Posted in: No Huddle Reviews by Gino Sassani on September 10th, 2021
CBS releases the 18th season of NCIS on DVD, and just the sound of that gives one reason to pause. There are few shows or franchises that get to live in that rarified air. In the modern age of television, only the Dick Wolf Law & Order series has accomplished this kind of sheer mass of episodes. The NCIS landscape is certainly in for some big changes. The New Orleans show ended with its 7th season last year, and we'll be talking about that show in the days to come. This 18th season of the mothership includes the 400th episode of just that series. The franchise will close in on its 900th episode next season with the addition of NCIS: Hawaii. CBS still has production facilities in the Island State, and those will soon be put to good use extending the family that actually started with JAG, and if you include that 10-year run, the franchise is over 1000 episodes. Shows don't last that long without doing something right.
The 400th episode of NCIS is a bit of a special one. The show goes back in time to the days when Gibbs (Harmon) and Ducky (McCallum) first met. A current case takes them back to that meeting, and we get to learn some of the quirks of that relationship and where it came from. In fact, if there is a theme for season 18, it's Gibbs and his relationships. A lot of the season's stories really bring some of those relationships to new levels, and for some, full circle. Gibbs is absolutely the big story this season. Imagine a character that has been on a show for 400 episodes and he can still evolve and expand. That's exactly what you're going to get here.
Posted in: No Huddle Reviews by Gino Sassani on September 9th, 2021
"Let's just cut the crap and get on with it, shall we?"
You shouldn't need a primer on the NCIS franchise by now. Unless you've been living under a rock for the last decade or longer, you're up to speed on these guys. If not, you still could have some fun and enjoy the CBS DVD release of NCIS: L.A., but NCIS has been around for nearly 20 years, and this particular version has been around for 12 seasons now. That's a lot of characterizations under the bridge and a ton of character evolution and stories that can't help but give you maximum mileage out of the release. If you aren't up to speed, you can check out over 30 seasons of various NCIS reviews by just banging it here: NCIS Reviews. That should keep you busy long enough to get you to the point that we're here talking about Season 13. So hopefully you are up to speed, and we can get on with it. Shall we?
Posted in: No Huddle Reviews by Gino Sassani on September 8th, 2021
It was 1975, and cop shows were all the rage. The only way a crime show might be able to distance itself from the crowd was to introduce the audience to a group of cops that were not quite so known and show off special-unit kinds of skills and equipment. The solution in 1975 was the L.A. SWAT team. Most folks didn't know what SWAT was. It stands for Special Weapons And Tactics. They are the guys who have the cool armored trucks and go where the serious action can be found. Hostage situations and severe firepower that overwhelms the typical cops on the beat are no match for these elite forces. So Steve Forrest and Robert Urich took our televisions by storm. The amazing thing is that the series was a mid-season replacement in its first year and only really lasted one complete season. It was 37 episodes and out. But the theme by Barry De Vorzon became a top-40 hit on the radio, and while the ratings never really caught fire, something about the whole experience remained in the pop culture all of this time. An A-list film in 2003 that starred Samuel L. Jackson, Colin Farrell, Jeremy Renner, Michelle Rodriguez, and LL Cool J did well enough at the box office to spawn a few direct-to-video sequels in name only. And it all went away once again.
Jump to 2017, and it appears little has changed. Cop and crime shows are all the rage, and the only way to stand out is to introduce the audience to a new kind of unit or team. That's how we got the NCIS, Criminal Minds and CSI franchises, to be sure. So why not pull out a few old tricks. That appears to be television gold these days with remakes of Hawaii Five-0, MacGyver, Magnum P.I., Charmed, and The Equalizer all having significant runs in the primetime schedule. Why not bring out SWAT? That's exactly what happened, and here we are four years later with the fourth season hitting the video shelves on DVD.
Posted in: Disc Reviews by Gino Sassani on September 2nd, 2021
Every decade or so sees the popularity of a Broadway stage show become something of a cultural phenomenon. When I was young, Cats and Annie were the big-event shows. Over the years it's been Andrew Lloyd Webber’s Phantom Of The Opera, and more recently, Rent. In these last few years the stage champ has been Hamilton, written by Lin-Manuel Miranda. To say that it has been one of the more popular shows in the last few years would be an understatement. Based very loosely on the historical life of Alexander Hamilton, it is still currently the hardest ticket to get in New York City. Lost in the excitement and fame over Hamilton is that Miranda has had another rather large success with In The Heights. The play was selected best musical in 2003. While it never did come close to the success of Hamilton, it was also once a hard ticket to obtain. Just one year after Hamilton made it to the big screen, In The Heights will get its chance to offer moviegoers something to help bring them back to the cinemas.
