Posted in: Disc Reviews by J C on April 25th, 2016
“We're making history with the first woman president.”
That statement may or may not become a reality in a matter of months, but HBO has real-life politics beat either way. Season 3 of Veep, the caustic, constantly-cussing comedy series, concluded with U.S. Vice President Selina Meyer ascending to the highest office in the land. But lest you think the show jumped the shark by having VP Meyer outgrow the show's title, there's more than enough sharp-tongued mayhem to go around once Selina and her staff — referred to as “an infection of mediocrity” in season 4 — have their finger on the button.
Posted in: Disc Reviews by Brent Lorentson on April 25th, 2016
Besides the fact that The Lady in the Car with Glasses and a Gun has one of the most excessive titles that I’ve seen since Things to Do in Denver When You’re Dead, the film just might be one of the most bonkers I’ve seen as well. Not only was the film a remake from back in 1976, but it is also based off the novel from author Sebastien Japrisot. I’ve never seen the first film, nor have I read the book, so when I came into viewing this film I came into it with few to no expectations. Going by the trailer I had figured this would be just a simple straightforward thriller; I couldn’t have been any more mistaken.
Posted in: Disc Reviews by J C on April 21st, 2016
“Due to the explicit sexual nature of the following National Lampoon Radio Hour, it's featured as adult entertainment and not recommended for children's ears without parental supervision.”
Even if you had no idea it originated as a magazine, the name “National Lampoon” instantly conjures images of raunchy, subversive, anti-establishment humor. That's how strongly the iconic comedy brand managed to embed itself into pop culture. (In addition to the magazine, there were stage and radio shows along with at least two classic movies.) This dynamic, uproarious, and aptly-titled documentary does a very good job of illustrating how that happened.
Posted in: Disc Reviews by Archive Authors on April 20th, 2016
America was once a primitive expanse where only very small groups of hardy hopefuls ever tried to venture across. It was a vast and endless wilderness that was mostly a mystery. This was the land of roving Indian tribes and undiscovered species of animals. This was a land of all kinds of danger. Life was one long hunt and endless battle against every kind of predator and natural enemy. There are so many remarkable moments in The Revenant that I will start with the bear attack. It is an unbelievably harrowing event that cannot be described in words that will in any way convey what you see on the screen. That one sequence alone is worth the price of admission
Posted in: Disc Reviews by J C on April 20th, 2016
“Billionaires are people too.”
HBO’s Silicon Valley, which takes merciless aim at the tech capital of the U.S., was impressive right out of the gate. The series struck comedy gold in its debut season by making fun of both self-important, aggressively eccentric billionaires and the bumbling “guys in a garage” who are trying to get to their level. Season 2 is both nerdier and more confident in its skewering of corporate soullessness and the scrappy underdogs who often can't get out of their own way. (I'm not sure there's another show on TV that would use a SWOT analysis to decide whether a douche-y stuntman lives or dies.) The result is a very funny sitcom that has gotten even better.
Posted in: Disc Reviews by Gino Sassani on April 13th, 2016
"We have known them only as shadows, gazing at us from a ghostly world of black and white. But now the American Civil War can at last be seen as those who lived and died experienced it...in vivid color."
It was the bloodiest conflict in American history. Maybe because Americans fought on both sides of the brutal conflict. It might have been because it was a deeply personal war, often between brothers. The cause was one that cut deeply in both the hearts and minds of the men fighting.
Posted in: Disc Reviews by J C on April 8th, 2016
“Look at where the world is because of solitary dudes going mental in the desert.”
Depressed, deplorable artist Tom heads to the Mojave Desert, where he unexpectedly meets his match in crazed, charismatic drifter Jack. The fact that their tense encounter results in a death is one of the least surprising things about Mojave. What initially appears to be a cat-and-mouse game set in the desert turns out to be an interesting, uneven meditation on perception vs. reality that spills over into the vapid world of Hollywood.
Posted in: Disc Reviews by Gino Sassani on April 7th, 2016
"There's always room for improvement."
Banshee is one of those improbable plots that finds a way to pull us into the action all the while ignoring how unlikely any of this might really be. Of course, we do that all the time. It's certainly unlikely we're going to face a zombie apocalypse or run into a super-powered hero. That's a different kind of unlikely. This kind of real-world fantastic is usually a bit harder to accept. Credit folks like Allan Ball for keeping us engaged with some of the most entertaining sleight of hand on television.
Posted in: Disc Reviews by Brent Lorentson on April 3rd, 2016
Keanu Reeves is a guy who I don’t think anyone would be crazy enough to say is a “great actor”, but instead he’s a guy who has been in some pretty great films. For me he’s an actor I grew up with from his days doing the Bill and Ted movies and Point Break. (Seriously, how dare they attempt to remake that gem?) Between Speed and The Matrix, those are the two movies I’ve held onto for so long as his career took a more interesting turn; that is until John Wick came along and blew my mind with all the insane coolness that was up on the screen. Finally it seemed I was on track to getting the Keanu Reeves that I grew up watching. I know, so what’s the point of all this? Well, until now, none of the Reeves films that I’ve liked could I really say it was because of his performance, and Exposed is finally the film he’s needed where he can show he’s more than just a brooding action star.
Posted in: Disc Reviews by Brent Lorentson on March 30th, 2016
The name Quentin Tarantino carries the weight of legacy as such directors as Alfred Hitchcock, Steven Spielberg, and more recently Christopher Nolan. I’m not saying one is better than the other, but simply by name recognition alone Tarantino is in the company of directors that when you hear that his name is attached there will be a loyal fan base flocking to the theaters to see what they have to dazzle us with. This time around Tarantino returns to the cinema in his biggest release to date; in glorious 70mm we have The Hateful Eight.
