Love can have a strange effect on people and cause them to do things that range from the spectacular to the deranged.  The loss of a loved one can not only break a person’s spirit but send them to the depths of depression and despair from which they will never be able to recover, though most people tend to avoid the melodrama and just wallow in their heartbreak with a couple of beers or a pint of their favorite ice cream.  But what is one supposed to do when the one that they love and cherish is taken from them and they become the number one suspect in the murder of the one they love?  What could this do to a person when they know the responsible party is that of an unseen force from another world?  This is what The Forbidden Girl attempts to explore, but unfortunately this film is messier than most break-ups.

Toby (Peter Gadiot) is the son of a preacher man, and his father is more than a little overzealous about his disapproval towards Toby dating Katie (Jytte-Merle Bohrnsen).  The father is so intent against them seeing each other that Toby has to sneak off to a graveyard to spend time with Katie.  It’s during this late-night rendezvous that the couple is attacked by a demon that emerges out of black smoke and whisks Katie away into oblivion.   Consequently Toby is locked away in a mental hospital for six years as a suspect responsible for what ever happened to Katie.

Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character who has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial. While we may not remember the novels, we all remember the man in the persona of Raymond Burr.  Burr had a commanding presence on our screens and enjoyed a well-deserved 11-year run as the clever lawyer. What makes this run so amazing is that the show followed pretty much the same pattern the entire time. We always know what’s going to happen, but we wait eagerly for that gotcha moment when Perry faces the witness on the stand. We know when he’s got the guy squarely in his sights, and we can’t sit still waiting for him to pull the trigger. OK, so maybe that’s a little over the top, but so was Perry Mason. From the moment you heard that distinctive theme, the stage was set. To say that Perry Mason defined the lawyer show for decades would be an understatement. Folks like Matlock and shows like The Practice are strikingly similar to Perry Mason.

Perry Mason officially ended in May of 1966, but that wasn't going to be the end. Twenty years later the surviving cast members reunited for Perry Mason Returns. It was Perry and Della back together again. Both Raymond Burr and Barbara Hale returned to their roles. William Hopper had died in 1970, so William Katt joined the reunion as Paul Drake, Jr. Katt might not have really been Drake's son; he was Hale's son. When Katt left the films he was replaced by William R. Moses as Ken Malansky. Ken was a young law student helped by Perry once when he was framed in law school for a rival's murder. He ends up being both a legal assistant and investigator for Perry in the reunion films. Ken's girlfriend is Amy, played by Baywatch's Alexandra Hastings. Amy was a rich girl who had too much time on her hands. It led to her involving herself in Ken's investigations. The films also often starred James McEachin as Lt. Brock, the cop on many of the cases.  M*A*S*H's David Ogden Stiers would often play his rival in the prosecutor's office Michael Reston. The team would continue to do 30 television movies from 1985-1995. CBS has now begun to package these reunion films in collections like this.

Arc Entertainment is on a roll, and our followers are cashing in. The gifts just keep on coming, and it's not even Christmas yet. This time they've given us 3 copies of the DVD Louder Than Words. The X-Files' own Agent Mulder, David Duchovny stars  in this inspiring drama. A couple deals with the death of their young daughter. Their tragic loss becomes hope for other children when they create a special hospital in their daughter's memory. The film also stars Timothy Hutton and Hope Davis. It' a heartwarming story based on real life.

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Shout Factory has yet another Transformers animated series to unleash upon the legions of fans who must not be able to get enough of their robots in disguise.  Beast Machines takes place on Cybertron after the Beast Wars.  Beast Wars is yet another series about the Transformers that somehow has gotten past me while reviewing the other series.  The fact that Beast Wars precedes the events in Beast Machines caused a brief moment of confusion.  Thankfully with the target audience being under the age of ten, catching up wasn’t all too difficult.

This time around, there are no Autobots to be found, but instead we get a new breed of hero in the Maximals.  The introduction of Optimus Primal and his friends was a bit jarring considering this series takes place on Cybertron and Optimus is actually a gorilla.  In fact when we meet Optimus and his friends, they are all animals without the ability to transform.  OK, well, that’s not entirely true, they CAN transform, but in this series it’s not just in the physical sense but also on a metaphysical level.  Yes, ladies and gentlemen, these are the Transformers of the modern age, or more appropriately New Age.

“I’ve gone up, I’ve gone down. I’ve been bankrupt, I’ve been broke. But you do it — and you do it because we love it more than anything else. You want a real job, honey? There are a million things you can do, but what we do is not a job. What we do is a calling; we make people happy.”

Joan Rivers never took herself very seriously, as evidenced by the fact that seemed to have a never-ending reservoir of jokes about her own advanced age and propensity for plastic surgery. But the trailblazing entertainer — who died Thursday after going into cardiac arrest during a throat procedure late last month — was always serious about her comedy. The above quote is from a 2011 episode of Louie, and it helps explain why the tireless comic never stopped working up until her death at age 81. For Rivers, comedy was never a job; it was simply what she was meant to do.

