Posted in: The Reel World by Archive Authors on July 19th, 2013
Stars grow old and die. I don't know what they do in the afterlife. Maybe they look over the shoulders of studio executives, mouths open in horror at the scripts they are reading. Stars do die, and they need to be replaced. The torch needs to be passed, and I don't always think studio heads give these matters enough thought. Stars aren't born. They need to be made. Sanded down, left out to dry, buffed and polished so hopefully they shine really bright. Jeff Bridges and Ryan Reynolds are the names above the title of R.I.P.D. Jeff Bridges, the baby and the brother of movie stars, has shone bright over the years. Bridges just picked up his first best actor Oscar a couple of years ago after a number of tries. He has done it all and is now a leathery, grizzled veteran of the Hollywood landscape. Ryan Reynolds is a smart, hardworking and appealing actor who seems always on the verge of superstardom.
Ryan Reynolds has been around. He's been engaged to Alanis Morrisette, then married Scarlett Johansson and then married Blake Lively. You get the impression that he's a nice guy, and both Alanis and Scarlett expressed regrets about the breakups. Comedy seems to be his forte, but he clearly has made attempts to do intense dramatic roles, most notably in Buried which consisted of him emoting alone in a coffin for the entire length of the movie.
Posted in: The Reel World by Brent Lorentson on July 19th, 2013
James Wan is simply a director who continues to impress me. Ever since Saw was released I’ve been a fan of his visual style that he brings to every film. Let’s face it, Saw is pretty much the biggest horror franchise of the past decade, and it all started with a simple little indie film that took place mostly inside a dirty bathroom. When Death Sentence came out, I was floored by how well he managed to construct a Death Wish film for a new generation. The parking garage scene was just freaking awesome. Then along came Insidious which was another massive smash for Wan. Sure, the movie had its creepy moments, but for me the final act just fell apart. Now Wan is set to release The Conjuring upon the masses; is it another smash hit like Saw and Insidious, or will this be destined to fall flat as Dead Sentence did?
The Conjuring is based on a true story about famed paranormal investigators Ed and Lorraine Warren who are staples of the paranormal investigation history and made famous for their “findings” with the Amityville investigation in Long Island. With ghost hunting shows saturating the cable channels, it was inevitable that we would finally get a tale about the investigators who somewhat started it all. But this isn’t so much just about the Warrens, but instead about the most terrifying case of their lives.
Posted in: The Reel World by Jeremy Butler on July 19th, 2013
“It’s important to enjoy life while you still can.”
My word, Bruce Willis must be exhausted, helming three movies this year so far and six last year alone; jeez, I know I’d be in need of a serious break. Luckily in RED 2, Willis doesn’t have to hold down the fort alone. Not when you have Malkovich, Mirren, and Parker available to help pick up the slack. That’s right, like Joe Matheson (Morgan Freeman’s character from RED) said in the original, “The band is getting back together.” And this time they are picking up some new members as Catherine Zeta-Jones and Anthony Hopkins join the cast. RED was great, but RED 2 is epic.
Posted in: The Reel World by Jeremy Butler on July 19th, 2013
Every once in a while a film comes along that looks like it could be interesting, but you don’t really expect to like it all that much. It’s simply meant to be filler, something to kill time until something better comes along, but somehow you get drawn in and become so engrossed in the story that you forget everything else. That is the most apt description of my experience with The Way Way Back, a socially awkward dramedy with a ton of heart featuring Steve Carrell, Sam Rockwell, Toni Collette, Liam James, and many more.
Duncan (Liam James, The Killing) is an introverted, slightly awkward fourteen-year-old. After his parents’ divorce, his mother Pam (Toni Collette, United States of Tara) starts dating Trent (Steve Carrell, The Incredible Burt Wonderstone), a single father who masks his disdain for Duncan with thinly veiled accusations and comments. For the summer, Duncan is dragged along with the couple and Trent’s daughter Steph (who treats him like a pariah) to Trent’s family beach house.
Posted in: No Huddle Reviews by Gino Sassani on July 17th, 2013
The 8th season would appear to be the final year for The Virginian. I say it would appear, because in spite of what it says on this release, the show would actually continue on for one more year. The name would be changed to The Men From Shiloh, which would also be used in many markets when the show would enjoy its syndication run. Unfortunately, many of the stations at the time cut the episodes down to fit the one-hour time slot. But you don't have any of those worries now, as Timeless Media brings us the final season of episodes to air under the name The Virginian.
