Posted in: Disc Reviews by Jeremy Butler on November 25th, 2021
This was actually the first movie I ever saw on a date. Nearly twenty years ago. The most interesting thing being that I can tell all sorts of things about that experience, but for the life of me, I can’t tell you a thing about the movie. Prior to re-watching it, that is, and having done so, I now understand why it faded from memory, because it isn’t a movie that really makes a lasting impression. This is surprising given that the film is credited as the first photorealistic computer animated film, as well the most expensive video-game inspired film up until 2010. The thing is, it’s a film that if you ask me, never really should have been. The story is not compelling, and it does not accurately depict the source material by which it was inspired. They share the same name, but none of the characters or the plot of the film originated from the video game franchise. Talk about a bait and switch.
I will preface this by saying that I am not an authority on the popular video game franchise. However, based on my own experience, when you think of Final Fantasy, you think about Cloud Strife, the blonde warrior carrying a sword with a blade the size of a tree trunk. Or at least I do. In contrast to characters established in canon and the video game series, the film follows Dr. Aki Ross, a woman attempting to gather eight spirits in order to invigorate the Earth’s Gaia Spirit following a alien invasion. Lost yet? Don’t worry, you are not alone. I don’t know where they pulled this story line from, but it did not play well with me, as for me, it in no way represented what the game series was about, which explains why I purged it from memory.
Posted in: Disc Reviews by Gino Sassani on November 25th, 2021
"We are the only people who are capable of handling time-traveling aliens."
Of course, that can only mean The D.C. Legends Of Tomorrow. This is the sleeper of the entire Arrowverse. It's never really been one of the higher-rated shows, but it has a strong cult audience and has survived more than one season on the proverbial bubble and has beaten back a pandemic and outlasted such better shows as Arrow and Supergirl. I always enjoy it, but I do find it the hardest show to completely follow. It will delve into the silly and the absolutely crazy, and it's pretty much jumping sharks on a weekly basis. It doesn't help that every year sees a huge shakeup of the cast, and this season was no exception. The crew of the Waverider change over faster than teens at a fast food joint. Of course, you might be left asking yourself what is this Waverider of which you speak? It's hard enough to keep track of the players without a program, but it's a near impossible feat if you are trying to join the festivities in the fourth season. You might want to check out our reviews of the previous years and then rejoin me for the breakdown of the Blu-ray release of DC Legends Of Tomorrow Season 6. Just bang it here to catch up: Legends Of Tomorrow Reviews.
Posted in: The Reel World by Jeremy Butler on November 20th, 2021
“Venus Williams is going to be the number 1 tennis player in the world. Absolutely. But you are going to be greatest of all time.”
He was a man with a plan. A 78-page plan, if you want to be exact. We’ve heard the story of Venus and Serena Williams, two sisters from Compton who went on to become two of the greatest tennis stars in the world. Now we will learn the story of the man behind the two tennis legends. Their father, Richard Williams, or as the title says, King Richard. But who could we trust to properly represent the story, and more importantly, who could embody the man? A man who is rapidly becoming a legend in his own domain. In fact, his name and legacy were recently solidified on a soundstage at the Tyler Perry Studio in Atlanta: Will Smith. Now, Will Smith is not a character to be disregarded. This is a man who has found a way to dominate everything that he has ever chosen to do. Music, television, and film. I mean, the guy even tried his hand at stand-up comedy. He has a whole slew of accolades to his name, but there is one thing that has managed to elude him. One award that he has yet to capture despite being nominated multiple times. Quite possibly the most prestigious award that could be bestowed on an actor. The Oscar. Will King Richard be the film that gets him this coveted award? We shall see.
Posted in: Disc Reviews by Jeremy Butler on November 20th, 2021
I will say this for DC animated movies, they sure do pack a lot of story in their limited runtime. This film is only an hour, and somehow it felt like two and half hours of storytelling were comfortably fitted into that time. I know stories that don’t accomplish half as much with double the time. That is an accomplishment in itself. This re-release brings back the 2011 animated film based on the four-issue story arc of the same name. It’s a bit of a origin story, encompassing Batman’s first year operating as the Dark Knight at the height of corruption in Gotham. It is also a bit of a origin story for Batman’s nemesis turned ally, James Gordon, who wages his own war against the corruption in the police department. I remember watching this a few years ago, and it didn’t really hold my attention. However, on this outing, I was thoroughly engaged and entranced by the story. That just goes to show you that first impressions can change.