What would you do if you had access to a computer that was capable of giving you information that could prevent a crime from happening?  One step further, what if this machine could locate any person with only a few keystrokes?  This “God” like machine is the basis for what Person of Interest revolves around.  For two seasons we’ve watched as Harold Finch (Michael Emerson) and ex-CIA agent John Reese (Jim Caviezel) used the machine to protect those whom the machine feels are in danger.  But along the way, the lives of Finch and Reese have grown more complicated as their actions have intertwined them with HR (a mafia-like group run by dirty cops), the Russian mob, and numerous government agencies that would like to obtain the machine for their own personal agendas.

Helping out Finch and Reese are NYPD officers Det. Fusco (Kevin Chapman) and Det. Carter (Taraji P. Henson).  In the previous seasons we’ve watched as Fusco has struggled to clear his name after working as a dirty cop in league with HR; Fusco has been one of those characters we’ve seen change the most over the seasons while we see his genuine struggle of keeping his past behind him and showing that he is no longer a dirty cop.  But in season three (well, the first half of the season) the attention is mainly on the struggle Detective Carter has in her attempt to take down HR to avenge her boyfriend’s death in the previous season and clear his name.

There are movies that can be described as slow burns, and then there's Night Moves. Director Kelly Reichardt frames much of her 112-minute thriller in a way that invites you to pay an inordinate amount of attention to the lush greenery, winding trails, and tranquil water the film's three protagonists go to dangerous lengths to preserve. The extended, quiet sequences and exceedingly simple plot also encourage viewers to fill in spaces in the story that seem to have been intentionally left blank. This deliberate approach will undoubtedly infuriate and bore some people, but I personally found it absorbing enough to recommend as an unconventionally tense drama.

Night Moves is about three environmentalists who plot to blow up a hydroelectric dam. (See? I told you the plot was exceedingly simple.) Given that the movie's synopsis can be neatly wrapped up in a single sentence, the real pleasures in Night Moves are derived from trying to figure out precisely how they're going to pull it off and how the characters relate to one another.

Martin McDonagh is an extremely important and respected playwright. He is also a pretty good filmmaker. His films are In Bruges and Seven Psychopaths. His plays have won too many awards to mention, but some of the titles are The Beauty Queen of Leenane, The Lonesome West, The Pillowman, The Lieutenant of Inishmore, The Skull of Connemara and others. His brother is John Michael McDonagh, the writer/director of The Guard and Calvary. All of these works are very good. Calvary might be my favorite. The word Calvary (also known as Golgotha), not to be confused with cavalry, is the place where Jesus dragged the cross to his final execution. In Calvary, a modern day Irish priest is informed in confession that he will be shot dead in a week. This opening scene is shocking in many ways, so if you are not interested in being challenged, do not bother going to see this film.

Brenden Gleeson is our priest, and he deserves an Oscar nomination. If nothing else materializes between now and the end of the year, he should win. Father James (Gleeson) is in charge of the souls of this pleasant seaside town. The problem is that most of the people he ministers to are not exactly pleasant. They are challenging, difficult, weird or completely out of control. It's not what you would expect from a quiet and picturesque corner of the world. It's also not what you would expect a parish priest to have to deal with. Father James doesn't exactly shake the threat off, but he does go about his business in what may be his last week on Earth. He has many people who need him, and he is being targeted despite being innocent. In fact, he is being targeted because he is innocent. The potential executioner was abused by a priest for many years, but that priest is dead. The soon-to-be possible killer thinks it would be more noteworthy to kill someone who is innocent for the crimes of others. If you happen to be Christian, you know that that is what Jesus Christ did. This analogy is not belabored, but it should definitely be noted. There are many good men who truly follow in the footsteps of Jesus. The movie makes it clear that Father James is not perfect, but he is a good man who makes every effort to face his many challenges with good humor and good grace.

Arc Entertainment wants to take you home with a collection of fanciful characters and hope for a small town. We're talking Home Is Where The Heart Is on DVD. It features Bailee Madison, Laura Bell Bundy and John C. McGinley. It can be yours. We have 2 copies to give away to a couple of lucky Upcomingdiscs fans.

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The list of bad videogame movie adaptations is as ridiculously long as the titular weapon in this animated offering. In fact, the film that has best captured the spirit of gaming wasn't even based on an actual videogame. The bottom line is it's hard to translate the highly-interactive thrills of videogames into a satisfying, relatively passive moviegoing experience. So maybe the answer lies in targeting inherently cinematic games like Heavenly Sword.

Prophecies speak of a savior, a deity born of man whose fate is to wield the Heavenly Sword.”