Posted in: No Huddle Reviews by Jeremy Butler on May 31st, 2016
Out of the shadows and into the light. That’s where we find Catherine and Vincent at the beginning of Season 3 of Beauty and the Beast. After successfully bringing down Muirfield, Vincent is no longer relegated to the shadows and can now reenter the world as a free man, allowing Catherine and himself to be together. However, just because he no longer has to hide doesn’t mean that the danger for the lovers is over, as a dangerous new foes resurfaces, hell-bent to keep the two apart. Admittedly, when the series first was announced, I was intrigued and endeavored to get it a change. Not out of nostalgia for the original series for which this based, but for Mrs. Kristin Kreuk. Come now, I couldn’t have been the only one who was drawn to the show because of the woman who put a face to Lana Lang for several years for another (now retired) CW series.
Posted in: The Reel World by Archive Authors on May 30th, 2016
The Lobster could easily be in contention for one of the weirdest movies you’ll ever see. It’s certain to be the weirdest movie of this year. It isn’t weird in a pointless or flashy way. It isn’t weird just for the sake of being weird. It is low-key and tastefully filmed. It seems to fit comfortably in the tradition of absurdist or surrealistic comedy/drama. If you are familiar with the works of Kafka or Bunuel or Beckett or Pirandello or Ionesco or, more recently, Charlie Kaufman, you’ll understand the nature of absurdist cinema. Of course, Rhinoceros by Ionesco, Metamorphosis by Kafka, or Naked Lunch by William S. Burroughs are examples of people who transform into animals or insects. The Lobster does not attempt to portray these transformations very literally, although we do see animals representing people throughout the movie.
Posted in: No Huddle Reviews by Brent Lorentson on May 30th, 2016
It seems every network has stepped up their game to compete for viewership with scripted television. WGN now has Outsiders. At first glance I wasn’t all that impressed with the trailers; after all, it seemed like a bad knockoff of Justified and Sons of Anarchy. But the great thing about writing for Upcoming Discs is we get the opportunity to review titles we normally wouldn’t give a chance to. Nothing against any show, but these days there is simply so much content out there it’s just about impossible to keep up with it all, and in the process there are some real gems that slip between the cracks. As it would turn out, Outsiders is a show I’m happy to say it found its way into my hands, because it’s actually really entertaining.
Posted in: Disc Reviews by Gino Sassani on May 30th, 2016
"Welcome to Benghazi."
It shouldn't matter what your politics might be. The events in Benghazi on September 11th, 2012 bring up some very important questions. Contrary to one 2016 presidential hopeful's declaration, it does make a difference. It did to the people who were there. It does for the families of the four who lost their lives. And it should make a difference to you. With such a political hotbed issue, you'll find that 13 Hours goes out of its way to avoid the political questions. Some might view this as an oversight, but I think it gives the film a greater sense of credibility and makes its impact on the audience to fill in their own political blanks.
Posted in: The Reel World by Gino Sassani on May 28th, 2016
“Everything they've built will fall! And from the ashes of their world, we'll build a better one!”
Since Disney has taken over The Bullpen at Marvel, they have had an unprecedented run of successful comic book superhero films. During that same time DC/Warner has had trouble finding a direction for their cinematic universe. But the Marvel titles still in the hands of other studios haven’t shared in that run of good fortune. Sony finally had to relinquish control of Spider-Man, and Fox has followed disaster with disaster with The Fantastic Four. The single exception to that rule has been the Fox handling of The X-Men universe.
Posted in: The Reel World by Archive Authors on May 27th, 2016
Alice Through The Looking Glass is the sequel to Alice In Wonderland. Alice In Wonderland is a proven blockbuster of all time. It is part of the billionaire club in total box office gross. It is number 23 on the all-time biggest films list with a total box office of $1,025,500,000. It is obvious then that a sequel would have to be made. Alice in Wonderland was a Tim Burton film, his biggest in fact. Needless to say, Lewis Carroll’s creation is a time-worn classic favorite, but neither movie is very faithful to the books. The fact that this isn’t a Tim Burton film is actually a big deal. There doesn’t seem to be anyone talking about why he didn’t include Burton. Burton is always very busy, and he is one of the producers of the film. The director this time is James Bobin. Nobody important. He directed some television and two Muppet movies.
Posted in: Disc Reviews by Archive Authors on May 26th, 2016
There are many films that depict the ferocity and cataclysmic power of the vast ocean. It is a fearsome display that cannot be imagined in any way that compares to the reality of the experience. The Perfect Storm, Life of Pi, The Guardian, and Titanic are just a few examples of disasters at sea. It is the United States Coast Guard’s job to rescue distressed people under severe emergencies at sea. The Finest Hours is a depiction of a true-life sea rescue under the most challenging and horrifying conditions. It is known as the most successful small boat rescue ever recorded. When I say small boat, it is the rescue boat I’m talking about, but the ship they were singlehandedly sent to rescue was a gigantic T2 tanker Pendleton, which had split in half on open seas.
Posted in: No Huddle Reviews by Gino Sassani on May 26th, 2016
"Everybody here knows what a spin-off is."
No doubt about it. Major Crimes has managed to do what few shows before it have been able to pull off. Shows have survived the loss of their lead, but the remaining years were usually something lesser than it once was. That's not the case when The Closer lost its lead actress/character. The title was changed, and with just a few cast tweaks the series returned as Major Crimes, and I dare say it’s a much better show than its predecessor. Is it a spinoff? I might have to go to the replay booth to answer that one.
Posted in: Disc Reviews by Archive Authors on May 26th, 2016
I have just binge-watched 34 ½ hours of television. That’s 47 episodes and two seasons’ worth. That’s a lot more episodes than most TV shows today. The binge was season three and season four of an acclaimed series from 1991 to 1996. It received eight Emmy nominations, and it is considered the first demographic hit because of its strong female viewership. It revels in all the glories of wonderful Winnetka, Illinois. The deceased father of the Reed sisters named them Alex, Teddy, Georgie, and Frankie. The father was obviously expecting boys and was severely disappointed. If you haven’t guessed yet, the show was Sisters.
Posted in: Disc Reviews by Archive Authors on May 26th, 2016
Konstantinos Koutsolitas is a visual effects supervisor for American films like Guardians of the Galaxy and 300: The Rise of an Empire. You might have guessed by his name that he is Greek, so it is natural that his first directing effort would be Greek. The Winter is about a struggling writer who tries to hide his failures that he left behind in London from his noisy and intrusive family. Dimitri Gounaras (Vangelis Mourikis) moves back to the deserted ancestral home of his father, which has been abandoned for some time. There is madness in the house, or perhaps just in members of his family, and there are ghosts lurking, real or imagined.
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