As the film begins, we are introduced to Usnavi (Ramos) (there's a rather amusing story about how he got the unusual name), who has gathered a few children together to tell them a story. We are introduced to the idea of suenito, or a little dream. And that's the theme that will carry you through Usnavi's tale. It all takes place in a little corner of New York City called Washington Heights. We're encouraged to say it out loud so that it won't disappear. And that's where it all happens. We are introduced to a few of the citizens of this cultural neighborhood who each have their own little dream. Usnavi runs a neighborhood bodega, but his little dream is to return to his native Dominican Republic, where he dreams of rebuilding his father's destroyed bar and living in his own corner of paradise. He's not the only one with a dream. He's trying to connect with Vanessa (Barrera), who works for a local hair salon that is about to be yet another business leaving the neighborhood. She finds she can't find a place where she's going to be accepted in that new neighborhood, and her little dream is to have a fashion boutique where she can design and sell clothes.
Posted in: No Huddle Reviews by Gino Sassani on September 2nd, 2021
What a great time it was to be a teen in the late 1970’s. No, I’m not referring to disco music. It was a great time to go to the movies. It was the culmination of the perfect date, and Hollywood was riding the beginning of a trend that remains alive and healthy today. I’m talking, of course, about the slasher film. You could argue that Hitchcock started the ball rolling in 1961 with Psycho, but it would be decades before that film would find its true audience and plethora of imitators. Although The Texas Chainsaw Massacre and Halloween came before Friday The 13th, can it be argued that any horror film franchise is as widely known? The truth is that even the man behind the film, Sean Cunningham, never really knew what it was that he had. It was never his intent to follow the film with a barrage of sequels. He also scoffed at the idea that Jason could become the centerpiece for future films. By now Jason has become such an iconic character that there is an entire generation out there that doesn’t know that Jason wasn’t the culprit in the first film. Jason’s stature has reached the heights of the classic monsters of the Universal days. While some of us hesitate to put his name and hockey mask up there with the likes of Frankenstein, The Wolf Man, Dracula, and The Mummy, the recognition and sheer dollars generated make it difficult not to. By the beginning of the 1980’s names like Jason, Freddy, and Michael Myers would be scaring audiences around the world, rendering the classics somewhat silly in the eyes of a more visceral generation of teens.
Paramount has put together an impressive collection for fans of the franchise. Because of rights issues it includes only the first eight films, but they loaded on all of the vintage extras and some from the recent SHOUT mega set. This is a good budget way to get these films on Blu-ray if you don't need quite all the bells and whistles from that set. Here are the films you'll get:
Posted in: Disc Reviews by Gino Sassani on September 2nd, 2021
The first thing you should know about The Walking Dead franchise is that it's unlike any television series you have ever seen before. The images here are intense, and the crew has been given a blank check to create this vision without the burden of censors looking over their shoulders. There are plenty of blood-and-gore effects that rival any of the Hollywood zombie films you've seen in the last few years. The makeup effects are handled by the very capable hands of KNB and supervised personally by Greg Nicotero (the N from KNB). KNB isn't treating this like a television production, and while I personally get tired of the cliché about making a movie each week, this one lives up to the hype. They aren't doing anything different here than they would do for a big-budget film. The zombies look incredible, and the effects are completely first-rate.
"It's all right. I know you've been through a lot."
Posted in: Disc Reviews by Gino Sassani on September 1st, 2021
What James Wan did with The Conjuring (2013) was something I don’t think anyone expected, he didn’t just deliver a haunted house film that’s genuinely scary as well as being a technical achievement, but also he kicked off a successful franchise that’s now seven films deep with no signs of stopping. I’ll admit when it comes to the stories about Ed and Lorraine Warren I have a bit of a bias. I’m a sucker for just about any and every paranormal show out there, and I’ve read numerous books about the Warrens and their case files. Everything from the “true” story behind the Amityville house, the “real” Annabelle, to some of the not-so-famous cases (at least the ones we haven’t seen a movie about). Whether you believe in the paranormal or feel the Warrens were nothing more than skilled hoaxers, the stories behind their cases are the stuff that will always make for a great campfire story, and as it’s been proven, some successful and entertaining films. So when it was announced that the next film was going to be about case where a man is being put on trial and uses the defense of possession, claiming the devil made him commit the crime, I was excited. Seeing how this was a real murder case that the Warrens were involved with, I was hoping we’d see a break from the traditional possession and haunted house film and delve into a courtroom drama; alas, that isn’t the case. While the new film does take a somewhat different approach, I definitely have some mixed feelings on this one.
