“You're the good kind of addict. You're the I-got-messed-up-with-the-wrong-girl-and-ended-up-on-a-blow-bender addict. But Ertz is the Skeevy-old-man-who-got-caught with-a-crack-pipe-and-the-17-year-old-from-Speed-Racer addict.”

Where season seven of Entourage was all about the hard life and times of Vinnie Chase (Adrian Grenier) and company stumbling through the shallow traps of an impossibly expensive Hollywood lifestyle: i.e. growing addictions, porn star girlfriends, and desperate career moves, Entourage: The Complete Eighth Season is all about redemption through hard choices.

Films have been around for decades that have followed the life of crime and the pitfalls that come with it.  And with the success of the AMC series Breaking Bad, it seems meth is the new drug of choice for Hollywood to exploit for the big screen.  There have been plenty of great films and shows to come out of the exploitation of the drug trade; my personal favorites are Blow and Traffic.  But what always made this subgenre of film engaging is that it seemed to always balance the pros and the cons of living the life of crime, and in the end the audience would be given the message that crime doesn’t pay.

The wife and I have spent quite a few weekends within the last year going to antique shops and malls, flea markets and basically any place where we might go through a pile of stuff to find that one special item for our collection. The search has produced many interesting items and it brings us joy to see all of the items that simply do not show up in a retail store. Today, we are reviewing American Pickers volume 3, a show that lives on the art of finding that next treasure by going through America’s backyards.

-"And what do I say when they ask me why it wasn't regulated?"
-"No one wanted to. We were making too much money."

At first glance, sitting down to watch a film about the financial meltdown of 2008 seems only slightly more fun than going through the actual meltdown again. Fortunately, director Curtis Hanson (L.A. Confidential) and a towering ensemble cast — I felt like I'd died and gone to Character Actor Heaven — mostly keep Too Big to Fail away from CNBC territory and deliver a brisk, entertaining film.

"Before my father died, he said that the worst thing about growing old was that other men stopped seeing you as dangerous. I've always remembered that, how being dangerous was sacred, a badge of honor. You live your life by a code, an ethos. Everyone does. It's your shoreline. It's what guides you home. And, trust me, you're always trying to go home."

It would be easy to dismiss Act Of Valor as either a recruiting tool piece of propaganda or yet another in an endless line of war films attempting to capture some form of authenticity.

"I'm Rick Harrison, and this is my pawn shop. I work here with my old man and my son, Big Hoss. Everything in here has a story ... and a price. One thing I've learned after 21 years? You never know what is going to come through that door."

Remember that PBS show where some old-stuff expert would come to your town and sift through a lot of junk that folks found in their basements or attics?

"I'm Brad Meltzer. I've spent my life collecting stories. The best include signs, symbols, and coded messages that are hidden in plain sight. Some have become the basis for my novels. But I've only scratched the surface of what's out there, and now History has given me the resources to investigate the rest. This is Decoded."

What if I told you there was an author out there who was known for writing novels that include historical conspiracies, secret societies and buried treasures, and that this author has found a way to parlay his moderate writing success into a television series for History?

If you happen to be a fan of wrestling and horror films of the 1980's Jesse Thomas Cook has a two-for-one deal with Monster Brawl. I had the opportunity to chat with him for a few minutes about the new project.

The film features Lance Henriksen, Art Hindle, David Foley, Jimmy Hart and Kevin Nash. 8 classic monsters battle in a PPV style competition in an isolated graveyard. Our review will be along soon. Until then, bang it here to hear my chat with Jesse: Jesse Cook Interview

“Ugh. How many times do I have to explain this to you? If you see the neighbor's house getting broken into, it's probably Karl high out of his mind thinking he's locked out of our house.”

When it comes to office based slacker comedies, Mike Judge’s Office Space still sets the gold standard. Workaholics wishes it could be as quotable and timeless as Office Space, but settles for goofy, instantly forgettable juvenile ramblings suitable for a stoner’s short term memory. Much like the boy’s prank of choice, involving a dollar bill wrapped around poop, Workaholics looks good on the surface, but is pretty much the same old crap underneath.

When you look through the list of accolades that writer, director, and producer David E. Talbert has received, you can’t help but be a little impressed with the playwright who is working his way to the big screen.  Once you win an award that labels you best playwright, there is a certain standard that you should be held to with the works that follow, and if I were to simply judge his talent based upon how A Fool and His Money turned out, well, best playwright wouldn’t be a label I’d be throwing around.