Told on two fronts, the film follows a returning Bruce Wayne as he comes back to Gotham after a 12-year absence. Bruce returns with a mission, to save the city that birthed him and took away his parents. On the other front, we have Lt. James “Jim” Gordon, a Chicago cop transferring to Gotham. Upon arrival, he finds the city to be rife with corruption all the way up to his boss, the Chief of Police. Despite this, Jim endeavors to do the right thing and clean up the city.
Posted in: No Huddle Reviews by Jeremy Butler on November 20th, 2021
When it comes to dystopian-type films, it is very difficult to break ground. In the span of cinematic history, we have seemed some good ones (Mad Max, Snowpiercer), and we seen some bad ones (Chaos Walking, Battlefield Earth). Unfortunately, I would have to rate The Colony (a.k.a. Tides) in the latter group rather than the former. Simply put, there just wasn’t anything about the film that resonated with me. Many of the plot themes felt recycled and predictable. The story follows an astronaut returning to Earth to determine whether it is habitable following years of climate change, pandemics, and war that have decimated the planet. Upon arrival, she immediately finds herself captured by those left behind on the planet. So apparently the planet was not that inhabitable to begin with. Around this time the film started to give me The 100 vibes. The story does throw in a new wrinkle with the subplot that the colony living in space has become infertile due to what I assume were atmospheric conditions. To that end, this idea does present an interesting angle and serves as the overall motivation for our lead character’s return to earth. That said, it still was not enough to make the story very compelling.
On one hand, the idea does create a plot device that aids in moving the story along, as well as creating desperation for the characters, as they show the lengths that they are willing to go to in order to combat their own extinction. However, this idea in itself is not a new idea. Anyone recall a film called Children of Men? That was very similar circumstance. However, not to simply focus on this angle, I feel the need to point the film’s usage of the red herring concept. Not to give too much of the storyline away, but as things progress it becomes evident that things aren’t what they appear long before the twist reveals itself. I just remember sitting and watching, and I instantly knew that what was perceived as the lead character’s salvation would eventually reveal itself to be more of a damnation.
Posted in: Disc Reviews by Gino Sassani on November 17th, 2021
"There are certain rules that one must abide by in order to successfully survive a horror movie."
No one knew those rules better than Wes Craven. He helped to create them, after all. Starting in 1972 with the cult favorite The Last House On The Left, he followed that just two years later with The Hills Have Eyes, which led to a sequel. But it wasn't until a decade later that he would deliver his masterpiece and most successful franchise, Nightmare On Elm Street. Wes Craven introduced the world to Freddy Kruger, and our dreams have never been quite the same since. While others attempted to reproduce the same results with many sequels, it was Craven himself who put Freddy to bed with New Nightmare exactly 10 years after his birth. A remake never got much traction, and Wes Craven's place in horror history was assured. In 1996 he decided to take one more stab at the slasher genre and delivered one of the best films to look directly back at the audience and celebrate the genre. Scream was another hit and another franchise staple. He took a then relatively unknown cast and made them household names with future amazing careers and decided that it was time to also poke a little fun at himself and his colleagues. The result was four films and an upcoming kind of reboot/sequel after a three-year television series examined the material. More importantly, it led to an entire sub-genre of films that include the Scary Movie franchise and others. Now, just in time for the holidays and the new film, you can see Scream in 4K with this UHD Blu-ray release.
Posted in: Disc Reviews by Brent Lorentson on November 17th, 2021
From Bride of Frankenstein to Night of the Living Dead and even Godzilla, horror has been a platform filmmakers have used for decades to handle larger societal issues. In 1992 when the first Candyman released, it was a film that tackled issues of class and race, but it did so in a manner that didn’t feel forced, and in doing so it added an extra level to what I’d consider one of the best horror films of the 90’s. I love the story of Candyman, and the performance Tony Todd gave this tragic character was an equal blend of horror, menace, and sympathy. The way the first film builds its impending doom for Helen Lyle has rarely been matched in films since. Watching as her life crumbles around her up until the moment she finally surrenders herself to Candyman and accepts her awful fate is an impactful moment. The sequels just never lived up to the first film, and it’s a shame, because I simply loved the idea of this modern urban legend that haunted the projects of black America. Candyman and the tragedy of Daniel Robitaille deserves better. As much as I love Friday the 13th and several other franchises in the horror genre, Candyman has always been the character ripe with so much untapped potential that I’m surprised it’s taken this long to get the reboot/sequel it rightfully deserves. Though the moment I saw that Jordan Peele was involved, I started to worry.
