Posted in: Disc Reviews by J C on September 4th, 2015
If nothing else, The Curse of Downers Grove lives up (or rather down) to its morose title. It’s too bad because this (non-)thriller actually has a promising premise: every year, a supposed curse in the titular suburban Illinois town kills a senior at the local high school. The movie could’ve gone for darkly comic thrills or tried to construct a mystery around who the latest victim might be, to name just a couple of examples. Instead, this shoddy, inert flick squanders a variety of opportunities on the way to its preposterous conclusion.
The action here picks up with one week to go in the school year. Chrissie Swanson (Bella Heathcote) is a sharp, skeptical senior who doesn’t fully believe in the curse, despite witnessing the previous year’s victim plunge to his death. Did the curse kill him and the other teens or was it bad luck and good ol’ fashioned stupidity? I’m sure the fact that the high school was built on sacred Native American ground has nothing to do with anything.
Posted in: Disc Reviews by J C on September 4th, 2015
The D Train was not what I expected...and thank goodness for that. The film boasts that it's from the “comedic geniuses who brought you Nacho Libre and Wayne's World,” although the only thing those two movies have in common is that they're both comedies with, um, people in them. Meanwhile, the glossy poster makes it look like an inspirational drama, which doesn't exactly mesh with the phallic-sounding title. In other words, there's nothing about The D Train that hints at the intriguing dramedy lurking underneath.
Dan Landsman (Jack Black) is the unpopular self-appointed chairman of his high school's alumni association. The group is struggling to lure former students to their upcoming reunion when Dan spots former cool kid Oliver Lawless (James Marsden) on TV in a Banana Boat sunscreen ad. (Given the comically inflated significance of the commercial, I assume/hope The D Train producers were handsomely compensated by Banana Boat.) The commercial is a light bulb moment for Dan: if he can get a “hot-shot” actor like Oliver to attend the reunion, more people will follow and Dan will be a hero to the committee colleagues who mock and shun him.
Posted in: No Huddle Reviews by Archive Authors on September 4th, 2015
by Dustin P. Anderson
Our story follows Primo as he leads the son of a fallen comrade, John, through the life of a Blood. John is trying to follow in the footsteps of his recently departed father by running “packages” for the gang. His mother tries to keep him on the law-abiding path, but John’s ties to the gang are deep. John soon figures out the burdens of this lifestyle and must make a choice on whether he will stay the course of his father, or adhere to the wishes of his mother. Primo’s words serve as both advice and caution as John makes this decision. Primo warns that there are no favorites in this life, only business.
Posted in: Contests by Gino Sassani on September 3rd, 2015
Our buds over at XLrator Media have given us 2 copies of their latest film Five Star to give away. It's a rather unique mix of fiction and documentary style that delves into the culture of New York's street gang world. Written and directed by Keith Miller the film stars James "Primo" Grant and John Diaz.
To win a copy, just follow these simple instructions.
Posted in: Disc Reviews by Jeremy Butler on September 3rd, 2015
It is one of the most anticipated movies of the summer and another subject in the category of “can Tom Hardy do no wrong?” Mad Max: Fury Road is the reimagining of the iconic film that helped launch Mel Gibson’s career decades earlier. This is not new territory in Hollywood by any stretch of the imagination; remakes have happened so often in recent years that they have practically become their own genre. However, I would like to point out something that will hopefully set this film apart in the eyes of the audience: how often do you see a remake that is overseen by the creator of the original film that you know and love?
OK, OK, perhaps this is not entirely new territory as well, except I am certain that Mad Max fans all over the world leaped for joy when news broke that the architect of the originals, George Miller, had decided to helm the remake as well. Heck, it wouldn’t surprise me to learn that is the underlying reason that many of you folks intend to see the movie. And it is in that spirit that I would like to impart a piece of advice upon the future audience: put the past out of your mind when you are watching this. It is not a continuation, it is an origin story. Yes, I know that it seems like a simple concept, and maybe I am rehashing thoughts you have already had, but for argument’s sake, just do what I ask, and I promise you will have a far better experience.
Posted in: No Huddle Reviews by Archive Authors on September 3rd, 2015
Low Down has a fantastic cast for a low-budget film including John Hawkes, Elle Fanning, Glenn Close, Flea, Taryn Manning, Tim Daly, Billy Drago, Rain Pheonix, Lena Headey, Peter Dinklage, and Burn Gorman (the last three are alumni of Game of Thrones, which couldn't be farther in tone and content from this movie). It is the true life story of jazz pianist Joe Albany from a book by his daughter, Amy-Jo. The only thing that clearly marks the time period that the film takes place is a brief excerpt of the Watergate hearings in 1974 but has the feel of a time maybe a decade before. That is part of the beauty of a film like this. It is so subtly clued into detail. The essence of the movie is layers of detail that reveal character. It is the kind of movie that isn't made much any more. It is pitch-perfect in depicting an old school naturalism which requires your understanding and commitment.
