"My name is Walter O'Brien. I have the fourth highest IQ ever recorded: 197. Einstein's was 160. When I was 11 the FBI arrested me for hacking into NASA to get their blueprints for my bedroom wall. Now I run a team of geniuses, tackling worldwide threats only we can solve..."

By now you are used to the geeky technical expert that is a requisite part of many television crime-solving teams. It's become such a stereotype that it's more formula than character by this point. So what if you had an entire team of these super-intellects, and there was only one normal person in the line-up. What would that look like? You don't have to ask yourself that question any more. If you're curious about the outcome, you might find this new procedural drama from CBS of interest.

"He is a confused and tortured young man...”

The “he” in this case is Peter Snowden, a chatty, charismatic, and deeply troubled war veteran. “He” also happens to be the only character who appears on screen in Nightingale, a potentially-fascinating HBO Films experiment that doesn’t quite reach its potential. At least, “he” is played by Selma star David Oyelowo in what is a thoroughly mesmerizing performance.

"Space, the final frontier. These are the voyages of Castle and Beckett. Their ongoing mission to explore strange new motives. To seek out new witnesses and new suspects for murder. To boldly go where...right over here."

I know there are fans out there who take the show pretty seriously. The DVD's aren't the only way you can get into the show these days. Castle has become a world all on its own. You can now buy actual mystery books in the Heat series written by "Richard Castle". There is a game and even a Marvel comic book series. Next thing you know they'll be The Castle Experience at Disney World. This is an ABC/Disney property, after all.

“All these years you’ve lived, but you’ve never had a life.”

Every woman’s fantasy: to remain young and beautiful forever. That is the fantasy, if I am not mistaken, correct? Well, women will be treated to the cost of said fantasy in The Age of Adaline, which shows the other side of the coin of the coveted fantasy. In my experience there are two fantasies that are popular among young ladies. The one mentioned above, and the opportunity to love, marry, and grow old with someone who loves them unconditionally. The Age of Adaline shows the latter is not possible with the former.

by Dustin P. Anderson

In this collection we view the Peanuts television specials that have nothing to do with any major holidays. Instead this collection focuses on lesser known episodes that center around other values that should be important in a person’s life. These episodes cover the Olympics, a trip to France, a first crush, and much more. Charlie Brown and the gang are presented here to make the audience laugh and learn, with valuable lessons for kids and classic moments for adults.

Two strangers lost at sea. What to do? What to do? Well, in the case of The Surface, the thing to do is be suspicious of one another and stay on opposite ends of the boat. Or at least that is how we begin. As expected when there is nothing to do at sea and you are trapped, the only recourse is communication and to question the choices that brought you to this particular situation. Trust me, there is plenty of reflection in this tale of two strangers thrown together by circumstance and forced to work together to overcome physical obstacles as well as a few emotional ones.

It took a minute to get my bearings with the story, as the beginning is not big on dialog. The story is almost ten minutes in before the first word is uttered. Instead it focuses on Mitch (Sean Astin) as he goes through basic tasks such as getting up, preparing a pack, and readying his boat before leaving his home. His first stop is to his mother at a treatment facility. Due to his mother’s Alzheimer’s, Mitch engages in a one-sided conversation which gives the first indication into his life, revealing an undercurrent of sadness. I at first surmised the reason for the sadness was his mother’s situation; however, as the film progresses, it is abundantly clear that the reasons go much deeper.

At this point, the most shocking M. Night Shyamalan-related twist would be for the director to make a movie that people actually enjoyed. (The “M.” stands for “maligned,” right?) Hopes weren't exactly high when it was announced Shyamalan — who was once fated to become either “the next Hitchcock” or “the next Spielberg” — would be dabbling in the fading found footage genre. So imagine my surprise to find that The Visit — a broad, nutty mix of comedy and horror — is the director's loosest, most playful effort since Signs. It's also his first (subjectively) non-terrible flick in about a decade.

We meet a harried single Mom (Kathryn Hahn) as she prepares to send her two children on a week-long trip to meet her estranged parents. Becca (Olivia DeJonge) is a 15-year-old aspiring filmmaker who decides to document the experience of meeting her grandparents on camera; she also wants to find out the reason Mom had a falling out with them. Tyler (Ex Oxenbould) is a 13-year-old freestyle-rapping, germophobic goofball who enjoys undercutting his older sister's self-seriousness. The pair take a train to the rural Pennsylvania town where their mother grew up and are met at the station by Nana (Deanna Dunagan) and Pop Pop (Peter McRobbie), who take the kids back to their dilapidated farmhouse.

