Posted in: Disc Reviews by Brent Lorentson on September 26th, 2018
With Halloween just around the corner, it’s that time of the year when the studios start cranking out horror films to fill up the shelves hoping that eager fans will scoop up any new horror titles they can add to their collection. The Row is one of those releases that has the cover with beautiful girls and the tease of murder and mayhem to ensue. Does it deliver what the cover is attempting to sell? Well, the simple answer is yes, but to call this film horror is the equivalent of calling a toddler’s finger painting art. This is a film that sadly is a product of the times. Though it has an R rating, the film seems tame, and considering the director claims he was aiming for Spring Breakers meets Friday the 13th, I have to wonder if he saw either of those films.
Posted in: Tuesday Round Up by J C on September 25th, 2018
Do you feel that chill in the air? (Well, if you're anywhere near UpcomingDiscs HQ in Florida, the answer is an emphatic “No”...but just go with me on this.) That spine-tingling feeling signals the impending arrival of Horrorcane season and our annual 31 Nights of Terror throughout October. This week's Round Up offers a sneak peek at 31 Nights thanks to RLJE Films pulling some strings with Puppet Master: The Littlest Reich (4K) and Scream Factory's head-spinning Exorcist II: The Heretic. In slightly less spooky news, Lionsgate fends off an alien invasion with Occupation and goes back to school with The Row. Warner Bros. assembles a team of time-traveling heroes with DC's Legends of Tomorrow: Season 3, while Shout! Factory recounts Rolling Stone Magazine: Stories from the Edge.
Acorn gets in a different sort of holiday spirit with Murdoch Mysteries: Home for the Holidays, CBS/Lionsgate gets resourceful with MacGyver: Season 2, and Time Life hosts an all-star jam session with Rock & Roll Hall of Fame: In Concert — Encore. Fox takes on a new case with C.B. Strike: Season 1, tries to find out if the truth is out there with The X-Files: Season 11, and gets re-acquainted with its most famous mutants thanks to The X-Men Trilogy: Evolution (4K). Finally...never tell Disney the odds for Solo: A Star Wars Story.
Posted in: Disc Reviews by Gino Sassani on September 24th, 2018
"Once upon a time there was a magical forest filled with fairytale characters. One day a powerful curse trapped them in a city which had no magic, and each of them forgot who they really were. This is how it happened..."
Once Upon A Time hasn't been a big ratings winner for the last few years. Each season the show appeared on the bubble and ended up getting renewed at the last minute. One of the reasons the show managed to escape the axe was because it had some value for the network's parent company, Walt Disney Studios.
Posted in: Disc Reviews by Gino Sassani on September 24th, 2018
"Do you remember the first time you saw a dinosaur? The first time you see them, it's like a miracle. You read about them in books, you see the bones in museums, but you don't really believe it. They're like myths. And then you see the first one alive."
By the time you get to the fourth sequel of a film, the results are usually not very good. Even a groundbreaking film like Jurassic Park has been followed by at least one terrible sequel. The problem with these kinds of things is pretty easy to figure out. You can't please all of any film's diehard fans, and it's hard to continue to deliver on the formula's expectations, all the while breaking new ground without the result feeling more contrived than original.
Posted in: The Reel World by John Delia on September 23rd, 2018
by John M. Delia, Jr.
Our life experiences influence what we do in our future, and what our parents experience could also influence how we are as well. And in tragedy and death, we experience large amounts of loss that could also transfer to our unborn offspring. Lastly, we experience many ups and downs throughout our lifetime, and how we react to those good or bad experiences make up who we are and how strong our will is to survive. Keep moving along knowing that there will be good life experiences, even though you will always have many hurdles to overcome, as we see in Life Itself.
Posted in: The Reel World by John Delia on September 23rd, 2018
Children’s fairy tales have taken a new drift with the film The House with a Clock in Its Walls. Packed with exciting action adventure, the movie, based on the book by John Bellairs, envisions the story with an incredible amount of CGI. You could almost call the film animated, but that’s a good thing here as things go bump in the night, magic forms the basis, and solving the mystery becomes the prominent focus for older youngsters. Orphaned due to a car crash that took his parents, young Lewis Barnavelt (Owen Vaccaro) gets invited to live at his Uncle Jonathan’s (Jack Black) magical mansion. He’s a bit fearful of the old house with its grand stairway and many mysterious rooms, but Lewis sort of likes the flamboyance of the magician turned warlock. There he’s introduced to Jonathan’s neighbor and best friend Florence Zimmerman (Cate Blanchett), who assures Jonathan that he will enjoy living with his uncle.
Posted in: Disc Reviews by Gino Sassani on September 23rd, 2018
"My name is Kara Zor-El. I'm from Krypton. I'm a refugee on this planet. I was sent to Earth to protect my cousin. But my pod got knocked off course, and by the time I got here, my cousin had already grown up and become... Superman. I hid who I really was until one day when an accident forced me to reveal myself to the world. To most people, I'm a reporter at CatCo Worldwide Media. But in secret, I work with my adoptive sister for the D.E.O. to protect my city from alien life and anyone else that means to cause it harm. I am Supergirl."
So, you're asking yourself, who the heck is Kara Zor-El, and what is this D.E.O.? I get it. You're just not caught up on the CW series Supergirl. It's not such a good idea to start here, however. You can check out our reviews for the first two seasons here. Catch up on the episodes, and then join the rest of us for Supergirl: The Complete Third Season.
Posted in: Disc Reviews by Gino Sassani on September 21st, 2018
"It's not just for profit. It's for revenge. It's a twofer."
Hollywood has been making a greater effort these days to add some diversity to their film casts. From minorities to women, this has been a year of unprecedented changes in the makeup of so many films. One of the new trends in this effort is to remake/re-imagine/reboot an already established franchise with a gender-switched cast. The results have been somewhat mixed. The female Ghostbusters film was a complete disappointment.
Posted in: No Huddle Reviews by Gino Sassani on September 21st, 2018
"In the exciting days of live television, there was one show that won major awards in all categories. It was a live show in a live theater, and what you will hear is live laughter - a genuine reaction of a live audience."
That was Sid Caesar's Your Show of Shows. Sid Caesar is arguably the world's first major television star. His show was a monster hit that eventually earned him $25,000 an episode back in the early 1950's. He was something of a comic chameleon. He portrayed many iconic characters where Sid himself appeared to completely disappear into the role. His skits were often like small films that ran 20 minutes or more.
Posted in: Disc Reviews by Brent Lorentson on September 21st, 2018
It’s okay to groan. I get it. Just when you thought the found-footage genre was dead, another film manages to get released. I think at this point we all simply have to accept that this is a genre that will never completely die on us, but we can always hope that it will eventually produce a hit every once and a while. When it comes to Found Footage 3D, it’s a bit of a mixed bag for me, and since the Blu-ray came with both a 3D and 2D version, I did in all fairness watch both versions, and there is definitely a version that won out, and if the time comes that I check this out again, I know how I plan on doing so. In case you were wondering, the disc does come with two individual 3D glasses, not the ones you can pick up at your local theater, but instead the throwback red and blue kind.
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