There was really only one major cast change on the show in the 8th season. David Hartman left the show after only one season as Dave Sutton. The youth was represented this season by Tim Matheson as Jim Horn. He would be introduced in the season's first episode and continue for just this season. All of the cast would leave for the Men From Shiloh season except for stars James Drury and Doug McClure.
Posted in: No Huddle Reviews by Brent Lorentson on July 16th, 2013
When describing Greg Sommer, at first one would believe you are describing what most would consider a man-child. You know, the 30-something male who still lives at home with mom and on the weekends dresses up in elaborate cardboard costumes and takes part in epic backyard battles. But in this case that would only be a superficial look at a man that seems to have found the secret to happiness and has the tenacity to pursue his dreams unlike anyone I’ve ever met. Skull World is a documentary that follows Greg over the course of three years, and what he manages to accomplish in that time, man-child or not, is still impressive.
In his high school years, Greg came up with the persona of Skull Man that at first was meant to only be a Halloween costume, but with time it has become his identity. Friends and family seemed to of just accepted Greg for who he is with the mask as well as his fun, childlike personality. He loves his rock-and-roll-like persona, but even more than his love for the band Clutch, nothing seems to mean more to him than Box Wars.
Posted in: Disc Reviews by Gino Sassani on July 16th, 2013
"The Earth. A world of water. Nearly three-quarters of our planet is covered in a massive blue patchwork of seas and oceans. What lies beneath the surface is an alien realm we've barely begun to explore. Within these depths mysterious and amazing life forms live in a beautiful but fragile world of immeasurable variety and environmental extremes. This is a journey into the Wild Deep."
Wild Deep is a seven-part nature series that takes us on a journey to the underwater worlds of each of the Earth's continents. While there is some coverage of the lands themselves, the focus here is what happens beneath the surface of those lands' oceans. The show ran on Animal Planet starting in January of 2013.
Posted in: No Huddle Reviews by J C on July 16th, 2013
“You want to end this once and for all? Now’s your f---ing chance.”
And with those words, spoken during the closing minutes of the fifth and final season premiere of Damages, Patty Hewes sets the stage for her ultimate showdown with protégé/frenemy/surrogate daughter Ellen Parsons. (As you can see, Patty also takes advantage of the fact that the show — which began its life on FX — migrated to DirecTV for its final two seasons, allowing her to drop that F-bomb.)
Posted in: Disc Reviews by J C on July 15th, 2013
“You give me a uniform, you give me a number on my back — and I’ll give you the guts.”
More than any sport, baseball is all about numbers. Unfortunately, some of those numbers — like 73 (home runs in a single season) and 500 (career homers) — mean a little less in light of the steroid era. Others, like 56 (Joe DiMaggio’s legendary hitting streak), seem destined to live on forever. The most significant number on that shortlist might be 42, worn by Jackie Robinson when he broke major league baseball’s color line on April 15, 1947. 42 — the film, not the number — is significant for a somewhat surprising reason. The movie succeeds as rousing, crowd-pleasing entertainment by functioning less as a straight-up biopic and more as the story of how Robinson became, arguably, the country’s first African-American crossover star.
Posted in: Disc Reviews by Gino Sassani on July 15th, 2013
It's hard to imagine that Sylvester Stallone and Walter Hill never crossed paths for an action movie in the early days of their careers. Both have established themselves as staples in the action movie genre, and they dominated the 1970's and 1980's. It seems like a dream come true that the actor and director have finally joined forces. Unfortunately, some dreams are actually nightmares, and if Bullet To The Head is any indication, the two stars would have been better off had they remained unaligned.
The story is based on the French graphic novel Du Plomb Dans La Tete by Alexis Nolent. I have never seen the book, so it would not be possible for me to compare the two. Here the story involves hit man James Bobo (Stallone). He's on a hit with his partner Louis (Seda). Things go smoothly until James decides not to kill a hooker witness. Is he going soft? Not really. It turns out the two have been set up by their boss Marcus Baptiste (Slater) who has sent another killer, Keegan (Momoa) to get rid of the team. James gets away, and now he wants to find out who set him up and killed his partner.
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