Posted in: No Huddle Reviews by Jeremy Butler on August 23rd, 2013
Sigourney Weaver running for the presidency? Come on, I can’t be the only one who saw that coming. No, no just joking; Mrs. Weaver herself is not running for president, but she played someone who did on TV. I am of course referring to the USA Network miniseries Political Animals, where she stars as Elaine Barrish, the former First Lady and current Secretary of State. Filled with crisis after crisis, scandal after scandal, the six-part miniseries delves into the personal and professional lives of its characters, leaving no stone unturned and no secret untouched.
The series starts off depicting the end of former First Lady, Elaine Barrish’s failed presidential run. Moments after delivering her concession speech, she tells her philandering husband, former 42nd President of the United States Bud Hammond (Ciaran Hinds) that she wants a divorce. Fast forward two years; many things have changed; Elaine now serves as the Secretary of State to the very man she ran against in the Presidential Primaries, President Paul Garcetti (Adrian Pasdar); her former husband has been raked over the coals for infidelities and has now gone from beloved public figure to political pariah. During their marriage, Elaine was considered a cold and calculating political animal, and afterwards, her approval went through the roof. Her divorce as well as her decision to serve alongside the man who beat her has been the cause of much political speculation, with one question on everyone’s mind: Will she make another run at the presidency?
Posted in: The Reel World by J C on August 23rd, 2013
Meeting your significant other’s family for the first time can be a terrifying experience. Then again, being introduced to your son/daughter/brother/sister’s new boyfriend or girlfriend can be equally dicey for the family, since we’re talking about a total stranger being thrown into the mix. The best thing about You’re Next is how it takes this sort of recognizable family drama and gleefully twists it into a brutally violent — and brutally funny — horror film.
The unfortunate family at the center of this genre mash-up is the Davisons, who have convened for the first time in a long time to celebrate Aubrey (Barbara Crampton) and Paul’s (Rob Moran) 35-year anniversary. Their four grown children — Crispian (AJ Bowen), Drake (Joe Swanberg), Aimee (Amy Seimetz) and Felix (Nicholas Tucci) — along with their respective significant others — Erin (Sharni Vinson), Kelly (Margaret Laney), Tariq (Ti West) and Zee (Wendy Glenn) — all gather at the family’s remote, picturesque home in the middle of the woods.
Posted in: Disc Reviews by Gino Sassani on August 21st, 2013
"Everybody's got guns."
Lately, you might have heard a lot of folks talking about getting home for a little Nucky. Well... it's not what you think. They're talking about Nucky Thompson, played by Steve Buscemi on HBO's latest gangland series, Boardwalk Empire.
Posted in: Disc Reviews by Gino Sassani on August 21st, 2013
"There is a town in Maine where every storybook character you've ever known is trapped between two worlds, victims of a powerful curse. Only one knows the truth, and only one can break her spell."
ABC has had a very important asset going for it for years. It's one that the network has seldom taken any advantage of. That asset is its parent company. You see, ABC is part of the Walt Disney family. With the rich history of stories the studio has in its arsenal going back to the 1920's, it was only a matter of time before some clever people decided to find a way to use that rich history into a television series. That time has arrived, and the result is Once Upon A Time. It's the most clever and original series to hit the tube in a long time.
Posted in: No Huddle Reviews by Jeremy Butler on August 21st, 2013
“Everything you've heard... about monsters, about nightmares, legends whispered around campfires. All the stories are true.”
Has anyone notice the fire sale that has been going on among film studios and young adult novels? Since Twilight neared its end (and before), the market is has become flooded in recent years with adaptation after adaptation, and it doesn’t appear to be slowing down anytime soon, especially with announcements of plans to adapt novels like Divergent, Ender’s Game, and Vampire Academy; everyone is looking for the next big phenomenon to fill the void left by Twilight. If there was a series that could accomplish that goal, The Mortal Instruments: City of Bones was the one that had my vote. However, after seeing it, I have some doubts. I’m not saying it can’t ultimately accomplish it, but the series will definitely need to make a few adjustments and will have its work cut out for it.
Posted in: The Reel World by Archive Authors on August 21st, 2013
It's nice to see two Spielberg veterans in the same movie. It's been a long time since American Graffiti when Harrison Ford and Richard Dreyfuss last appeared together. It's been a long time since Hooper in Jaws and Roy Neary in Close Encounters of the Third Kind, but Dreyfuss and Ford don't appear together in this movie either. It's like they are in two different movies. Paranoia is a corporate espionage thriller with two CEO's played by Harrison Ford and Gary Oldman, who have strong ties and stronger hates. There is lots to like about the movie, but many, many missed opportunities too.
