Posted in: Holiday Gift Guides by Gino Sassani on December 17th, 2021
I think I see your problem. You have this list. It’s a list of people you need/want to buy a Christmas gift for. The trouble is that they’re into home theatre, and you don’t know Star Trek from Star Wars. You couldn’t tell a Wolf Man from a Wolverine. And you always thought that Paranormal Activity was something too kinky to talk about. Fortunately, Upcomingdiscs has come to the rescue every Christmas with our Gift Guide Spotlights. Keep checking back to see more recommendations for your holiday shopping. These gift guides ARE NOT paid advertisements. We take no money to publish them. With conditions as they are, shopping won't be easy this season. The nice thing about discs is that they're so easy to get from places like Amazon that you can give a great gift and stay perfectly safe while you do it. Now we present a couple of goodies from CBS Home Entertainment.
"Some say that in life, there are no second chances. Experience tells me that this is true. But we can only look forward. We have to be torchbearers, casting the light so we may see our path to lasting peace. We will continue exploring, discovering new worlds, new civilizations. Yes - that is the United Federation of Planets. Yes, that is Starfleet. Yes, that is who we are. And who we will always be."
Posted in: Disc Reviews by Archive Authors on December 17th, 2021
Besides the fact that it stars Leonardo DiCaprio and that it’s essentially a white collar gloss on Goodfellas, you’d be forgiven for thinking somebody other than Martin Scorsese directed The Wolf of Wall Street. I don’t mean to suggest Scorsese has lost his masterful touch or his passion for filmmaking, both of which were on display as recently as two years ago in the wonderful Hugo. It’s more that after spending the better part of the 21st century making strong, serious dramas, I didn’t necessarily expect Scorsese to make his funniest, loosest and most audacious picture in decades.
“I want you to deal with your problems by becoming rich.”
Posted in: Uncategorized by Gino Sassani on December 16th, 2021
I think I see your problem. You have this list. It’s a list of people you need/want to buy a Christmas gift for. The trouble is that they’re into home theatre, and you don’t know Star Trek from Star Wars. You couldn’t tell a Wolf Man from a Wolverine. And you always thought that Paranormal Activity was something too kinky to talk about. Fortunately, Upcomingdiscs has come to the rescue every Christmas with our Gift Guide Spotlights. Keep checking back to see more recommendations for your holiday shopping. These gift guides ARE NOT paid advertisements. We take no money to publish them. With conditions as they are, shopping won't be easy this season. The nice thing about discs is that they're so easy to get from places like Amazon that you can give a great gift and stay perfectly safe while you do it. Warner Brothers release of The Mad Max Anthology:
"Born with a steering wheel in his hand and lead in his foot, he is the Nightrider, cruising at the speed of fright! This is the Nightrider, and we ain't never coming back. I'm a fuel-injected suicide machine..."
Posted in: Disc Reviews by Brent Lorentson on December 16th, 2021
I was disappointed when it was announced that James Wan wouldn’t be returning to helm the third Conjuring film, but when the reasoning was that he had a new original concept to direct, well, it still made me pretty happy. When it comes to the technical side of filmmaking, I feel James Wan is one of the most exciting directors currently working in the industry. What the guy pulls off is impressive mostly because he relies more heavily on in-camera trickery than depending on CGI. Sure, he did Aquaman and is about to do the sequel, but those films aside, he’s pretty much a master of the practical craft who I’d put up there with Hitchcock. So when I saw the trailers for Malignant, I’ll admit I was a bit excited, especially when Wan had said that this was a nod to the Giallo films of the past. But did he deliver?
The first thing I have to say is this film is not a Giallo film, but what it does have in common with the stylized Italian slasher genre is that Malignant IS highly stylized, but it’s more of a hybrid of several other genres. In many ways this might be James Wan’s best work behind the camera and shows just far he has grown since he made his splash in the industry with Saw. But from a storytelling standpoint, I can understand why it is a film that divides fans.
Posted in: No Huddle Reviews by Gino Sassani on December 16th, 2021
"That was a long time ago, wasn't it?"
