Posts by Gino Sassani

"In space no one can hear you scream."

It was the tagline that brought us by the droves into our neighborhood cinemas in 1979 to see one of Ridley Scott's two classic science fiction adventures. Alien was one of the scariest science fiction films we've ever seen. It wasn't just the wonderfully organic H.R. Giger designs that had us on the edge of our seats. Scott delivered a claustrophobic nightmare that caged us with this remarkable killing machine. Much the same feeling I had recently trapped in a minivan with a large spider on the prowl.

"Do you want me to give it to you straight?"

When last we left our main characters from the first two Madagascar films they were stranded in Africa after being shipped from their home in the New York Zoo. We knew the sequel was coming. They couldn't have left it any more wide open than they did. Of course, the reasonable questions were already being asked by the time the second film began. Do we really need another Madagascar film? Is there any new territory to explore?

It's baseball playoff time again. If you're a Mets fan it might have been a disappointing year for you. Our friends over A&E have something to cheer you up. They've given us three copies of New York Mets 50 Greatest Players to give away to a few lucky upcomingdiscs readers. The disc includes interviews with some of the team's historic greats. A blue-ribbon panel selected this list of players. See if you agree.

To win just follow these instructions.

"Bad things happen to good people, and they deserve to have their stories told."

I have to say that the horror film market has disappointed me of late. With October in full swing, I expect to be exposed to all kinds of horror films, from unknown independent projects to the standard franchise entries that pop up every year around this time. The trouble is that the films I've seen at the theaters so far have either been very disappointing or not really horror films at all. Thankfully, Sinister is not disappointing,

"Every ambition has a dark side."

And that includes the world of the cable television series. The world of cable series has brought us some of the most ambitious and compelling television shows we've ever seen. There's no censor board to answer to, so that means the shows have the freedom to expand into visual areas that have long been taboo on network shows. Nudity, sexuality, language, and even violence are often huge parts of these kinds of shows. Because there isn't really a ratings pressure, the shows can also cater to more specialized audiences.

“Did you pick your feet in Poughkeepsie?... Have you ever been to Poughkeepsie?... When you were in Poughkeepsie, you sat on the edge of the bed, didn’t you? You put your fingers between your toes and you picked your feet…. If I can’t bust you on this other thing, I’m going to bust you for picking your feet in Poughkeepsie.”

There can be no argument on this point. The 1970’s was a golden age for the cinema.

“Mentalist: Someone who uses mental acuity, hypnosis, and/or suggestion. A master manipulator of thoughts and behavior.”

This time around Baker stars as Patrick Jane, a psychic who was riding high bilking folks out of their hard-earned money by playing on their desires to contact their deceased loved ones. He would justify his con as providing closure for his marks and never looked back. That is, until one day he makes a fatal mistake. He never fooled himself into believing any of it was real. He wasn’t psychic. He just paid close attention.

Three-time widower Ben Cartwright  (Greene) runs his famous Ponderosa Ranch with the aid of his three grown sons from three different mothers. There’s Little Joe (Landon), Adam (Roberts) and Hoss (Blocker). Set some time in the mid 1800’s, this long-running series followed the family’s many exploits. In the late 1950’s westerns accounted for six of the top ten programs on TV. Only Gunsmoke had a longer run than Bonanza. From 1959 to 1973, Ben Cartwright and his boys rode across the small screen.

As a film, Hostel is in a class of its own. It takes the “disturbing gore” genre to a whole new level. There isn’t much in between ground for this film. You will either really enjoy the film or you will be very much disgusted. The plot of the film revolves around two college students and a friend they recently met as they journey across Europe. They are looking to have a good time and “meet” as many women as possible along the way. They journey from Hostel to Hostel.

Some horror directors just start out with a bang. That's certainly the case in point for Darren Lynn Bousman. He directed Saw II, III and IV to start his career. He's also responsible for the remake of Mother's Day and the quirky cult favorite Repo! The Genetic Opera. This time around it's True Blood's Stephen Moyer in The Barrens. I had a chance to chat with Bousman last week. Check out what he had to say. Bang it here to listen to my talk with Darren Lynn Bousman