I’m being upfront and saying I just don’t like Jordan Peele when it comes to horror. It’s like when Michael Bay started up his horror company and churned out The Texas Chainsaw Massacre. Horror just isn’t for everyone to dip their toes into, and I don’t care about what awards films may get or what box office it may gross; I’m not going to cave to the bandwagon. That being said, I’m more than willing to give a film a chance if the trailer can hook me or if I care about the property, so with Candyman this was one I was on the fence with. I was ecstatic about seeing this character back on the screen, but I was still cautious, because it was being helmed by Nia DaCosta, a director with no experience in the horror genre. As it would turn out, she’s a director who shows plenty of talent and promise, but can’t build a moment of tension even with all the tricks and tools of the industry at her disposal.
Posted in: No Huddle Reviews by Gino Sassani on November 17th, 2021
"I, Cordell Walker, do solemnly swear..."
No, this is not the next spin-off of the zombie Walking Dead franchise. There's a new ranger in town, and his name is Cordell Walker. I know what you're thinking: "Meet the new boss. Same as the old boss." That's where you'd be wrong. They might share the same name and job, but this Walker is nothing like the Chuck Norris version that lasted for over a decade when you include made-for-television movies. This Walker is much younger. He was a Marine who had joined after 9/11. He has a family. His wife was killed a year ago, and now he's trying to raise his son and daughter with the help of his parents, who were no longer living in the Norris series. The episodes are more of an ongoing story arc, which conforms to pretty much most dramas on television today. While there were certainly elements that ran through the original show, it was pretty much a bad-guy-of-the -eek setup. If you haven't caught any of the new show, now is your chance. CBS Home Entertainment has released the entire first season on DVD, and just in time for the holidays. You get all 18 episodes on five discs with a couple of brief features.
Posted in: Disc Reviews by Gino Sassani on November 11th, 2021
"My name is Nicky Shen, and this has been my home for three years. A Shaolin monastery in Yunnan Province, China. My mom sent me on a cultural tour of China. Turned out, it was really a matchmaking tour to land me a Chinese husband. Just one of the many ways my mom tried to control my destiny. I panicked. I ran. That was the first time anyone told me I had a choice in anything. I was only planning to spend the night. But then I saw something that I knew I wanted to be a part of. These women were warriors. And so I stayed. Pei-Ling became my Shifu, my mentor."
The new Kung Fu series at the CW is not really anything like the 1970's show that starred David Carradine. And while the credits claim to be based on that show, they really do not have anything in common. This show is not a period piece but exists in current day San Francisco. The titular character is no longer a middle-aged quiet hero or a guy. Instead we have law school drop-out Nicky Shen, a twenty-something woman who doesn't quite have a handle on who she is. She's not a wanderer, and she doesn't play a handmade flute. She lives with her family and is totally connected to the modern from cellphones to Uber. That isn't to say the show is bad. The production values are high, as are the writing and acting. The weak link for me is it's given me flashbacks to Pretty Little Liars, as this show likely shares those adolescent girl demographics. So clearly I'm not the target audience. So otherwise, Mrs. Lincoln, how was the play? Warner Brothers Home Entertainment drops this reincarnated Kung Fu on Blu-ray with all 13 episodes on three discs.
Posted in: Disc Reviews by Archive Authors on November 11th, 2021
"My name is Harris K. Telemacher. I live in Los Angeles, and I've had seven heart attacks. All imagined. That is to say, I was deeply unhappy, but I didn't know it because I was so happy all of the time."
Steve Martin plays a wacky TV weatherman who develops a close friendship with an electronic freeway sign in the sleeper hit comedy L.A. Story. I found the critically acclaimed film to lack hilarity, but it does get marks for inventiveness. Martin is enjoyable in most anything he’s in, even if the material is not so great. L.A. Story is one such example of an actor rising above said material. Most of the over-the-top silliness misses the mark, and Marilu Henner has little more to do than play the cliché of snobbish socialite. The true love of the Martin character’s life – played by Victoria Tennant – is so bland vanilla I would have much rather seen him end up with his free-spirited squeeze toy (Sarah Jessica Parker), though any such relationship would be doomed to fail. At least there would be some excitement.
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