Posted in: No Huddle Reviews by Brent Lorentson on September 24th, 2014
The horror western is the genre mash-up that just hasn’t seemed to translate to the big screen. Jonah Hex was a big-budget attempt that simply fell flat. There was the little indie-film gem The Burrowers (2008) that managed to be a fun little film but just never grabbed the audience on a larger scale. But it seems the public is still craving television and film filled with zombies, and since we’ve seen just about every other iteration of the zombie genre, it was inevitable we would see them taking on the Wild West. Revelation Trail doesn’t just dip its toe into zombie western horror; it dives right into this massacre of the undead.
After a small town is overrun by zombies, a preacher (Daniel Van Thomas) and a marshall (Daniel Britt) set off on a journey of survival and in the process kill as many zombies as they can along the way. Really, there isn’t all too much more to this plot, since the film attempts to be more of a character study, with these conflicting characters trying to survive in this unforgiving landscape. Of course the preacher continues to see the humanity in these undead individuals, and the marshall sees them as simply the damned who need to be destroyed. It’s a jumping-off point that should fill this film with plentiful moments of moral dilemmas between the two individuals, but the film seems to be afraid to get beneath the surface of these characters.
Posted in: Disc Reviews by Brent Lorentson on September 23rd, 2014
"You should never stop thinking about a life you’ve taken. That’s the price you pay for taking it."
In 2010 David Michod directed his first full-length feature Animal Kingdom. It was a critical success, and he went on to pick up a Best Director award with the Australian Directors’ Guild. Now Michod has completed his sophomore effort, The Rover, which does explore some familiar ground with criminal families, but the film takes a more introspective approach to life and what matters most in the world when you believe you have nothing left to lose.
Posted in: No Huddle Reviews by Gino Sassani on September 23rd, 2014
"Book 'em Danno."
It's been 30 years since we last heard that phrase. Still it persisted in the modern lexicon along with the term Five-0, which is still shouted in high-crime areas in cities all over the country whenever a police presence is felt closing in on the bad guys. Hawaii Five-0 ended in 1980. That's when Tom Selleck took over the sets and production crew on Hawaii to work as Magnum P.I. until 1988 when it all closed down for good, or did it? Wouldn't you know it, the show has been resurrected and become the hottest drama on television? A younger Steve McGarrett and company are back in action and Hawaii ...the world might never be the same again. Roll wave...
Posted in: Disc Reviews by J C on September 22nd, 2014
Sibling filmmakers Howard J. and Jonathan Ford seem to be huge believers in the “Location, location, location” real estate adage. The duo — collectively known as The Ford Brothers — previously made The Dead, which was billed as “the first zombie road movie set against the spectacular scenery of Africa.” I actually wasn't a fan of that flick, but saw enough technical skill and enough potential in the concept to make me curious about a follow-up. With The Dead 2: India, the Ford Brothers have once again transplanted old-fashioned zombie thrills to an exotic, under-explored location. Only this time, they brought a story and more engaging performers along for the trip.
The Dead 2: India features an all-new cast and a plot that is mostly unrelated to its predecessor. (The most we get are radio transmissions that allude to the African zombie crisis from the first film.) This time around, the action follows American turbine engineer Nicholas (Joseph Millson), who finds himself hundreds of miles away from pregnant girlfriend Ishani (Meenu) when the zombie epidemic begins to spread through India. Ishani and her family — including disapproving father (Sandip Datta Gupta) — find themselves trapped near the slums of Mumbai as Nicholas fights his way to the city with the help of a young orphan named Javed (Anand Krishna Goyal, making a nice feature film debut).
Posted in: The Reel World by Archive Authors on September 21st, 2014
What if two radio guys sat around and made up a movie on the air? In this case, it actually wasn't radio guys, because they weren't broadcasters, but podcasters. I guess the fine distinction between broad and pod is that pod goes out to the world through the internet. It's kind of like Indie radio. Kevin Smith is a very indie guy and even calls his podcast a smodcast. Smith and his buddy, producer Scott Mosier, were doing their smodcast and talking about a post on GumTree.uk about roommate advertisements. It evolved into crazy talk about what might happen. The guy in one ad said he would like his roommate to wear a walrus suit from time to time.
