Posted in: No Huddle Reviews by Gino Sassani on February 18th, 2020
I'm always cautious when I approach a low-budget independent film. It's not that I don't expect them to be good. I have found countless gems over the years that not only exceeded my expectations but have been placed on a must-watch-again list. The thing I'm most cautious about is the level of ambition a limited experience director might shoot for. Obviously there has to be a great amount of drive and ambition to even try to make a movie. I know many filmmakers think reviewers are frustrated and failed filmmakers. I'm not one of them. I have a great deal of respect for anyone who puts together a story and a crew and often risks their own resources to make a film. I'm talking about the ambition in the film itself. As I was watching Cicada Song for the first time, I started to worry about just that. This is a very ambitious film that tries to tackle a lot of things at one time. Yet writer/director managed to pull it off and deliver a film far more compelling than I was expecting.
Posted in: Disc Reviews by Gino Sassani on February 18th, 2020
"It's a beautiful day in this neighborhood. A beautiful day for a neighbor. Would you be mine? Could you be mine?"
Anyone who was a kid from the 1960's to the 1990's and beyond recognizes Mr. Rogers and his neighbor song. The man defined children’s programming for television, and he did so from a small studio tucked away in Pittsburg, Pennsylvania for almost 40 years. There aren't many people living in this country who don't at least know who Fred Rogers was. It would be a complete waste of my space and your time to tell you very much about the man in these lines. Truthfully, you'll make the kinds of discoveries into the nature of who he was by spending a short 90 minutes watching the documentary Won't You Be My Neighbor that appeared last year. It will be time well spent no matter how little or much you think you know about him. But now hot on the heels of that incredible documentary comes a film staring Tom Hanks as the lovable neighbor we all used to wish we had. Recently Ancestry.com confirmed that Tom Hanks and Fred Rogers are related. Of course you have to go back the pre-revolutionary days of 1734 to find this elusive relative. But you won't have to time travel to spend a magical time with Mr. Rogers and Tom Hanks. In 2019, they happen to be the same man.
Posted in: Disc Reviews by Gino Sassani on February 18th, 2020
This is the film that literally started a trend. Within a decade, submarine films would make a huge comeback in the big-budget film industry. Titles like Crimson Tide, U-571, and K-19: The Widowmaker all took a little from Red October. Maybe the Cold War is over, but our fascination with that modern version of cowboys and Indians doesn’t seem to have waned much in the last nearly 20 years. While our relationship with Russia might be up and down over the last two decades, there is still a part of our culture that can’t seem to let go of that classic game of good guys and bad guys. It’s not unique to the former Soviet Union by any means. World War II has been over for more than 60 years, but the occasional Nazi bad guys still make their presence known from time to time. Maybe it’s those accents. Whatever the reason, the seemingly dated subject matter of Red October is never a liability to the film. When Red October came out, the Soviet Union had just fallen a mere two years earlier, and there were some who suggested the film was an inappropriate reminder of those recent bygone days and might even be considered a slap in the face to the new regime in Russia. Fortunately this was not one of those instances where Hollywood let its often hypocritical sense of political correctness get in the way of a great film.
Posted in: No Huddle Reviews by Gino Sassani on February 13th, 2020
The setting for Gunsmoke was the by-now-famous Dodge City, circa 1870’s. Phrases like “get out of Dodge” would enter the popular lexicon as a result of this resilient series. Marshall Dillon (Arness) was charged with keeping the peace in Dodge City. The only other character to see the entire 20-year run was kindly Doc Adams (Stone). Star Trek’s own Doc, Leonard McCoy, took many of his traits from Doc Adams. He was the humanitarian of the city, always looking to help someone. Like McCoy, he had a taste for bourbon and a soft heart underneath a rather gruff exterior and was always ready with free advice. Dillon’s love interest throughout most of the series was Miss Kitty Russell (Blake). While there were certainly a few romantic undercurrents, the romance never came to fruition. Miss Kitty was a prostitute on the radio and was likely one here as well, but CBS chose to underplay that aspect of her character as a “saloon girl”. Finally Dillon’s faithful sidekick deputy was Chester (Weaver). Chester often found himself in trouble and was the naïve son figure to Dillon.
Posted in: The Reel World by Gino Sassani on February 8th, 2020
"I'm the one they should be scared of! Not you, not Mr. J! Because I'm Harley Freaking Quinn!"
For too many years now, the DCU (DC Universe) of films has been guilty of an overwhelming sense of foreboding and darkness. Of course, Chris Nolan pretty much started the trend, while Zac Snyder completely embraced the idea. The Chris Nolan Dark Knight films were a great success, and they should have been. The darkness works wonderfully with a character like Batman. But then Snyder and his DC film gang allowed this brooding darkness to inhabit all of their characters in feature films and never quite appeared to understand why the sometimes camp of the Arrowverse (The TV DC Universe) is so much more appreciated by fans. Wonder Woman stands out as the lone exception to this trend, and that's why it's so much better than the others. Now it seems the folks at the DCU are attempting to showcase their ability to be more flexible and less cookie-cutter.