The main character of Joe Albany (played brilliantly by Hawkes) is defined both by his love and sensitivity and by his weakness. Joe Albany was an outstanding musician afflicted by the addictions that many jazz musicians succumbed to. His heroin habit was something that he constantly struggled against, but he always tried to put his daughter first. Elle Fanning (the sister of Dakota and the star of Maleficent and Super-8) is luminous as the daughter who was loyal and loving to her father as she watched him struggle in a losing battle against the drug. Her mother, Shelia (Lena Headey) shows up from time to time, and she is the kind of mother who has a suitcase laced full with a plentiful supply of alcoholic miniatures. She's the kind of mother who falls flat on her face unconscious in the living room after a reunion dinner. Amy-Jo always remains sweet and loyal, no matter how sad and tawdry their circumstances become. Equally supportive and long-suffering is Joe's mother, played by Glenn Close with a dowdy lack of vanity. Joe and Amy-Jo live in a low-rent, low-down hotel in downtown Los Angeles full of oddballs, junkies, and prostitutes. Not the easiest place to stay straight, but Close's character is a tower of strength, always ready to help in any way.
Posted in: Disc Reviews by J C on September 2nd, 2015
“You got the St. Louis blues, the Chicago blues, the gin house blues, the “my man done left me” blues...they all the same song, ain't they?”
By now, anyone who's seen a musical biopic realizes these films also whistle a pretty similar-sounding tune. The bad news here is that Bessie is no exception, rushing from one familiar Troubled Artist Beat (hardscrabble childhood, rise to stardom, substance abuse, troubled marriage, etc.) to the next. The really good news is that this HBO biopic of “Empress of Blues” Bessie Smith is elevated by some truly powerhouse performances.
Posted in: Tribute by Gino Sassani on September 1st, 2015
"One … two… Freddy’s coming for you, three… four… better lock the door, five… six… grab your crucifix, seven… eight better stay up late, nine....ten … Never Sleep Again."
Our nightmares just got a little less vivid on Sunday. That's because we've lost the man who has so expertly painted them for almost 40 years. Of course I'm talking about Wes Craven. For most of my life he was the Master of Horror.
Posted in: No Huddle Reviews by Gino Sassani on September 1st, 2015
There was a new cowboy in Dallas, and he wasn’t throwing touchdown passes. But Walker was almost gone before he could really get started. After just four episodes, the show’s production company suffered financial collapse, and the show was rescued at the last minute by CBS Productions, who would continue to run the show for its nearly decade-long run. For nine years Norris brought us the ultimate Texas Ranger in a formula cops-and-robbers show. The show often became a parody of itself but maintained a solid viewership throughout. Hell, Norris even sings the theme song. Truthfully, what started as a one-man show (it was originally called Chuck Norris Is Walker, Texas Ranger) had become a good working ensemble that probably kept the train going for so long. Walker (Norris) is a tough-guy Texas Ranger. He is partnered with Sydney Cooke (Peebles) and Jimmy Trivette (Gilyard), who’s an ex-jock with a brain. Walker had a love interest and eventual wife in the local assistant district attorney Alex Cahill (later Walker). Together they fight the evils that come to the high plains of Texas armed with their fists, six-shooters, and Stetsons.
Fans of Norris were never disappointed in what they got here. The requisite martial arts and tough-guy talk are present pretty much in every episode. There’s a popular T-shirt design that lauds their hero in epic fashion. One of my favorites is : “McGyver can build a plane out of gum and paper clips, but Chuck Norris can kill him and take the plane.” Another brags: “Some people wear Superman pajamas. Superman wears Chuck Norris pajamas”. And there’s the humorous: “Chuck Norris knows what Willis is talkin’ about”.
Posted in: Random Fun by Archive Authors on September 1st, 2015
Popular opinion and so-called critical opinion often seem to careen off cliffs like lemmings in increasingly unpredictable ways guided by whims and subtle shifts in the proverbial winds. I find myself shocked by things praised and things condemned. Sometimes I feel like a little boy who sees a naked emperor while everyone else is shrieking how much they love the new elegant ensemble. In this case, I'm seeing a lovely presentation while there are many who are whining. Part of the problem is that Season 2 of True Detective is considerably distinct from Season 1. The nature of the series is that each season is a complete reboot with a new cast and location. American Horror Story also changes locations and characters but tends to recycle actors. True Detective made a determined attempt to change everything. The one thing it retained is the brooding, noir roots.
Vince Vaughn was fantastic, and that's not something I've said in a long time. He was a trim and towering figure (also something that couldn't be said for a long time). Vaughn's complex, sharp, troubled, and intimidating Frank Semyon was the edgy focus of the series. He was not the detective. There were not two this time, but three.
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