"You are a diversity hire. The important part is that you're here now."

Mindy Kaling knows a little bit about diversity hiring in the television industry and attempts to spread her wings a bit wider by staring in Late Night, an "inside baseball" look at the workings of a late-night talk show television program. Kaling not only stars in the independent film but was the writer as well. She certainly knows a thing or two about life behind the scenes on a television show. Her The Mindy Project has provided her with firsthand experience on that score. The film pulls in heavy hitters like Emma Thompson and John Lithgow, so there is no lack of star power to surround the young actress/writer in her first real chance at a prominent role in a feature film. So why does Late Night feel somewhat unfocused and incomplete? The answer might just lie at the feet of Mindy Kaling.

It was the summer of 1997 when audiences were first introduced to the Men in Black.  Will Smith was on the fast track to being a box office star, and Tommy Lee Jones, well, he’s always been awesome to watch on the screen, and he seemed to be having fun in this popcorn blockbuster.  It was no surprise that the film became a hit. As for the sequels that followed, for me they just never could touch the fun energy that the first one had.  I always loved the potential the first film had, as it gave us a world filled with an array of aliens and worlds the Men in Black could venture too, but instead the films that followed played it safe, and really, that’s a shame.  Now over twenty years later and in the fourth installment, we get a soft reboot/sequel that gives us some fresh new faces and new aliens for them to pursue, but is it too little to late, or is this the jolt the franchise needed?

The film opens up and wastes no time introducing us to MIB agents Agent H (Chris Hemsworth) and his superior, Agent High T (Liam Neeson).  Here we see the duo setting up to intercept an alien group known as The Hive.  This opening sequence is a bit lackluster, and then the film oddly does a flashback to 1996, where we meet a young girl named Molly.  We get to see her first interaction with an alien as well as her witnessing the MIB in action (erasing her parents’ memories of their alien experience).  What kind of sucks is this is all the time we spend with Molly as a young girl. Instead the film jumps to present day and shows us Molly (now Tessa Thompson) is now obsessed with finding evidence to prove the existence of aliens as well as becoming a covert agent with the government that specializes in dealing with aliens.  It’s those in-between years where I feel there is a great story that could have been told, but there is no sense in crying over missed opportunities.

So, the announcement of this film was of particular interest of me. Of course, I have familiarity with the character of Shaft from childhood. Not to mention the remake that wasn’t really a remake that premiered in 2000 starring Samuel L Jackson. The most interesting thing about the film is that it brings three generations of the character under the umbrella of one film, with Richard Roundtree and Samuel L Jackson reprising their roles as the titular character and introducing Jesse T Usher into the franchise as the latest addition to pick up the mantle. Another interesting thing is that despite it being a sequel it shares the same name as the 2000 version. Though this does introduce a certain level of confusion, it just proves just how bad a mother- shut-your-mouth Shaft is; he can name his movies whatever he wants.

The film follows John Shaft Jr. (Usher), a data analyst with the FBI. When we meet him, it is clear that he lacks the swagger that we are used to associating with the character. He is afraid to assert himself to his boss, who undervalues him. He hates guns, and most importantly he struggles talking to women. I don’t know about you, but that is not the offspring I would have envisioned for the great John Shaft. Part of that may be the fact that the two haven’t laid eyes on one another for 25 years.

“Something weird is going on.”

If you’re having a bit of zombie fatigue, you’re not alone. From movies to TV shows and video, we’ve had well over a decade of being blasted with the undead. Basically it’s the sub-genre that just won’t die.  I love zombie movies, but I feel audiences could use a bit of a break from them for a little bit and let another monster indulge in the spotlight.  With that being said, when a good one comes along, I’m still going to want to give it a try.  Already this summer we have Black Summer on Netflix that is worth giving a binge, and now hitting the cinemas we have The Dead Don’t Die.  Never in a million years would have guessed that writer and director Jim Jarmusch (Dead Man, Broken Flowers, Stranger Than Paradise) would ever tackle this kind of horror film, but it is a welcome surprise. What’s more enticing about this film is the unique cast that has been put together: some familiar faces from Jarmusch’s work like Bill Murray, Adam Driver, Tilda Swinton, Steve Buscemi, and Tom Waits.