When it comes to dystopian-type films, it is very difficult to break ground. In the span of cinematic history, we have seemed some good ones (Mad Max, Snowpiercer), and we seen some bad ones (Chaos Walking, Battlefield Earth). Unfortunately, I would have to rate The Colony (a.k.a. Tides) in the latter group rather than the former. Simply put, there just wasn’t anything about the film that resonated with me. Many of the plot themes felt recycled and predictable. The story follows an astronaut returning to Earth to determine whether it is habitable following years of climate change, pandemics, and war that have decimated the planet. Upon arrival, she immediately finds herself captured by those left behind on the planet. So apparently the planet was not that inhabitable to begin with. Around this time the film started to give me The 100 vibes. The story does throw in a new wrinkle with the subplot that the colony living in space has become infertile due to what I assume were atmospheric conditions. To that end, this idea does present an interesting angle and serves as the overall motivation for our lead character’s return to earth. That said, it still was not enough to make the story very compelling.

On one hand, the idea does create a plot device that aids in moving the story along, as well as creating desperation for the characters, as they show the lengths that they are willing to go to in order to combat their own extinction. However, this idea in itself is not a new idea. Anyone recall a film called Children of Men? That was very similar circumstance. However, not to simply focus on this angle, I feel the need to point the film’s usage of the red herring concept. Not to give too much of the storyline away, but as things progress it becomes evident that things aren’t what they appear long before the twist reveals itself. I just remember sitting and watching, and I instantly knew that what was perceived as the lead character’s salvation would eventually reveal itself to be more of a damnation.

"I, Cordell Walker, do solemnly swear..."

No, this is not the next spin-off of the zombie Walking Dead franchise. There's a new ranger in town, and his name is Cordell Walker. I know what you're thinking: "Meet the new boss. Same as the old boss." That's where you'd be wrong. They might share the same name and job, but this Walker is nothing like the Chuck Norris version that lasted for over a decade when you include made-for-television movies. This Walker is much younger. He was a Marine who had joined after 9/11. He has a family. His wife was killed a year ago, and now he's trying to raise his son and daughter with the help of his parents, who were no longer living in the Norris series. The episodes are more of an ongoing story arc, which conforms to pretty much most dramas on television today. While there were certainly elements that ran through the original show, it was pretty much a bad-guy-of-the -eek setup. If you haven't caught any of the new show, now is your chance. CBS Home Entertainment has released the entire first season on DVD, and just in time for the holidays. You get all 18 episodes on five discs with a couple of brief features.

It's hard to believe that one of the most popular comedy shows of the 1950's was not really a show at all, at least not in the way that we think of a television series today. The show began its life in 1951 as a segment on the popular Cavalcade of Stars. At that time only Jackie Gleason and Art Carney starred in their familiar roles. Alice was played by Pert Kelton. The series took its more recognizable look when it became part of The Jackie Gleason Show in 1955.That's also when Joyce Randolph joined the series as Trixie Norton. The series would take up a half hour of the slot. The second half was taken up by a larger variety of pieces, usually a series called Stage Show. The show would come and go, with other cast members coming and going over time. Even Art Carney had left The Jackie Gleason Show at one time, only to return in 1957 to the role. The show's history is a complicated one to which entire books have been devoted over the years. It wasn't until syndication that the series was really a show unto itself. The original 39 episodes were joined with nearly 70 re-edited versions of the other various incarnations of the show have made up what most of us today think of as The Honeymooners. The final original versions of the show ended in 1971; both Audrey Meadows and Joyce Randolph were gone by then, replaced by Sheila MacRae and Jane Kean respectively.

But this show that wasn't really a show had legs. The syndicated versions became hugely popular, and new generations of fans were being indoctrinated with each new package. The show even survived on pay television at Showtime for a while in the 1990's when the 70 newly-formed "Lost Episodes" first aired. But the fever just never died. The show would influence a large number of series that would follow. Even the animated world of cartoons wasn't safe. The Flintstones would come along and become a prehistoric cartoon show that was basically the same down to the characters. Fred and Barney couldn't have been closer to Ralph and Norton if their names had been the same. Today, comedians constantly recall The Honeymooners and Jackie Gleason as their inspiration. To more than one generation of television viewers, Gleason really was "The Great One".