Posted in: No Huddle Reviews by Gino Sassani on October 2nd, 2021
"18 years of sustained combat. I learned a long time ago to remain calm in the chaos, so that the fighting doesn't bother me. But when things go quiet, I hear Father Time coming for me. A new battle on the horizon, and for the first time in my life I'm feeling an enemy I don't know how to fight."
What David Boreanaz does is create iconic television characters. He has had no trouble getting work over the years. He has had the ability to jump from one successful series to another and enjoy longevity in those roles. Unlike many actors who have had big television roles, he doesn't get at all pigeonholed or typecast. In Buffy The Vampire Slayer he originated the role of the vampire Angel, who spun off to his own series for several years. Immediately after that he took on the role of an FBI agent and partner to the title character on Bones. That job lasted a decade. Before the remains of Bones could be laid to rest, he was already working on his next new series. Now he's the field leader of a Navy SEAL team, and if the first three seasons of SEAL Team is any indication, he's going to be dodging bullets and RPG's for the foreseeable future. CBS has a big tradition of long-running shows, and I wouldn't be surprised if a decade from now I'm talking to you about the 14th season of SEAL Team.
Posted in: No Huddle Reviews by Gino Sassani on October 2nd, 2021
Revamping old shows and movies is the latest trend in television. CBS has made several endeavors at this with varying success. Such was their attempt when they tried to convert Rush Hour into a TV series; however, the Macgyver reboot gaining a fourth season shows that the practice is not without its merits. CBS’s recent reboot of the popular series Magnum P.I. is the newest foray into this genre of television, and the fact that it has earned a second season bestows credit onto the show. Starring Jay Hernandez in the titular role, the character that Tom Selleck made famous, is breathing new life with new action. Minus the mustache, of course. Staying true to its source material, Hernandez’s Magnum is a former Navy Seal, and his best friends T.C and Rick are Marines. While staying true to its source, the series also digs deeper into the characters’ connection by illustrating the three as former POWs along with a fourth compatriot whose death serves as the catalyst for the pilot episode.
With the exception of this arc, every episode unfolds in a Monster of the Week format, which is best suited for the show in my opinion. It makes every episode a standalone, assuring that audience members can enter the show at any episode without fear of being completely lost, as well as guaranteeing that each mystery will be wrapped up by episode end, reducing anxiety attributable to curiosity over what will happen next. Like the original series, each episode features a voice-over narration from Magnum. T.C. and Rick also draws parallels to their original characters, with T.C. owning and operating a helicopter business that Magnum uses as his own private chauffeur service, while Rick is a club owner with connections that Magnum uses to solve his cases.
Posted in: Disc Reviews by Gino Sassani on September 30th, 2021
"I must admit I didn't think much of Andy first time I laid eyes on him; looked like a stiff breeze would blow him over. That was my first impression of the man."
Our first, middle, and last impression of writer Stephen King has always been one thing. He's considered the King of the Modern Horror Novel. Pretty much everything he has ever written has found its way to the small or large screen and often with various versions over the years. The problem is that King is such a visceral writer, and his novels tend to be so long that it's very difficult and damn near impossible to translate a good King story for television or the box office. No matter how hard some of the best filmmakers have tried, an alarming number of King's written masterpieces have fallen flat at the box office. There have, of course been notable exceptions. The recent two-film version of It is one of the finest of those attempts. But for nearly three decades it turned out that the most successful film adaptations of King's written work weren't horror stories at all. They were also based on shorter works instead of those multi-thousand-page novels. Stand By Me, based on the novella The Body, is one of the most endearing and enduring, and while a title like The Body certainly carries the King ominous connotations, it's actually a quite unscary coming-of-age story. The Green Mile took us to death row, not for a story about a demented killer about to seek revenge as a reanimated executed criminal, but a whimsical fantasy about a death row guard with a rather amazing pet mouse and accompanying story. But perhaps the greatest of this trilogy of King non-horror dramas is likely The Shawshank Redemption, based on the novella Rita Hayworth And The Shawshank Redemption. It remains the favorite film of my wife, and while it's not even in my top ten, it is certainly my favorite King adaptation and a wonderful film in its own right. It's about time this wonderfully atmospheric film got a 4K treatment and a release on UHD Blu-ray.