Posted in: Podcasts by Gino Sassani on February 7th, 2020
Michael Starr is the director, writer and producer for the new drama feature film Cicada Song. The film stars Lindsey Lantz as Karen, a small town woman who asks the wrong questions and finds herself struggling to survive. It's a powerful film with a limited budget but not a limited imagination. It's an ambitious film, to be sure. The man behind it all is Michael Starr, a fellow musician who just might have hit it out of the park with his first feature film. I had a wonderful time with Michael talking about the film. He provided some nice insights into Cicada Song and the filmmaking process itself. You can listen in on our conversation. Just bang it here to hear my interview with Michael Starr.
After the interview make sure you check out the film.
Posted in: No Huddle Reviews by Gino Sassani on January 15th, 2020
"The heat is on..."
From the bouncing opening music by Glenn Fry to the final frame of Eddie Murphy's smile, Beverly Hills Cop has established itself as a classic. Now finally out on Blu-ray, the film shows us all over again why we fell in love with it almost 20 years ago. Murphy hasn't been as funny since, but we'll always have Beverly Hills and Axel Foley. There have been many attempts to revive the franchise. There was a failed pilot that would have had Axel as a captain and his son as the wise-cracking rookie detective. It never went beyond an as yet unseen pilot. Several attempts have been made at a fourth film, and a new one was recently announced, but that's now in limbo as Murphy has just announced he is quitting acting and going back to standup. The first film pulled in a impressive (for 1984) $315 million at the box office. The second pulled in almost exactly the same money. Things hit a snag with the third, which barely topped $100 million. Now Paramount has remastered the films in 4K but is only releasing the 4K/HDR version online. They aren't releasing it on UHD, and that's a mystery to me that I hope will be corrected soon
Posted in: No Huddle Reviews by Gino Sassani on January 15th, 2020
When Star Trek: Discovery was announced, I was quite happy to hear it. There had been a long gap since Star Trek had been on television, and I figured it was long past time to fly through the galaxy on a starship once again. The show finally aired after some real issues getting off the ground, and before I knew it I was back in a starship having a blast once again. Except it wasn't on Star Trek's Discovery I was having all of this fun. It was aboard Seth MacFarlane's Orville that the true spirit of Gene Roddenberry was exploring space once again. Who would have thunk it? Yes, The Orville is considered a comedy, and there are plenty of silly moments and ideas. But even with all of that spoof atmosphere, MacFarlane manages to capture the real spirit that Trek fans have come to feel for that franchise. Honestly, I'm not sure The Orville would have gotten through its first season if not for Alex Kurtzman destroying yet another beloved franchise. Trek fans turned to this show in droves out of frustration and desperation, and MacFarlane welcomed them aboard with a laugh and some alien adventures. It's a great example of that whole nature-abhors-a-vacuum thing. When Discovery went off the rails, The Orville filled the void left behind. If you missed the first season, you can get them now on DVD from Fox.
Posted in: The Reel World by Gino Sassani on January 13th, 2020
For a while it was looking like 2019 was going to be a lackluster year for films. Once fall rolled around, we seemed to get bombarded with some quality award-worthy films, but aside from Once Upon a Time in Hollywood, nothing jumped out at me as Best Picture. Sure, Joker was great, and I had a great time with Uncut Gems, but when 1917 rolled around, this was the film that left me in awe. Sure, there have been some great war films over the years. Platoon and Apocalypse Now are great Vietnam films; Saving Private Ryan is definitely a contender as the best film about WWII. Really, it would have been difficult to say what’s the best war film out there … well, that is, until now. It’s a bold statement, and I know many will disagree with me, but after two screenings of 1917, I’m feeling pretty confident when I say this is the best and my favorite war film. What’s even more impressive is how 1917 manages to stand out from the big blockbusters, sequels, and comic book films and stand alone as a film that can remind viewers about that magic that comes with seeing a movie on the big screen and in Dolby sound.
Posted in: Contests by Gino Sassani on January 5th, 2020
Imprisoned on Blu-ray. Cinema Libre Studios has joined the list of contributors to our Christmas contests. We just made some new friends over there, and to celebrate they sent us over a copy of Imprisoned with Laurence Fishburne. Jeremy will be reviewing the disc soon, but now's your chance to jump on the last of our holiday contests. We all look forward to a brand new year of bringing you the best home theater coverage and beyond.
To win a copy of this prize, follow these instructions.
