Posts by Jeremy Butler

I remember the exact moment I learned about this film. I was at the movies; it was the first trailer on the film, and I immediately felt my intrigue build. The trailer didn’t give much away; at the time it felt like a disassembled puzzle joined together by multiple voiceovers, and then the question that tied it altogether was asked: “When was the last time you saw Bin Laden?” After that everything became clear, and I had my first inkling of how important this film was going to be. Once I learned that Kathryn Bigelow would be in the driver seat, I was certain of the film’s importance.

I believe a title change is in order for this movie. For starters, it’s generic and has no appeal; a title should grab you, entice you, and intrigue you. 24 Hour Love does none of that; I understand the title, supposedly time-lining and emphasizing how a single day can alter or destroy the love that exists between two individuals, but after watching the movie, the premise and the title appear to be contradictory. Better titles would have been Love Trials, Unconditional, or my favorite, Commitment. 

“Don’t let other cars distract you. Take control of your car. Focus on your own lane. 8000rpm, 2km/h. Give it all you got. Steer now. Thinking will only slow you down…If you lose your drive; you are worse off than a broken car.”

Of course none of that quote is spoken in a lick of English in the film. Thank goodness for subtitles; they allow us to enjoy a film despite not knowing the film’s original language, and Motorway is precisely that: an enjoyment.

How long does it take for an affair to cross over from casual fling to a full-blown commitment? Well according to Oscilloscope Laboratories, about 28 Hotel Rooms. Chris Messina and Marin Ireland pair up to tell an engaging tale of two strangers who begin a long-standing relationship that spans cities, states, and possibly countries; the locations are bit harder to determine given that whenever we see the pair, they are never outside of a hotel. Another interesting factoid is that throughout the entire runtime of the film, neither one of the lead character’s names are mentioned.

“Fee Fi Fo Fum, ask not whence the thunder come. For between heaven and earth it’s a perilous place, home to a fearsome giant race. Who hunger to conquer the mortals below, waiting for the seeds of revenge to grow…”

Jack the Giant Slayer is the mash-up adaptation of two classic fairytales; Jack and the Beanstalk and Jack the Giant Killer. Now adaptations are big business in today’s industry, but is combining two different source materials wise, or a recipe for disaster?

“God never would have intended this.”

Has anyone ever noticed the pairings that tend to occur in disaster films? A lone scientist with an expertise in a particular field of study partners with a lone government agent or soldier to prevent a cataclysmic event that will result in the destruction of mankind, whether the disaster is manmade or an act of fate. This was in the case in Godzilla (American version), Independence Day (there may be some controversy on whether this qualifies but you must admit that the main focus was on Smith and Goldblum), miniseries Asteroid, and now it would seem Seeds of Destruction.

Never underestimate the power of the internet and the sociopathic tendency of college kids; the truest statement I can make about horror flick Smiley. Only college kids would hear a story about a would-be killer who could be summoned by repeating a certain phrase three times (I will not say the phrase simply due to that fact that I am a bit superstitious). Now, what if you knew that cost of summoning this murder was that the person you directed the phrase to would be killed; would you summon him? Well, I’m sure you already know the answer to the question.

“What’s the matter? Don’t you like role-playing?”

I was on the verge of writing this film off as another zombie flick hoping to capture on the popularity brought about by the AMC series The Walking Dead, but then….BAM! It brought forth a plot twist that veered it away from all other zombie movies and grabbed my attention. It was no longer a zombie film; it was much more interesting.

The Love Section is not a very grabbing title if you ask me, but to each his own I suppose. The new film is the latest product coming out of One Village Entertainment; the film does have some things going for it: an absolutely gorgeous leading lady (hubba hubba), a unique pairing of leads, and a very funny supporting character. However, the plot is not swimming in uncharted waters. Ali (Lawrence B. Adisa, Grindin) is a 32-year-old real estate agent and a ladies’ man, bouncing from woman to woman with very little desire for a permanent commitment.

How exactly do you make a superhero movie without the powers? Answer: Have them wake up with their powers being stripped from them. All Superheroes Must Die is a superhero tale that from the title you can tell is fated not to end in the traditional way that superhero films end: with the righteous prospering and the wicked suffering. What the film title doesn’t let you know, however, is how underwhelming the film is. It does have an interesting startup, I’ll give it that.