Modernizing Sherlock Holmes has been a popular trend in film and television lately. We have seen two slick action film adaptations courtesy of Guy Ritchie (Sherlock Holmes and its sequel), a contemporary BBC adaptation (Sherlock) and now there is Elementary, which transplants Sherlock Holmes and his loyal companion Watson from Victorian Era England to modern USA (New York, more specifically).

Mystery Science Theatre 3000 is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a couple of robot pals. Together they watch the films from the front row, constantly riffing on them. If you’re like me, you’ve invited a few friends over to watch a schlock festival.

"The needs of the many outweigh the needs of the few."

Every Star Trek fan has had that phrase beaten into their brain about as many times as Uncle Ben's mantra about great power and great responsibility. Who knew that the tagline was appropriate to filmmaking? When J.J. Abrams signed on to direct the reboot/remake/reimagining/rehash (insert your own word here) of Star Trek he quickly made it known that he was not really that into the franchise.

Survival, Endurance, Adversity, and Courage took on new meaning for me after No Place on Earth. They say that you can never judge a person until you’ve walked a mile in their shoes and experienced their life. Well, I haven’t walked that mile, but the documentary did give me a first-hand account of the 511 days the Stermer family spent underground during the Holocaust. After seeing what that family went through firsthand (or at least as close as I could get to firsthand) only one world truly describes my opinion: Awe.

Earlier this year, I reviewed Enlightened Season One and said about Laura Dern's character that she “has so many outrageous outbursts of issues great and small that most people have dismissed her as crazy and just wish she would go away.” Now we are back with Season Two, and all of the potential craziness of Season One is ready to spill and overflow in an uncontrollable fashion. Originally conceived with a three-season arc, it is my sad duty to report that it is unlikely we will ever see the promised Season Three.

Supergroups are hot right now: witness the astonishing box office dominance of The Avengers, as well as Warner Bros./D.C. Comics’ frantic attempts to replicate Marvel’s success. But the idea of a supergroup — a collective whose members have previously achieved individual success — has been around for a very long time, and is most commonly found in the world of music. The members of PSMS (Mike Portnoy, Billy Sheehan, Tony MacAlpine and Derek Sherinian) certainly fit the supergroup bill. Late last year, they united to rock the faces off their fans in Europe and Asia.

Knowing very little about Thailand’s gangster history, I jumped into The Gangster with no expectations and was left breathless by the time the final credits rolled.  With the energy and violence on display here, I can’t help but feel this is the intensity Scorsese intended in his underwhelming film Gangs of New York; there he had over a hundred million and the street fights, though they had epic buildups, seemed to just fall flat.  The Gangster, on the other hand, is on a micro-budget by comparison and delivers street fights that hurt, that leave scars and stay with you.

Vin Diesel. He is a man. A character who doesn't seem real. He is an actor who seems like an artificial creation. He seems to be all brawn and Cro-Magnon heft with just a tiny spark of sensitivity and some sense of inherent intelligence. It turns out Diesel started out making small independent films like Multi-Facial and Strays which led to Hollywood calling for the films Saving Private Ryan and The Iron Giant,which then led to Pitch Black and a TV movie called The Chronicles of Riddick: Into Pitch Black with Diesel playing the Riddick character.

High concepts don’t come much loftier than the one behind Starbuck. An underachieving slacker learns he has fathered 533 children thanks to frequent deposits at a sperm bank 20 years earlier. In fact, the premise was so nice, writer/director Ken Scott decided to do it twice. Vince Vaughn will star in an American remake later this year called Delivery Man. Whether you’re excited for the new film or you think it looks stupid, I highly recommend you give the funny and touching French-Canadian original a look.

“It’s not a good thing to find oneself living by an outmoded code of conduct. People take you to be a fool.”

Christopher Tietjens, the furiously principled Englishman at the center of this early 20th century drama, is simultaneously a man ahead of his time and part of a dying breed of gentleman. The most frustrating part of Christopher’s predicament is that he also has enough intelligence and self-awareness to realize exactly how out of place his behavior is.