Posted in: No Huddle Reviews by Brent Lorentson on October 18th, 2014
Unless you have been living under a rock, I’m sure by now you’ve heard about the Ebola scare that is headlining the airwaves. The release of Chemical Peel couldn’t be timelier to effectively feed off the fears of the American public that is glued to their television screens, waiting for the announcement of the newly infected. This is the kind of free marketing even the big-budget films wish they could get. Unfortunately what is missing from the film are characters for us to care about and root for, and that is never a good sign.
A group of friends skip the fun of having a bachelorette party in Vegas and decide instead to have the party at Rae’s (Natalie Victoria) grandfather’s home. Sure, this means no male strippers or cheap buffet bars, but for the girls it becomes their one last party together before Angela (Arielle Brachfeld) gets married. The odd thing about this is Angela has never been able to forgive her friend Rae for an accident that occurred that killed Angela’s sister. Sure, Rae may have the best intentions of patching up their friendship, but Angela is just filled with too much rage to be letting go of this grudge any time soon. The mending of the friendship between Rae and Angela may at first seem like a movie-of-the-week notion, but it’s a more believable direction than we see here.
Posted in: The Reel World by Gino Sassani on October 17th, 2014
"Ideals are peaceful. History is violent."
David Ayer doesn't have a huge resume of films to his credit. In his 15 years as a director he's only given us five films. Add just another three as a writer. What he has done as a writer and/or director appears to explore some of the same themes of machismo under heavy fire that are splattered all about Fury along with the blood and gore that is the natural byproduct of war. He's the kind of filmmaker who doesn't appear to tackle a project unless he finds he has something to say. In the past that voice hasn't always been terribly original. And while Fury contains pretty much every World War II stereotype ever filmed, Ayer has found a way to present the over-explored genre in a new and clever way at times. You have to exhibit great patience. There are many moments where Ayer stretches a scene to the point where you really feel the nearly 2 1/2 hour running time. During those moments you might find yourself questioning the investment of cash and time you've given him, and rightly so. Ayer can milk a moment like no one else in the business. But, if you stick with it, Fury will deliver just enough of those incredible moments that will make you glad you did.
Posted in: No Huddle Reviews by Archive Authors on October 17th, 2014
By John Delia
If you are looking for a comedy with horror on DVD for a get-together with friends on Halloween, check out Witching & Bitching. It’s very raunchy, gross and gory, but if you like rude, crude and unglued, then this film’s perfect for an adult party. The film plays out in Spanish with English subtitles, but don’t let that bother you. The visuals are so funny and wacky, it’s worth a little reading while you watch.
Posted in: No Huddle Reviews by Archive Authors on October 17th, 2014
By John Delia
If you are looking for a comedy with horror on DVD for a get-together with friends on Halloween, check out Witching & Bitching. It’s very raunchy, gross and gory, but if you like rude, crude and unglued, then this film’s perfect for an adult party. The film plays out in Spanish with English subtitles, but don’t let that bother you. The visuals are so funny and wacky, it’s worth a little reading while you watch.
Posted in: The Reel World by Archive Authors on October 17th, 2014
The internet is destroying everything. It seems crazy, but it's true, and most people know it. I mean that so many businesses have been destroyed by the tumorous growth of the internet and its insidious and unchecked influence. The newspaper business, music business, broadcast business and probably the movie business have been fundamentally and permanently altered. Men,Women and Children addresses how it affects each and every one of us on a daily basis. We're all aware of this. It's our lives now, and it wasn't 10 years ago. Texting on iPhones is so addictive with some people that they are oblivious to how obnoxious it is. Most of us are aware, on some level, how much computers and phones are sucking away what used to be our lives. We know it, but the die is cast. That's the problem with Men, Women and Children. We know everything already, and this movie shoves it down our throat. The subject is definitely timely, but too much of what happens in this movie is like a parade of cliches.
Jason Reitman (Juno, Up In The Air, Thank You For Smoking) is a good director, but he has been losing his touch, citing films like Labor Day and Young Adult. This film is packed with good actors, but they all seem wasted, even Adam Sandler. Sandler is the big star here, making another stretch into dramatic territory. Sandler has done very good work in other people's movies before like Punch Drunk Love, Reign On Me and Spanglish, but not here. Here he is a limp, washed-out nothing, which is what the character demands but still is not a good thing to see. Most of the other good actors like Rosemarie DeWitt, Jennifer Garner, Judy Greer, J.K. Simmons,Dean Norris, Ansel Elgort, Dennis Haysbert and Emma Thompson here seem wasted with predicable and dreary functions in aid of a boring puzzle.
