Posted in: Contests, Expired Contests by Gino Sassani on October 8th, 2013
31 Nights Of Terror can also be educational. Scholastic Storybook Treasures brings you The Halloween Stories Collection. It's a 3 DVD set that includes 14 Halloween stories for early and pre-readers. It's completely family safe. It also encourages creativity and music appreciation. You can win the set for your little ghoul thanks to Scholastic Storybook Treasures and Upcomingdiscs.
To win just follow these instructions.
Posted in: No Huddle Reviews by Archive Authors on October 8th, 2013
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Posted in: Disc Reviews by J C on October 7th, 2013
“This story is based on a remarkable but true incident that took place in Africa in 1913 before the Great War, when the world was very different.”
The moviemaking business was also drastically different in 1976, the year this British, pre-WWI romp was released. Today, the risk-averse film industry has made large-scale adventures like Shout at the Devil — starring big personalities trekking across even bigger locations — all but extinct. I get that greenscreens and CGI are more cost-effective. But a movie’s ability to transport its audience gets an extra jolt when we know we’re looking at the real thing.
Posted in: Contests, Expired Contests by Gino Sassani on October 7th, 2013
31 Nights Of Terror means horror reviews and lots of free stuff for you guys. How about an unrated copy of Girls Gone Dead on DVD? When these gals do Spring Break it's killer.
To win just follow these instructions.
Posted in: No Huddle Reviews by Jeremy Butler on October 6th, 2013
You know, it’s odd, I had the strangest feeling of déjà vu while watching V/H/S 2. Just kidding, and that feeling is probably due to the fact that I wrote the review for the original V/H/S. In my original review I spoke about the history of the found-footage technique; this time around I think I will address the fine line that must be walked to make a successful sequel. See, the trouble with sequels is that they tend to stray too far away from what attracted people to the original. The key is to maintain enough of original that attracted the first audience, all the while also providing enough difference to bring in a new crowd. Challenging, isn’t it?
Divided into five separate tales this time (there were six in total in the first one), the style was remarkably similar to the first one, which works in its favor; consistency is an important aspect when it comes to doing a sequel. This time around, the film features a whole new crop of directors and only two returnees, Adam Wingard and Simon Barrett. The movie does an excellent job of maintaining the format; however, the individuals are little weaker than in the original, investing more time into the gore than in the development of each story. Either there is no buildup whatsoever and the audience is thrown immediately into the thick of things, or there is too much buildup to the point the overall story suffers; there is not really any middle ground.
Posted in: The Reel World by Gino Sassani on October 5th, 2013
"Let me tell you a story."
Remember the tagline in Alien? "In space no one can hear you scream". Gravity begins, appropriately enough, with complete silence. We're treated to a rather spectacular view of the Earth from orbit. Eventually chatter begins to intrude upon our revelry. We soon meet the crew of a space shuttle mission to do repair work on the Hubble telescope. We quickly learn that this is the final mission for retiring astronaut Matt Kowalski, played by George Clooney, although I certainly consider it a bad sign when he's told to enjoy his last walk. He's acting as a mentor of sorts to younger astronaut Ryan Stone, played by Sandra Bullock. There are others on the mission, but we're treated to very little time with them. In a short time, they won't really matter.
Posted in: No Huddle Reviews by Brent Lorentson on October 5th, 2013
Have you ever watched a movie that is so insane that when it ends you’re stuck on your couch wondering what just happened? Adam Chaplin: Violent Avenger did just that, and as it turns out, that is not such a bad thing. The film is such a mash-up of crazy visuals and violence, it’ll leave your mind rattled for some time just trying to make sense of it all. This is pure splatter cinema straight out of Italy where the gore runs red and by the buckets.
Adam (Emanuele De Santi, who also wrote and directed the film) is a man that is out for revenge after he finds out his wife has been burned alive by a local crime boss Denny Richards. The police are no use considering Denny controls the city, and this leaves Adam with only one option, to make a deal with a demon that gives him special powers and will help him as best he can to achieve his revenge. Sure, the plot is simple, and the film doesn’t try to pretend it is anything more.
Posted in: The Reel World by Jeremy Butler on October 4th, 2013
"This is your job. You want a safer job, go work at the post office. You want a clear conscience, go start a charity. But if you want your own island and your boss says you gotta go out there and take a beating, you go out there, take it and come back to work and say, 'do you need me to do it again?'"
This may just be me, but any job that requires me to happily take a beating simply isn’t for me, and no matter how much money is on the line. A movie about a bright kid from a broken family, down on his luck getting taken in by a charismatic wheeling-dealing/sociopathic businessman, and before long finding himself in over his head, sound familiar? I’m sure it does, but what I have come to learn in recent years is just because it has been done does not mean that it still can’t be entertaining.
Posted in: Disc Reviews by Gino Sassani on October 4th, 2013
There's a saying that in the land of the blind the one-eyed man is king. No one would have expected that a one-eyed man could become the king of 3D. But that's exactly what happened with House Of Wax. The film has become one of the definitive films in the 3D format. To look at it on Blu-ray now, it holds up quite nicely in a day where 3D has become almost passé. Still, it's hard to believe that Warner Brothers would choose a man with only one eye to shoot their 3D film. That man was Andre' De Toth, and he was at the forefront of 3D filmmaking. He had written a 1946 article on the potential of the format, and it's likely what got him the job. The result is a horror cinematic masterpiece.
Vincent Price plays Henry Jarrod, co-owner and the genius behind a small wax museum. His figures are so lifelike that patrons almost expect them to reach out and touch them. Unfortunately, the public mind has drifted to the macabre, and the museum is losing money. Jarrod considers the figures to be real enough that he has developed a fatherly love for them, particularly that of his Marie Antoinette. Business partner Matthew Burke (Roberts) has a different feeling for the museum pieces. They are worth more to him burned in a fire for the insurance money. Unable to convince Jarrod, he burns the museum down along with Jarrod.
Posted in: Disc Reviews by J C on October 4th, 2013
Although he’s only mentioned briefly in the Bible, the man known as Barabbas was a key figure during the crucifixion of Jesus Christ. According to the Gospels, Pontius Pilate gave the crowd in Jerusalem the choice of either sparing Jesus’ life or saving the rebel/thief Barabbas during Passover. (No “Spoiler Alert” necessary; I’m sure you can guess which one they picked.) Since very little is known about Barabbas, his life story has basically been transformed into the first documented case of “survivor’s guilt.”
Swedish author Par Lagerkvist won the Nobel Prize in Literature in 1951, the year after the release of “Barabbas,” his best-known novel. The book was most notably turned into a 1961 film starring Anthony Quinn and directed by Richard Fleischer. “Barabbas” has most recently been adapted into this intriguing, wildly-uneven (and occasionally painful) two-part miniseries, which debuted on ReelzChannel in March.
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