenge film I’ve seen in the past ten years, and it seems several other filmmakers feel the same way because of the amount of films that have been churned out, all attempting to emulate its gritty realistic style, but just fail in the process.  Into the Ashes could have been something different; we get some glimpses at what could have steered this film into some interesting territory, but before it gets to take any chances, the film is quickly reeled back to the overbeaten path so many have tread upon before. In a small Alabama town, Nick (Luke Grimes) is trying his best to live a quiet, peaceful life.  He’s married to the sheriff’s daughter and has a decent job that pays the bills; the trouble is he has a violent past, and it’s catching up with him in the form of Sloan (Frank Grillo), who has just been released from prison.  Before Nick was living the quiet life, he used to run with a violent crew, and Nick took off with their money after things went bad.  Nick’s used the money to start a new life, but as you would expect, his former criminal partners don’t care that Nick has started a new life, and they are out for some payback.

When you have a movie that features Gary Oldman, you’d expect it to be pretty good.  I feel Gary Oldman is one of the best actors who is working in the business, and I’ve been a fan since the Romeo is Bleeding and Leon days.  So when a movie comes along about killers and government assassins and Oldman is playing a character in the middle of all the drama, you’d think this is going to be something great. After all, the man finally got an Academy Award, which was long overdue.  The best way I can describe my experience with this is film is to imagine you’re going to a restaurant, one that is a two star rating in the Michelin Guide. While it may not be the best, it should still be good; yet when you get there, rather than getting a great meal you instead are given a plate of lukewarm Spaghetti-O’s fresh out of the can.  From poorly framed shots to insipid plot twists, I can’t help but wonder, what did Gary Oldman do so wrong to be stuck in this film?

It's been nearly five years since FX's hit television series Sons of Anarchy rode off into the sunset. A lot of fans, myself included, were not necessarily very happy with the way it all ended. It wasn't Sopranos bad, but it wasn't the kind of closure or satisfaction one expects from such a compelling drama and well-written show. We all calmed a bit when we started hearing from the Sons of Anarchy Universe creator Kurt Sutter that he wasn't quite done with that world. At first there was serious talk of there being a prequel series or movie that would take us back to the days of the original nine founders of the club. It seemed the perfect follow-up, because we already knew so much about that world through the pages of manuscript left behind by Jax's father. It was a rich landscape, and we eagerly awaited more word. After a couple of years, hopes were starting to fall when word came that while the early story was still going to be told, the next visit to this universe was going to be the Mayan MC, which were sometimes allies and sometimes foes for SAMCRO.

Making the film Don’t Let Go a bit of a fantasy works for the target audience.  It reminds me of a few other films that get involved with solving a crime or saving a life by using a time warp.  In this film, however, the excitement mounts, and there’s enough of a twist to make it all come to a thrilling finale. The film opens with the introduction of Ashley Radcliff (Storm Reid), a young teen who has not been picked up by her dad from school. Not connecting on the phone with Garret (Brian Tyree Henry), she calls her Uncle Jack (David Oyelowo), a police detective, to pick her up.  It turns out to be an opportunity for the two to spend some quality time together.  Days later Jack gets a call from his niece, Ashley, that’s very disturbing. Going to her home, he finds dead bodies in the house, one of them his niece.

The first season without Peter Quinn. I’m not sure how I feel about that. I had planned to give the show up after Rupert Friend left, similar to how I gave up NCIS after DiNozzo’s exit. The Peter Quinn character has been an essentially part of the cast since the second season and filled the huge hole left behind by Damian Lewis’ exit. Not to mention the dynamic between Carrie and Peter was a driving force for the show, as well as realistic example of the division of love and duty. I just expected to find this season lacking, and though his presence is noted, Homeland continues to be one of the top shows of the spy genre. Homeland Season 7 delivers another thrilling experience .