Posted in: No Huddle Reviews by Brent Lorentson on October 16th, 2014
The creator of Dawson’s Creek and The Vampire Diaries, Kevin Williams, delivers a thriller that is a bold new entry in the crime drama for television. Season one of The Following was 15 episodes of nail-biting bliss that kept the viewer guessing and riveted long after its gut-wrenching cliffhanger. For a while I was beginning to wonder if Williamson had lost his touch with the Scream series, but what you’ll discover in the Fox series is that Williamson may just be the king of creating and penning one of the darkest serial killers on the small screen. Season one of The Following had us in the back seat as Ryan Hardy (Kevin Bacon), a liaison with the FBI, pursues Joe Carroll (James Purefoy) a charismatic serial killer with a devoted cult following.
Season two picks up right where season one left off with Hardy and Claire (Natalie Zea) stabbed and left for dead. Ryan manages to recover; Claire isn’t so fortunate. We jump ahead a year later, and Ryan has taken the loss of Claire badly. Not only is he battling alcoholism, he’s roped his niece Max (Jessica Stroup) into continuing his investigation into Carroll…”Wait, I thought he was dead.”, you may be thinking, but that is the beauty of television; writers can always find a way to resurrect that fallen villain from the dead just so our hero can hunt them down once again.
Posted in: Contests, Expired Contests by Gino Sassani on October 15th, 2014
This year we're having our best 31 Nights Of Terror ever. We're giving away so much stuff and it's all thanks to folks like our great buddies at Arc Entertainment. They've chipped in with three copies of their new thriller Autumn Blood. These hunters are out for blood. Can an innocent 16-year-old girl and her 10-year-old brother survive these brutal attackers? You can find out. We'll send a copy right to your front door if you're one of the lucky winners. The movie arrives on DVD on October 21st. It looks to be killer.
To win just follow these instructions.
Posted in: No Huddle Reviews by J C on October 15th, 2014
If you've ever asked someone, “What kind of music do you listen to?”, chances are you've heard the phrase, “I like everything...except country.” By that logic, a significant portion of TV viewers automatically dismissed ABC's Nashville when it premiered two years ago. The flawed, entertaining musical drama has deservedly made it to a third season, which kicked off a few weeks ago. However, I think it's useful to revisit Nashville's sophomore season. This set of episodes significantly re-calibrated the series — not always for the better — and marked the start of a shift toward the version of the show that is currently on the air.
Nashville was originally presented as the tale of dueling divas Rayna James (Connie Britton) and Juliette Barnes (Hayden Panettiere). Rayna was the established superstar struggling to stay relevant in a shifting musical landscape, while Juliette was the brash, bitchy (but insecure) flavor of the moment who was burning up the charts. But it was a different pair — Clare Bowen's fragile, ethereal Scarlett O'Connor, and Sam Palladio's affable Gunnar Scott — who arguably swiped the spotlight during the series premiere with their stunning “If I Didn't Know Better” duet.
Posted in: Podcasts by Gino Sassani on October 14th, 2014
Daniel Stamm is one of those directors who comes along once in a while with some fresh ideas. He's given us the controversial A Necessary Death, The Last Exorcism and 13 Sins. There are some rather nice chills to be found in his films, but whatever you do: Don't call him a horror director. Okay, you can call him a horror director, if you want. Bang it here to check out our recent review for 13 Sins.
I had the chance to chat with Daniel. He's an energetic talent with passion for the craft. It was a great time. Now you can check out what he had to say. Bang it here to sit in on our talk: Daniel Stamm Interview.
Posted in: No Huddle Reviews by J C on October 14th, 2014
Everyone on TV has nicer clothes and a bigger home than you do. And I’m not just talking about fictional doctors or lawyers. Even small-screen characters with relatively modest incomes manage to live in palatial apartments. Need proof? The 2 Broke Girls in CBS’s hit sitcom have an apartment that is literally big enough to fit a horse. (Hi, Chestnut.) Season 3 brings a new pet (Ep. 3/“And the Kitty Kitty Spank Spank”) and briefly threatens to remove Max and Caroline from their home (Ep. 22/“And the New Lease on Life”). I don't think I'm giving anything away by saying things work out in the end. By now, the show's crass predictability has become oddly comforting.
Max Black (Kat Dennings) and Caroline Channing (Beth Behrs) are best friends, despite the fact that they appear to be polar opposites. Caroline — the disgraced daughter of a jailed Ponzi schemer — is blonde, skinny and chipper. Max — the street smart survivor who seems to have a million jokes about her deadbeat mom and unidentified dad — is dark haired, busty and sour. The two are surrounded by their wacky, warped surrogate family at the Williamsburg Diner in Brooklyn.
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