Posted in: Disc Reviews by Archive Authors on May 26th, 2016
There are many films that depict the ferocity and cataclysmic power of the vast ocean. It is a fearsome display that cannot be imagined in any way that compares to the reality of the experience. The Perfect Storm, Life of Pi, The Guardian, and Titanic are just a few examples of disasters at sea. It is the United States Coast Guard’s job to rescue distressed people under severe emergencies at sea. The Finest Hours is a depiction of a true-life sea rescue under the most challenging and horrifying conditions. It is known as the most successful small boat rescue ever recorded. When I say small boat, it is the rescue boat I’m talking about, but the ship they were singlehandedly sent to rescue was a gigantic T2 tanker Pendleton, which had split in half on open seas.
Posted in: Disc Reviews by Brent Lorentson on May 25th, 2016
Time travel films have been around for years, and with each film there are viewers who just enjoy it at face value and others who watch it to poke holes in the film’s theories. I have to admit I fall somewhere in between. With a film like Back to the Future, I don’t look at it as anything more than silly fun, but then a film like 12 Monkeys comes along, and I just go bananas over its theory and execution. So when a title like Synchronicity came along, I went into it with an open mind. I know you don’t need a giant budget to pull off a time travel film; what matters first and foremost is the story and the characters that lead the narrative tale for us.
Posted in: Disc Reviews by J C on May 25th, 2016
Robert De Niro and Zac Efron have a combined seven Academy Award nominations and a pair of Oscar wins to their names. So it was only a matter of time until these titans of cinema joined forces on the big screen. All joking aside, none of us were expecting Dirty Grandpa to pump up De Niro’s Oscar tally. What *is* a bit surprising — other than how truly bad this charmless, dimwitted, mean-spirited “comedy” turned out to be — is that Efron kind of outclasses his legendary counterpart.
Posted in: Disc Reviews by Brent Lorentson on May 19th, 2016
After Robert Eggers received best director out of Sundance, The Witch became a film that went on my radar. Following the release of the trailer to the film I was hooked; its startling yet beautiful imagery was enough to get my attention. As buzz built around the film as it continued to awe audiences in various festivals, my anticipation for this film was getting out of control. Could a film really be this great? Is it possible to make a film that still shocks and terrifies audiences? By the time I found myself getting to this screening, The Witch now was a film that unfairly had something to prove to me, I poked the bear and dared this film to blow me away. As the lights dimmed and the film played out, I came away with more than I asked for.
Posted in: Disc Reviews by J C on May 18th, 2016
“Hello boys…I’m baaaaaack!”
You probably know that Independence Day — the spectacular, shameless sci-fi smash that introduced the world to “Will Smith, Global Superstar” — has a sequel coming out next month. What you may not know is that the original film has been granted a 20th Anniversary Blu-ray release. I was 13 when ID4 came out in the summer of 1996, which means the movie’s deluxe destruction and alien shoot-em-up antics were right in my wheelhouse. So I was curious as to how an older and wiser, um, taller version of me would feel watching it with a critical eye.
Posted in: Disc Reviews by J C on May 12th, 2016
There's a grand, lurid tradition of cinematic saps who think with the wrong head and get themselves in a heap of trouble. Misconduct tries to tap into that spirit while also mimicking none other than Alfred Hitchcock and Brian De Palma (who was pretty much mimicking Hitchcock himself). Those are some lofty goals, but — at least on paper — Misconduct has some heavy hitters on hand to help achieve them. Unfortunately, this legal thriller is guilty of sloppy, nonsensical storytelling and largely wasting the talents of a pair of screen legends.
Posted in: Disc Reviews by Brent Lorentson on May 10th, 2016
With every day that passes we lose those who survived the horrors of World War 2, and eventually there will no longer be those with memories to share from the past, and all that will be left are the films and newspapers from another era. As these survivors grow older, their memories fade, and all that is left are fragments pieced together from what they can remember. In the new film Remember from Atom Egoyan, he delivers an intimate tale about a man suffering from dementia who is seeking revenge for atrocities committed in the past. Considering Egoyan’s last film left me a little underwhelmed I went into this film with caution, and the result is that I think this may be Egoyan’s best work.
Posted in: Disc Reviews by Gino Sassani on May 6th, 2016
Shout Factory digs into the archives for this one. It was back in 1988 that French director Jean-Jacques Annaud went into the wilds to bring us The Bear. Of course he's best known for his take on primitive humans in the more successful Quest for Fire. Like that film, The Bear uses almost no dialog. While it appears to be a nature story akin to Disney's recent Bears, these animals are trained and following a carefully-crafted script based on a novel written by fellow Frenchman Gerard Brach. There is also a small use of stop-action bears that were created by Jim Henson out of his Creature Shop.
Posted in: Disc Reviews by Brent Lorentson on May 4th, 2016
Whatever happened to the days of telling a story without having some kind of gimmick or need to have to have a twist in the plot to show the viewer just how clever you are? I blame The Sixth Sense for this, because ever since the film came out it seems a requirement to be considered a thriller is you have to have some kind of twist, whether it’s at the midpoint or towards the end, somehow you have to find a way to jam that twist in there. I’m not saying let’s just throw the ban hammer down on all twists, but they should be used to only further the plot, because at this point it’s just gotten silly, and when you start piecing things together after the film you realize how little sense it all makes.
Posted in: Disc Reviews by Brent Lorentson on April 28th, 2016
Based on the story “The Colorado Kid” by Stephen King, the SyFy series Haven comes to its end with the last 13 episodes for the final season. When we were last in Haven a fog bank surrounded the small coastal Maine town and Duke (Eric Balfour) accidently unleashed all his “troubles” upon the town. Things were not just looking bad for the town; in fact this may be the darkest days they’ve had to encounter. Would 13 episodes be enough to wrap up all the loose ends and finally allow the town of Haven to be normal, or would this take a darker turn and dare to leave the town to suffer its doom to the mysterious Croatoan? Well, I’m not about to spoil anything, so rest easy, fans, but I should say that not everyone is going to make it through this alive; in fact, I can say this season kept me on edge from start to finish.