The story is fairly tangled and revolves around a young genius (Liam Hemsworth, the brother of Chris who plays Thor in some other movies) who suffers from immaturity and bad judgment. Richard Dreyfuss is his lovable loser of a father who needs his medical insurance. But he loses his medical insurance because he's not important enough to his big boss Oldman, who fires him. It turns out that was a bit of a ruse. It's actually much more convoluted and confusing than that, but that's the essence of it. Oldman's rivalry with his former mentor and now fierce competitor played by Ford is all-consuming, so much logic is lost in his zeal. Oldman uses threat of death and promises of riches to entice Hemsworth to infiltrate Ford's inner circle.
Posted in: No Huddle Reviews by Jeremy Butler on August 21st, 2013
What an accurate title for this stand-up, “Whelmed But Not Overly.” The title of the stand-up resonates with me the most because it perfectly reflects my opinion of Nealon’s stand-up. I think that is reasonable to say that by now everyone has an idea of who Kevin Nealon is; you may not know him by name, but my guess is if he were to show up on your TV screen you’d go, “Hey I know him from somewhere.” For most, it would be that you recognize him from his tenure on Saturday Night Live, or as the corky resident funny man on the Showtime series Weeds, or perhaps in the background of a couple of your favorite Adam Sandler films. However, is it much harder to be the funny man in stand-up vs. on a TV show or movie; it requires impeccable comedic timing and charisma that moves the crowd. Although I am sure this not Nealon’s first rodeo, he did not deliver what was need to keep my interest.
Part of the problem for me was that during his set, Nealon came out and only briefly touched base on a wide array of subjects. No real time was spent on the importance of subject. Why is this topic worth discussing and how is it relevant to me? These are questions that the audience asks themselves during stand-up; the audience looks to comedians to be the voice for all the things that are unable to say in everyday life, but with subjects like Remember When, a subject essentially about how people’s voices raise an octave when reminiscing, he is not acting as their voice. Nor does talking about the different celebrity’s that he has crop-dusted (I did not know what crop-dusting was before this special, which either makes me innocent or entirely clueless, not sure which one yet); however, it did turns out to be one of the more enjoyable sections of the set, not really sure what that says about me, but it’s true. Ultimately the topics that Nealon discusses are not things that I really spend time thinking about, which at least in my case makes them kind of pointless.
Posted in: Disc Reviews by Jeremy Butler on August 20th, 2013
When you read that Eli Roth is part of the production team, the first thing you probably think about is the potential gore that will be associated with the project, and Aftershock is no exception, but there was also an interesting twist with this disaster flick: the involvement of a director who’s most known for his work in the romantic comedy genre, Nicolas Lopez, who’s most notable for his Que Pena Tu (translation: F*** my (blank)) trilogy. He tries his hand at something new with this dark tale based in reality that highlights that the most frightening part of a natural disaster is not necessarily the disaster itself.
Two groups of travelers venture to Chile seeking a good time and get more than they could have ever expected. In the first group, Gringo (Eli Roth’s character, no real name given), an American, is led around the city by two natives: Ariel, who is recovering from a recent breakup, and spoiled rich kid Pollo. The two natives take it on themselves to show Gringo around and give him a trip that he will never forget.
Posted in: No Huddle Reviews by Brent Lorentson on August 20th, 2013
Ever since I’ve had a little girl in my life, the amount of kids’ programming I’ve gotten to review has mushroomed. This is by no means a complaint; if anything it has helped me bond with her. Granted, at times all the kids’ shows can quickly grow to be as grating as nails to a chalkboard, but when shows like Dragons and The Amazing World of Gumball come along I’m not sure who gets more excited, her or myself. When I reviewed The Mystery DVD I wasn’t sure what I was getting into, but quickly I found myself pleasantly obsessed with Gumball Watterson and the trouble he would get himself into. As for the new DVD The Party, well, I can happily say I wasn’t disappointed.
The Watterson family I think would best be summed up as a more family-fun version of The Simpsons. You have the loving mother, the doofus father, the son always getting into mischief, and the bright daughter that seems to have been adopted. With the target audience being younger kids, the subject matter may not be as crude, but nevertheless it still is entertaining for any age.
Posted in: No Huddle Reviews by Brent Lorentson on August 20th, 2013
The moment I see the words “inspired by true events”, I simply accept the fact that most likely everything that follows should be taken with a grain of salt. I understand films are not meant to be reference materials to be seen as fact, but simply as a tool to entertain and hopefully motivate you to learn more about the subject matter. When it comes to Emperor, I know going in this isn’t going to be a history lesson, so I could allow myself to simply enjoy the show.
In the days following Japan’s World War 2 surrender, General Douglas Macarthur (Tommy Lee Jones) is given ten days to decide the fate of Japan’s emperor through an investigation that will uncover his innocence or guilt of committing war crimes. Heading the investigation is General Fellers (Matthew Fox) who happens to be an expert on the Japanese culture.