Posted in: Disc Reviews by Gino Sassani on September 24th, 2021
" Okay, listen up! I want 50 of the best men! I want guns! I want wheels, freaking X-wing fighters -- I don't care! The Millennium Falcon, Chewbacca if you can get ahold of him. Money's no object. Go."
The year 2020 and nearly half of 2021 make up a time in our lives we'd all like to try to forget. And while the remnants of a pandemic that is not quite over still intrude on our realities, many aspects of our lives are starting to return. We're spending time with our family and friends again. Those simple parts of our lives we once took for granted are starting to return, and I suspect we're all apt to savor them just a little bit more from now on. The movies have been back for a little while now. We've finally started getting access to press screenings for the first time in over a year. Needless to say, so many of us are happy to be back in the theaters. So far we've had some films start to breathe life back into the box office, but today expectations remain lower, and they will for a while. We've had some successful films, and you can feel it in the air. Somewhere, somehow, there's got to be a film just itching to break open the floodgates and give us our first real break-out blockbuster in 18 months. Fasten your seatbelts, because I think the day has finally arrived, and while it isn't going to be anything like it might have been two years ago, I think that F9: The Fast Saga is going to be the first hit film since the arrival of the pandemic.
Posted in: No Huddle Reviews by Gino Sassani on September 24th, 2021
"Our baby's going to college."
Warner Brothers is very familiar with superheroes. That goes double for the character of Sheldon, played by Jim Parsons, on The Big Bang Theory. A common thread in the superhero business, of course, is the origin story. With the popularity of The Big Bang Theory, and the Sheldon character particularly, it isn't all that surprising that we would eventually be treated to Sheldon's origin story. But instead of flashbacks on the series, the decision was made that Sheldon's childhood was territory that could be mined for years. Thus was born Young Sheldon. And it's now lasted for years and counting. For fans of the original show and character, it couldn't have come at a better time. Parsons had just turned down an offer of $50 million for two more years of Big Bang. I can't imagine how it must feel to be able to turn down that kind of money. But faced with doing the series without him, the smart decision was to shut it down. What started with a big bang ends with a tiny little man. The Big Bang Theory has ended. I'm not sure we've seen the last of it in some form or another. Sheldon will live on as a kid for years to come. Not sure what Parsons' paycheck is here, but it requires only his narration.
Posted in: Podcasts by Gino Sassani on September 21st, 2021
Michelle Danner has been one of Hollywood's most renowned acting teacher/coaches. She's worked with the likes of Michael Pena, Chris Rock, Salma Hayek, James Franco and Henry Cavill. She's also put together a growing list of films from the director's seat. I recently was invited to watch both The Runner and Bad Impulse. Then I had the chance to chat with Michelle Danner about her films and career. She has a rather unique perspective on the actor/director relationship and she shared these insights with me. Now you can eavesdrop on our conversation. Just bang it here to listen to my interview with Michelle Danner
You can check out Bad Impulse at some of these locations:
Posted in: The Reel World by Gino Sassani on September 19th, 2021
"That was a long time ago, wasn't it?"
Everyone has one. There is that shirt in your closet. Or maybe it's a pair of pants, socks, or even shoes. Whatever it is, it should have been thrown out decades ago. There could be holes, and it's certainly so threadbare that you could do the New York Times crossword through the fabric. It's not practical, if it ever even was. If it were any other piece of clothing you'd be embarrassed to be wearing it. But the dang thing is so comfortable. It's soft against your skin, or maybe it brings back one of your favorite memories. Whatever the reason, you love that thing, and you wish you could wear it all the time. That's exactly how some of us feel about Clint Eastwood. I was a teen in high school when he asked us if we felt lucky and begged us to make his day. A lot of years and a lot of movies have come and gone since then. Clint doesn't have the abilities to run around shooting up the joint anymore. His delivery has gotten softer over the years. Face it. Clint has lost more than a few steps. At 91 years of age, it's somewhat amazing that he's still directing with the quality he does, and every time he also steps in front of the camera, I'm in the audience saying my goodbyes. But I've been saying goodbye since before Gran Torino in 2008. Now it's 2021, and after Hollywood has experienced its most grueling two years in the last century, it is becoming clear to me that Clint Eastwood isn't going anywhere. And that makes my day.
