Posts by Gino Sassani

The premise itself is relatively simple and requires no real past knowledge to get on board. Unit 15 is the elite unit of an unnamed Canadian metropolitan police force. The unit is led by Staff Sergeant Oliver Shaw (Gordon). Each episode begins with his roll call. Apparently in Canada it's called parade. He does the usual job of giving out riding partners and assignments and providing the general "hot" information for the shift turn-out. The show focuses on a group of rookie cops assigned here. This is where it gets tricky. They are still pretty much referred to as rookies, but it's the fifth season, and it's clear they've been there more than a year by now. The episodes follow their day tour. This is pretty much "Grey's Anatomy with guns".

It's an awkward show, to say the least. The police aspects of the show are actually above average. There's obviously some good creative writing on this team, and each of the police stories was pretty interesting. The show manages to look fresh and the criminal stuff not quite so hashed out. If Rookie Blue wanted to be a straight police drama, it could be a very good one. Only I suspect it's not what they really want to be. The only trouble with these good cop stories is they tend to get abbreviated so that we can get to the musical chairs of the romantic entanglements. That's the audience Rookie Blue is really gunning for, and that's where they lose me to a certain degree. Let's just say there's more kissing than cuffing going on here.

If there is a television series in the history of the industry as American or timeless as The Andy Griffith Show, I haven't seen it. You'd be hard-pressed to find someone with strong negative feelings about the series. It was one of those organic and comfortable productions that reached deep into the core of rural America. Even if we lived in a bustling city, there were aspects of the show that still rang true. It was populated with the kind of familiar faces that it wasn't hard for anyone in the audience to smile in remembrance of a character they've known in real life. And even after 50 years, the series still speaks to that certain aspect of the friendly small Southern town. A lot of the credit for that peaceful easy feeling must be credited to the titular star Andy Griffith himself.

It all started as an episode of The Danny Thomas Show called Danny Meets Andy Griffith in February of 1960. In October of that same year, the first episode of the show ran. That was the first time television audiences took a trip down to Mayberry. There they met Andy Taylor (Griffith), a widower with a young son named Opie, played by future Happy Days star and superstar director Ron (it was Ronnie then) Howard. The relationship could be summed up in the popular series opening that found the father and son heading to their favorite fishing hole with poles slung on their shoulders. All the while, the soon-to-be-famous whistled theme put us in just the right mood. Andy was helped out at the house by Aunt Bea (Bavier), who always had something "mighty fine" cooking or baking in the oven.

“Let’s go get those stinkin’ hyenas.”

For many years The Lion King was the highest grossing animated film of all time. It remains one of the most beloved films in history. It marked the last of the Disney classic animation triumphs. Combined with the Elton John and Tim Rice songs, it is one of those generational films. While there has never been a feature film follow-up at the box office, there have been a few attempts to keep the franchise alive, and why not? A direct- to-video film told the same story from the unique point of view of the popular characters Timon and Pumbaa. A full-fledged sequel appeared in another direct-to-video feature called The Lion King: Simba’s Pride. Now the baton is being passed to the next generation with a television series on the Disney Channel called The Lion Guard. The new story focus begins with the direct-to-video DVD release of The Lion Guard: The Return Of The Roar.

“Peering out from the dark shadows of America’s death row are the faces of evil. The faces of murderers. Men and women who commot the most heinous of crimes. Some elude capture for years, even decades. But eventually, these lowest forms of humanity find themselves on death row awaiting their final fate… execution.”

There appears to be a lot of controversy when it comes to the death penalty in the United States. I say appears, because even with all of the debate the polls show that Americans overwhelmingly support capital punishment. In fact, only 37% of Americans were opposed in the Gallup 2015 poll. That doesn’t mean there aren’t some concerns shared by most of us. In 1972 capital punishment was suspended by the Supreme Court in a landmark decision called Furman vs. Georgia. Contrary to popular belief, the Court did not find the death penalty to be unconstitutional. An “expert” in this series even makes that mistake. It found there was a lack of “fundamental fairness” in the sentencing guidelines. The worry was that minorities were getting a higher percentage of death sentences. Four years later in Gregg vs. Georgia, the Court was satisfied that such issues were addressed, and the death penalty was reinstated in most of the states in the country. We still have concerns over guidelines and methods of execution. No one agrees with the often decades it takes for most executions to actually happen. We may not agree with methods or system, but over 60% of us still support the practice.

“Take hope from the heart of a man, and you make him a beast or prey. And the beast eats away at you if you’re not careful. The beast will eat it all, and you will have nothing, and you are nothing.”

Patrick Swayze stars as Charles Barker, an FBI undercover specialist. He handles the deep cover missions, the kind that require a total commitment to the mission. He’s the kind of agent whoknows where the line is so that he knows where to cross it. He’s a grizzled veteran. His new partner is young Agent Ellis Dove, played by Australian actor Travis Fimmel. Ellis is a bit uncomfortable with Barker’s all-in approach. Still, he’s a loyal student and will do what it takes to catch the bad guys. The two agents are handled by an agent named simply Conrad. Conrad is played by everyone’s favorite comedy relief from the new Mummy films, Kevin J. O’Connor. He was the cowardly rascal Beni in those first two films. Each episode brings us a special set of circumstances where the FBI feels Barker’s special brand of work ethic might work. Still, the feds are a bit worried about just how far he has gone over that line. They try to get Ellis to snitch on his new partner to no avail. Larry Gilliard, Jr. plays Ray, the persistent internal affairs agent who wants the goods on Barker.

"I will talk to you of Art, for there is nothing else to talk about, for there is nothing else... Life is an obscure hobo bumming a ride on the omnibus of Art. Burn gas, buggies, and whip your sour cream of circumstance and hope, and go ahead and sleep your bloody heads off. Creation is, all else is not."

Enter The Film Detective. Founded by Philip Hopkins, the organization has made it something of a mission to re-master old cult favorite films for broadcast and the high-definition video market. They have a working library of about 3,000 titles. Now some of those films are making their way to Blu-ray, many for the first time. Recently two titles joined the high-definition treatment: Roger Corman's cult classic Bucket Of Blood and Vincent Price's ode to the haunted house of classic film, The Bat. Both films were originally released in 1959.