Kevin Smith is synonymous with the advent of the modern independent film movement since his film Clerks opened 20 years ago. Smith has always been a clever writer and an interesting geek/nerd hero deeply immersed in all things lowbrow and counterculture. He runs a comic book store among other things and even had a reality series based in the store. He does seem to be going a bit crazy over the last few years, and part of that seems to be his dive into heavy marijuana use. I believe he wasn't always a heavy user. I don't mean to imply that marijuana makes you crazy, but in his case it led him down some strange and paranoid roads. Smith did a movie a few years ago called Red State which was part of a rant against Hollywood. He was taking that movie on the road and releasing it by himself. With Tusk, Smith is going back to normal, but only in the broadest sense of that word.
Posted in: Disc Reviews by Gino Sassani on September 18th, 2014
"Oh boy, zombie apocalypse!"
No, it's just South Park. But it has invaded pop culture as much as zombies have over its amazing 18-year run. Trey Parker and Matt Stone have been walking a tightrope for over 18 years now, and it just doesn’t get old. One of the reasons the show doesn’t grow stale is their ability to make such a quick turnaround on current events. Because the show takes literally days to write and produce, they are quite often always the first to address an issue. They had an election-night episode on literally the next day in last season. That means the ideas stay as fresh as the headlines.
Posted in: Disc Reviews by Brent Lorentson on September 18th, 2014
In case you’ve been hiding beneath a rock the past few years, The Big Bang Theory isn’t just a hit TV show, but instead it’s a show that has ingrained itself into pop culture. You can go out to most major retailers and find shirts with “Bazinga”, and I’m willing to bet at least one of your Facebook friends has posted a GIF on their feed about the show. It’s a show I told myself I wouldn’t get caught up in because I was so sure it was nothing more than a fad. It took being sick with the flu a couple years back and a determined friend lending me the first four seasons of the show for me to sit back and give it a chance. Before I was finished with the first season I found myself embracing the show and just feeling like a dunce for waiting so long. After all it’s a show about movie and comic book geeks, aka “my people”. In other words, for those who have missed out on this show, believe the hype; it really is that good.
It’s been seven seasons since we first met roommates Leonard (Johnny Galecki) and\ Sheldon (Jim Parsons) along with their beautiful neighbor across the hall, Penny (Kaley Cuoco-Sweeting). Over the years we’ve watched these characters evolve and take leaps in their relationships and other avenues in their lives. Sure, we’ve all been on board for the rollercoaster relationship between Leonard and Penny, but for fans the most shocking was when Sheldon (who just may be one of the funniest quirky characters written in years) finds himself in a relationship with Amy (Mayim Bialik).
Posted in: Podcasts by Gino Sassani on September 18th, 2014
Last week I shared my conversation with Joseph Millson from The Dead 2: India. This week I had the opportunity to talk to the guys who made the film possible. Of course, I'm talking about The Ford Brothers Howard J. and Jon. We go deep inside the film and you get to listen in. I must warn you that Jon's connection wasn't so great and it will be harder to hear him speak. I apologize for the sub-par audio. It was the best we could do under the circumstances. Don't let that stand in the way of helping us celebrate the Sept. 16th release of The Dead 2: India from Anchor Bay. Howard J.'s audio is just fine. Bang it here to drop in on my conversation with The Ford Brothers.
Posted in: Disc Reviews by Gino Sassani on September 18th, 2014
"The city still needs saving. But not by the Hood. And not by some vigilante who's just crossing names off a list. It needs... something more."
That someone, that something more ...that something else is the DC Comics character Green Arrow. Not to be confused with the same-colored Hornet or Lantern. In season 2 Oliver Queen finally sheds the name and reputation of the Hood or Vigilante. He has vowed not to kill, and he no longer has the list to guide him. His job now is to go after any bad guys in Starling City.
Posted in: Disc Reviews by Brent Lorentson on September 17th, 2014
“It’s not the end of the world.”
I still remember the night I walked out of the screening of the Roland Emmerich version of Godzilla. I can’t remember a time I had ever been so angry at a film. It was a film that was an insult to the monster that I had held in such high regard right alongside King Kong. Sure, I had seen the trailers, but when I saw that first reveal of their “Godzilla” I cringed. I hated it. Had the film been called anything else, perhaps my loathing towards it would have been different, but it was a film that was foolish enough to hold the name of Godzilla. Now it’s been over 15 years and Hollywood is taking another stab at presenting us with an Americanized version of Godzilla. And this time they nailed it.
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