Posted in: Disc Reviews by Gino Sassani on September 18th, 2021
When Justice League hit the box office in 2017 it was met by relatively good box office numbers but not warmly received overall. It was a troubled shoot. During production Zack Snyder had to leave the director's chair when his daughter Autumn passed away. When you consider how hard the folks at DC have been chasing the Marvel Cinematic Universe, it was no surprise that they brought in Joss Whedon to pick up the pieces and finish the film. Whedon, of course, directed the first Avengers film for Marvel, which turned into the perfect example of how to bring a diverse group of heroes together for a film. Whedon was also the king of the ensemble cast from his early days on Buffy The Vampire Slayer and later Firefly. The first problem was that Whedon and Snyder have very polar opposite styles. Snyder rules with tons of angst, darkness and brooding characters. That's great for Batman. Not so much for Superman. Whedon loves to keep things light no matter how big the stakes of the film's events might be. It's night and day, and it's no wonder it really didn't work out so well. Later we would start to hear stories of abuse by Whedon on the set, mainly from Ray Fisher who played Cyborg. The studio fumed, and the fans expressed their disappointment by demanding that DC/Warner Brothers allow Snyder to go back and make the film he really wanted to make, and so the wheels began turning.
DC eventually relented, and after nearly four years, they put a pile of money on the table and granted the Snyder fanboys their wish. But things are different now, and a new cinematic release is pretty much out of the question. So it was originally decided there would be a mini-series made for HBO-Max, the company's streaming service. The idea of a series and film went back and forth, and eventually a kind of hybrid ended up taking the slot. What we got was a four-hour film separated into seven distinct chapters and a decidedly obvious halfway point. So you could watch it in seven roughly half-hour segments, two films, or one mega-marathon film. The HBO-Max numbers were pretty good, and so now the film is available on UHD Blu-ray in 4K in a much better-looking presentation than it had during its initial life as a streamer.
Posted in: Disc Reviews by Gino Sassani on September 16th, 2021
"Space...The Final Frontier. These are the continuing voyages of the Starship Enterprise. Its ongoing mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before!"
From the moment of the first UHD releases, I have had a wish list of films I wanted to see in 4K. Most of them have finally reached my home theater video shelf, but there remain a few elusive titles that I am still waiting for. Paramount is doing a great job, but two of my most wished for UHD franchises happen to be The Godfather films and the original Star Trek films. I'm still waiting for The Godfather, but the Star Trek wait is somewhat over. I say somewhat because this new release from Paramount contains those first four films. Star Trek: The Motion Picture is eventually going to be released with upgraded f/x and a few other upgrades. But the original version of the film is included with the trilogy of The Wrath Of Kahn, The Search For Spock, and The Voyage Home.
Posted in: No Huddle Reviews by Gino Sassani on September 16th, 2021
"Put your game face on."
When you have the highest-rated drama on television, there is a temptation to milk it for all that you can. We've seen it happen with both the Law & Order and CSI franchises. The results tend to be mixed, with some capturing and even exceeding the popularity of the original. Others never quite seem to connect and are gone while their mother ship is still on the air. NCIS: New Orleans became the first to fall after seven seasons. Dwayne Pride (Bakula) is a native of New Orleans. His family has history here. His father (Keach) is in prison for various fraud activities. His daughter Laurel (Caswell) is in college studying music, a passion she and her father share, although this season we discover she's not quite so passionate as her father. He's now divorced and starting to settle in for himself. He goes way back in his defense of the city and considers protecting it as his own private responsibility.