My biggest concern from the get-go about this film was that James Wan was not involved with directing the film. Granted he may have only done The Conjuring and its sequel, but I feel we can all agree these films outshine the other entries in the franchise by a great deal. Wan is simply one of the best directors working in film period. Though he may only stick to genre films, his work with crafting stories and his work with a camera is well above many of his contemporaries in the genre. Then to decide to use Michael Chaves, the director of The Curse of la Llorona, to helm the film was immediately cause for concern for me. To be blunt, I hated that film. It was one of the worst films I saw that year. The saving grace was that at least Patrick Wilson and Vera Farmiga would be reprising their roles of Ed and Lorraine.
Posted in: No Huddle Reviews by Gino Sassani on August 27th, 2021
"Once the world was full of wonders, but it belongs to the humans now. We, creatures, have all but disappeared. Daemons ... vampires ... witches ... hiding in plain sight. Ill at ease even with each other. But, as my father used to say, in every ending, there is a new beginning. It begins with absence and desire. It begins with blood and fear. It begins with A Discovery Of Witches."
And that's how it all starts. The ambitious series from Sky is based upon The All Souls Trilogy novels by Deborah Harkness. In the first season of eight episodes, we are introduced to Diana Bishop, played by Teresa Palmer. She a witch who is living in a world where there are three species of creatures: witches, vampires, and daemons (Demons). Diana 's parents were killed when she was young because of their witchcraft, at least that's what she's been brought up to believe by her Aunt Sarah (Kingston) and her lover "Auntie" Em (Pettiford). No, we're not in Kansas anymore. Notice no one is singing Carry On Wayward Son. This isn't Supernatural, after all. Never mind all of that. Diane isn't a very good witch, because her powers appear to be stunted. She doesn't understand why until she becomes a visiting professor at Oxford and requests a book from their antiquities library. The book is called Ashmore 782, otherwise known as The Book Of Life. No one has been able to find it for centuries. But when Diane summons the book, she gets it. What she didn't know was that she was setting in motion a series of events that will cut across each of the creature lines.
Posted in: The Reel World by Gino Sassani on August 24th, 2021
"We all have secrets."
Right from the jump there's a lot to like about The Night House, directed by David Bruckner and starring Rebecca Hall. It's the kind of horror film that derives its scares from the point of emotional loss that cuts to the center of the kinds of things that really scare us all. From that point the film immerses us deep into the kind of atmosphere that doesn't come from gory special effects or even some of the nicely placed jump scenes. Instead Bruckner engineers his cinematography to play slight tricks on our eyes that immediately reveal some clever usages of the film's set designs and an Escheresque distortion of our point of view. It's the kind of film that demands you pay very strict attention and then rewards you for the effort. Sounds like a great movie, yeah? Unfortunately, the screenplay, written by Ben Collins and Luke Piotrowski, who both penned the now shooting Hellraiser reboot/sequel, is the glaring weak link that caused me to leave the theater repeating, "I almost loved it."
Posted in: No Huddle Reviews by Gino Sassani on August 16th, 2021
"I saw this movie."
When the film Stargate was released in 1994, I had very high hopes for the movie. The concept was rather brilliant, and I anticipated a kind of Star Trek without the ship. Roland Emmerich and Dean Devlin hit it out of the park with Independence Day two years later, but I was sadly very disappointed in Stargate. I loved the wonderful mythology that combined ancient history and aliens. The concept had so much promise but was bogged down in awkward pacing and some of the worst storytelling I've seen in a big-budget science fiction film. So when the television series debuted on Showtime in 1997, I didn't even bother to check it out. I didn't pay any attention. If I had, I might have given it a try because of the involvement of Richard Dean Anderson, because I loved him in MacGyver, but I intentionally avoided watching the show. Nearly two years later, we had just moved into a new house and I was assembling a metal shelf unit. It was tedious work, so I put on the television for background while I tightened about a thousand small nuts and bolts. The cable box just so happened to be tuned to Showtime, and they were running a string of Stargate SG-1 episodes. I have to admit I was captivated by what I saw. The promise I was so angry had been squandered in the film was very much alive in this television series. The characters/actors were all compelling. Missing out on the show from the beginning was one of the biggest entertainment mistakes I ever made. It's become one of my favorite shows of all time, right up there with Star Trek: The Original Series, Hill Street Blues, The Rockford Files, and Star Trek: The Next Generation. This is science fiction television at its absolute best. A rare case where the television series blows the film from which it was adapted away. That hadn't happened so dramatically since M*A*S*H.