If you are looking for action and adventure, then you will not want to miss X-Men: First Class, a top-notch production that thrills.  The storyline under the able direction of Matthew Vaughn contains all the explosiveness you would expect from a prequel to Marvel Comics’ famous X-Men. It’s the beginning of the saga, and we find Magneto (Michael Fassbender) being haunted by the death of someone close him.  Escaping the clutches of the evil Nazi war criminal Sebastian Shaw (Kevin Bacon), Magneto meets Charles Xavier (James McAvoy).

Look who's swinging into UpcomingDiscs HQ this week! (And he's doing it in an extra dimension.) Warner Bros. reacquaints us with The Legend of Tarzan 3D, which headlines our latest Tuesday Round Up. Elsewhere, Lionsgate gets paternal and protective with Blood Father, and Allied brings the heat with She Who Must Burn.

And now here's your weekly reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

Our pals over at Broadgreen Productions wanted to get in on the act for our 31 Nights Of Terror. They've sent us over an extra copy of The Neon Demon to give away. This one has some wickedly crazy images for you. Keanu Reeves stars in this modern-day metaphor. Explore the killer model industry through the lens of Nicolas Winding Refn.

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This continues to be a crowded 31 Nights Of Terror contest year. Once again it’s thanks to the great folks at Arc Entertainment. This one is for the kids. Maybe not so scary, but a lot of fun. Arc Entertainment has given us a copy of their zany adventure Under Wraps. The animated feature is loaded with mummies, pharaohs, and other things that go bump in the night. It features the voice talents of Brooke Shields, Drake Bell, and Matthew Lillard. Who’s your Mummy? Upcomingdiscs and Arc Entertainment, that’s who.

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There can only be one queen.”

After navigating treachery at every turn in French court and having to cope with a deadly plague throughout the first two seasons of Reign — the CW's campy, compulsively watchable adaptation of the Mary, Queen of Scots saga — season 3 was meant to introduce Mary's most formidable foe yet. Queen Elizabeth I of England becomes a regular character on the show and Mary's chief rival from afar. But in telling the story of two warring queens (while trying to service the series' many established characters) the show stretches itself too thin and loses some of the fizz that made it a guilty pleasure.

This movie is more likely to make you laugh than it is to scare you, so its place among the 31 Nights of Terror is borderline. However, with a title like OMG.....We're in a Horror Movie, it goes without saying where it belongs. Six friends while indulging in their weekly board game ritual (I didn't even know that was a real thing) find themselves inexplicably transported in the plot of a horror movie. Realizing that they have been relegated to the stereotypical roles of such horror movie characters as the token black guy who dies

After the release of The Editor on Blu-ray last year and with the remake of Susperia in the works, it would seem that there is a slow revival of the Giallo film.  For those unaware of the term or style, it’s basically a horror/ mystery film that tended to have slasher elements that emerged out of Italy.  These were beautiful and stylish films that directors like Dario Argento, Mario Bava, and Lucio Fulci were the ambassadors of.  While The Editor was more of a spoof of the genre, though well done, it is Masks that has really gotten my attention.  Though it comes out of Germany, the love and attention to detail in adding so many of the familiar hallmarks of the Giallo film makes Masks more than just a simple homage, but it’s so well executed I could have believed this was a lost Dario Argento film.

My husband used to tell me I have an overactive imagination...”

The idea at the core of The Girl on the Train is equal parts provocative and relatable: a lonely commuter observes an attractive couple from a distance and imagines what their seemingly perfect lives must be like. Anyone who's ever done any people-watching will recognize the appeal of inventing a backstory for a stranger, and the story is a healthy reminder that things are never quite what they seem from the outside. But despite a powerhouse lead performance, this Train is ultimately derailed by an unsatisfying mystery and a lack of flair that causes this potentially juicy story to lose steam as it chugs along.

The continent of Australia has seen a small renaissance of horror films over the last fifteen years. Considering the continent’s rich history with suspenseful cinema, the frequency of these films is indeed exciting. Picnic at Hanging Rock and The Chant of Jimmy Blacksmith are two movies that have stuck with me over the years, considering I only watched each title once. I remember the suspense and terror created in the atmosphere of Picnic, through a combination of a simple plot of a missing child and an ominous score. Jimmy Blacksmith’s climax is one of the most psychologically tormenting experiences I have had watching a film.

"Did I miss anything while I was gone?"

Did you ever. Banshee came to an end with this, the fourth season, and it did not go quietly, to be sure. But it's not how it ends, but how this final season begins that's a bit of a mystery. There is a time jump of a little over 18 months that will cause you to feel like you might have missed something. If that doesn't confuse you, the season's constant tripping around in time will turn this season into a show very different from the Banshee we've come to know and love.