Everyone has one. There is that shirt in your closet. Or maybe it's a pair of pants, socks, or even shoes. Whatever it is, it should have been thrown out decades ago. There could be holes, and it's certainly so threadbare that you could do the New York Times crossword through the fabric. It's not practical, if it ever even was. If it were any other piece of clothing, you'd be embarrassed to be wearing it. But the dang thing is so comfortable. It's soft against your skin, or maybe it brings back one of your favorite memories. Whatever the reason, you love that thing, and you wish you could wear it all the time. That's exactly how some of us feel about Clint Eastwood. I was a teen in high school when he asked us if we felt lucky and begged us to make his day. A lot of years and a lot of movies have come and gone since then. Clint doesn't have the abilities to run around shooting up the joint anymore. His delivery has gotten softer over the years. Face it. Clint has lost more than a few steps. At 91 years of age, it's somewhat amazing that he's still directing with the quality he is, and every time he also steps in front of the camera, I'm in the audience saying my goodbyes. But I've been saying goodbye since before Gran Torino in 2008. Now it's 2021, and after Hollywood has experienced its most grueling two years in the last century, it is becoming clear to me that Clint Eastwood isn't going anywhere. And that makes my day.
Posted in: No Huddle Reviews by Jeremy Butler on December 16th, 2021
A whodunnit with teeth … that is a most apt description, and for me, that made the film all the more entertaining. I mean, who doesn’t love a good whodunit? And when that whodunit comes with a supernatural twist … even better. In the case of Werewolves Within, that supernatural twist in kind of on the nose. One of the characters actually gives a great explanation regarding the existence of werewolves being more likely than a particular type of person. I wish I could use the exact phrasing, but I fear that would ruin the whodunit element of the film for you. Sam Richardson leads the cast in this quirky yet intriguing comedy horror. Richardson is someone who has been showing up more and more on my radar in recent years. Each time he does, he feels a bit typecast in the role of a socially awkward individual; he was that way in The Tomorrow’s War as well as when he stared alongside Brittany Snow in Hooking Up. Despite this typecasting, Richardson has presence, somehow invoking the words of Mr. Rogers and applying them in modern day context. However, we are getting ahead of ourselves.
The story follows Richardson as Finn Wheeler, a forest ranger newly assigned to the town of Beaverton. The consummate nice guy, Wheeler almost immediately finds himself at odds with several townsfolk, who are embroiled in a debate regarding approving a gas pipeline to be implemented in town. This issue has divided the town, as its implementation requires a majority vote. On a positive note, Wheeler does manage to make a friend/possible love interest in the form of mail carrier Cecily Moore (Milana Vayntrub). Like Wheeler, she is a bit quirky, and the two do seem like a good fit. However, their potential romance is complicated by the fact that Wheeler is still hung up on his ex, who he didn’t realize was an ex until Cecily clued him in. And of course, a suspicious blackout and the discovery of a corpse also complicates their potential romance.
Posted in: Disc Reviews by Jeremy Butler on December 16th, 2021
Be honest; who hears the theme music when anyone even mentions The Addams Family? I know I do, and then I have to resist the urge to do the finger snaps. Just in time for the release of the animated version comes the double release of The Addams Family and its sequel, The Addams Family: Family Values, featuring Raul Julia and Angelica Huston as Gomez and Morticia Gomez, and let’s not forget Christopher Lloyd and Christina Ricci as Fester and Wednesday Gomez respectively. Based on the wildly popular cartoons that appeared in the New Yorker that went on to find success as television series, the The Addamses are a satirical inversion of the ideal 20th-century American family.
The first film finds the family thriving, but without an essential member, Fester, who after a falling out with his brother Gomez, leaves for the Bermuda Triangle, not to be heard from for 25 years. Looking to capitalize on Gomez’s guilt over the situation is the family lawyer Tully, who is in deep to loan shark and con woman Abigail Craven. When Craven and her son Gordon, who is the splitting image of Fester, come to collect, Tully hatches a scheme to have Gordon pose as Fester to find the hidden vault where the Addams family fortune is kept.