American Heist is an independent action flick that eventually nods to Michael Mann's Heat and Sidney Lumet's Dog Day Afternoon. (Along with Ben Affleck's The Town, if you're interested in a 21st century doppelganger.) However, the movie's action-packed finale can't completely disguise the fact that this is actually a dour family tragedy masquerading as a heist film. But if imitation is the sincerest form of flattery, at least the makers of American Heist know who to rip off flatter.

James Kelly (Hayden Christensen) is an ex-con trying to go legit; his big dream is to open his own auto repair shop. Those dreams get turned upside down when his older brother Frankie (Adrien Brody) is released from prison after 10 years. Frankie took the lion's share of the rap for a crime the brothers committed together. Now Frankie is looking to James — an Iraq war veteran with a useful knowledge of explosives — to help him repay a debt to a pair of shady characters named Sugar and Ray (Akon, Tory Kittles), after they helped protect Frankie in prison. James gets an extra jolt of motivation when his former flame Emily (Jordana Brewster) re-enters the picture long enough to be threatened by Sugar and Ray. It all leads to the titular bank Heist, which is meant to give the brothers a fresh start. I don't think it's a spoiler to say that no one gets away clean.

When Calls the Heart is a typical romantic drama series from the Hallmark channel, with forty-five minute episodes. This particular disc, When Calls the Heart: Heart and Home is a combination of episodes six and seven from season two. While combining the two episodes places this particular disc at feature length, it does not give context to what has happened to the characters in previous episodes. In other words: being introduced to this disc as a standalone movie, without prior knowledge of the television series, may not be the best way to watch it.

At this point in the story, Elizabeth Thatcher (Erin Krakow) must take a leave of absence from teaching in order to return home and tend to a family emergency. Thatcher’s sister, Julie (Charlotte Hegele) is involved in a car accident with her boyfriend, and her father is looking to press charges. In addition to this storyline there is an “intense” high-stakes poker game involving ownership of land, multiple rifts in relationships (including Elizabeth and her betrothed, Jack, played by Daniel Lissing), and multiple threats involving money/land disputes.

Ralph Dale Earnhardt (Dale Earnhardt Sr.) died at age 49 on February 18, 2001. The accident took place in the final lap of a thrilling race in which Dale Sr. was helping his teammates Dale Jr. and Michael Waltrip (the brother of one of his biggest rivals and the announcer of the race, Darrell Waltrip). What was remarkable about the accident is that it was unspectacular. Dale Sr. had been in many horrible crashes in which the car flew and flipped many times and he walked away. Not this time. He got tapped and glided quietly on the bumper of another race car. He was taken away by ambulance and was pronounced dead on arrival of a basilar skull fracture. His teammates, Michael Waltrip (who had never won a race) and Dale Earnhardt Jr., finished in first and second place respectively. Dale Earnhardt Sr. was “The Intimidator” and “Darth Vader” throughout the 1980's and 90's because of his relentless focus and desire to win when he was behind the wheel. He was frequently hated but would win back love and respect from his fellow competitors with his gruff good nature off the track. It was remarkable to see a notorious tough guy and black hat seem so laid back 99% of the time. He was beloved by NASCAR fans not just because of his winning ways but because of his believable country ways. When he wasn't driving he was farming, fishing and hunting. Dale Sr. won 76 Winston Cup races and seven NASCAR Winston Cup Championships. Dale Jr. is in the middle of a great career himself, but I won't be talking about him in this article. I will mention his father, Ralph, because Dale Sr. spent a lifetime living in the shadow of man he modeled his life after. Ralph was a born mechanic and natural racer, himself. Ralph died of a heart attack at 45. Dale said, “Everything I ever did was to make my daddy proud”.

I Am Dale Earnhardt is part of a series of documentaries from Spike television. I will admit I always heard the name, but I wasn't a racing fan. I just recently learned the difference between Formula 1 and NASCAR. (They are two different worlds, and I'll leave it at that.)