Posted in: The Reel World by Gino Sassani on December 10th, 2021
You could say that West Side Story goes back to 1957 with the iconic collaboration of composer Leonard Bernstein and the very recently deceased lyricist Stephen Sondheim. But that isn't exactly true. The play was a modern retelling of William Shakespeare's equally iconic Romeo And Juliet. Instead of Capulets and Montagues, we have street gangs from 1950's New York City. All of the beats are there and then some. The legendary Robert Wise adapted the play as a film in 1961, which has deservedly gone on to classic status. And there it all sits for 60 years outside of the expected revivals and local productions of the work. Along comes Steven Spielberg who wanted to create a film as homage to his father. Their shared love of the source material here has led to a new film that is likely to captivate a new generation of fans, while also being a love letter to those of us who loved the original ... including Steven Spielberg's pop. The film is a complicated experience, to say the least. It has its shares of ups and downs, to be sure. But does it have the heart and soul of the original material. The answer is a guarded yes.
If you don't know the story, shame on you. I had to admonish a fellow critic who came to the film having never seen the original. Fully shamed, I hope he's corrected that oversight by now. Tony is played by Ansel Elgort. He's a somewhat inactive member of the street gang The Jets. Gang leader Riff (Faist) is itching to have an all-out rumble with rival gang The Sharks. He wants a kind of winner-takes-all event that settles their "beefs" once and for all. He's trying to convince Tony to support the gang and participate in the expected rumble. Tony isn't convinced. The challenge is set to go down at an upcoming dance, where Tony falls in love at first sight with Maria, played by Rachel Zegler. Isn't love just grand? The problem is that Maria's brother Bernardo, played by David Alverez is the leader of The Sharks. Just the fact that they are talking to each other at the dance infuriates brother Bernardo. Now he's even more wanting that rumble, and he wants the Jets to make sure Tony is there, because he wants to take him out personally. The two lovers spend the next 24 hours before the scheduled fight together growing even closer. Tony convinces Maria he can stop the bloodshed, but this is after all a tragedy, and that's not really going to fit into the template. Don't blame me. Blame Willie S. for dooming these star-crossed lovers from the start.
Posted in: Disc Reviews by Brent Lorentson on December 10th, 2021
Over the past decade we’ve seen a resurgence in reboots, remakes, and anthologies, so it isn’t much of a surprise that the beloved horror anthology Creepshow would get the reboot treatment. To be fair, this is an extension from what the first films set out to be, though the big difference is that instead of just being a film with a few stories, it is now a TV series, each episode containing two tales to horrify and entertain. When I first heard about the series I was cautiously optimistic. The first two films I consider classics, as do many other fans of the horror genre. Then there was that third Creepshow that I feel we all just want to forget and pretend never really happened. Without George Romero being around, I just wasn’t even sure I’d want to see a show that could possibly just water down everything that was great about the films and simply turn out to be a cheap imitation. Season 1 of the series I enjoyed, and it offered plenty of promise for things to come; did Greg Nicotero and his creative team deliver?
Episode 1 starts of strong with Model Kid/ Public Television of the Dead. I’ll just say I loved this episode. There is a lot of heart put into the first segment about a young boy who is obsessed with all things horror and how he shares his passion with his mother who is very ill. Everything works in this episode, and honestly I wish it was longer, because I simply wanted so much more with the story. The “horror” direction this episode takes is fun and macabre just as it should be for this series, and it definitely sets a tone. Then there is the next segment … This episode was a blast. Just think what could happen if the Necronomicon from Evil Dead was read allowed on a public television network, and the only person that could save humanity was Bob Ross (yes, that artist). While it may not be THE Bob Ross, we definitely get that that is who the character is supposed to be. Even adding Ted Raimi pretty much cements this episode as Evil Dead canon.
Posted in: Podcasts by Gino Sassani on December 9th, 2021
RLJE Films has just released their lycanthrope horror/comedy Werewolves Within on Dec 7th. It's a rather unique take on the often tired werewolf story. I had the chance to talk to the film's director, Josh Ruben. Josh took time out of his busy holiday schedule to talk about the film. I found his insights rather interesting, and I think you might agree. You won't need a wiretap warrant to eavesdrop on the call. Bang it here to listen to my chat with Josh Ruben.
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