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This may come to a surprise for some, but there was a time that comic book movies just weren’t taken seriously. We had Richard Donner and his Superman The Movie film, and then there was Tim Burton’s take on Batman.  Every other movie that was based on a comic book property was treated as cheesy camp fodder that no one took seriously. Wes Craven’s attempt at adapting Swamp Thing was slightly impressive for the time, but in retrospect I’m just not really a fan of the film despite how much I like the DC character. As for the sequel, The Return of Swamp Thing, I know I’m in the minority when I say how much I enjoy this camp classic.  The first Swamp Thing I felt took itself too seriously and was lacking in the fun practical FX department, but to be fair, it also had a low budget and felt the need to be an origin story. Helming the sequel is one of the B-movie workhorses of the industry, Jim Wynorski, who is responsible for the 80s kill-bot classic Chopping Mall. It’s time to return to the bog and deep dive into the camp classic from 1989, The Return of Swamp Thing.

The film wastes no time getting things started when a group of hunters are attacked by Leech Man in the swamp, and it is Swamp Thing (Dick Durock) that comes to the rescue.  I’m a fan of these practical FX suits, and just seeing this fun showdown in the film’s opening minutes definitely sets the tone for the rest of the film. If this sequence leaves you groaning and rolling your eyes, well, to be fair, this film just isn’t for you.  But if you like your old TOHO man-in-suit battles, and enjoys some goofy B-cinema from Roger Corman or Lloyd Kaufman, then this film you are going to eat up.  From the get-go we know this film is very tongue-in-cheek, and sure, I one day want to see a straight-up horror adaptation of the character, but till then, this is what we got.

"We've come here to pay our respects to Great Aunt Nellie. She brought us up properly and taught us loyalty. Now I want you to remember that during these next few days. I also want you to remember that if you don't come back with the goods, Nellie here will turn in her grave, and, likely as not, jump right out of it and kick your teeth in."

Ian Kennedy-Martin was a television writer for the BBC in the late 1950's and early 1960's. When London adopted one of the world's first computerized traffic light systems, it gave him an idea for a series or television movie. The idea was pretty simple. A group of crooks would hack into that system and use a traffic snarl to get away with a big bank job. The problem was that the idea was too large a production for the BBC staff to pull off. So he sold the idea to his brother, Troy Kennedy-Martin, who wrote the final script for The Italian Job. He moved the action to Turin, Italy where one of the most sophisticated of these early computerized systems was in use. The rest is pretty much history.

"What about the old American social custom of self-defense? If the police don't defend us, maybe we should do it ourselves."

Vigilante justice has always been a popular subject in our movies, television shows, literature, and even comic books. Batman is nothing more than Bruce Wayne out to get back at criminals like the ones who murdered his parents when he was a kid. Batman is the ultimate vigilante. And let's be honest. Haven't you ever once fantasized that you could cross that line and punish some injustice or another that crossed your path? The subject has been around since stories have been told. There are those landmark tales, however, that for some reason or another reach the soul of the masses. For good or evil? You can decide that for yourself. But one of those iconic vigilante films has to be the original Death Wish with Charles Bronson. There's some extra visceral element that isn't in so many of the imitators, remakes, or even sequels. The film has its own storied origin tale and long history of roadblocks before it ever hit box office gold in 1974.

"My son dreamt of a better world. That's why he saved me. But the world was only a better place with him in it. Khandaq needed a hero. Instead, it got me. All this power. And the only thing I can do with it is hurt people. I will speak the word my son gave me, and I will give up my power. And when I do, you must ensure I never speak it again. Shazam."

Black Adam was a unique experience. It was an occasion where a being who kills without hesitation is viewed as more of a hero than those who exercise restraint while fighting for justice. This is a principle that was leaned into during the film’s marketing campaign, which for me generated a great deal of intrigue, and I was glad that it was not just a marketing ploy. The fact is that Black Adam is very much an anti-hero. However, he did not start out that way. He was initially just a supervillain, one that was and likely still is intended to serve as the primary antagonist to Zachary Levi’s Shazam. For this film, he embraces the role of anti-hero, which is in keeping with his comic book roots, which saw the character shift from villain to anti-hero. Simply put, he is a dark hero, someone you love watching even when he is doing morally questionable things. Who better to embody that idea than Dwayne Johnson. During his wrestling days, Dwayne Johnson, then known as The Rock, did stints as both a face (a good guy) and a heel (bad guy). Even when he was a heel, he was among the most popular superstars of that era. He could make you cheer for him, even when he was cheating. He had presence. And in Black Adam, Johnson very much calls on those talents.

I am not usually into serious zombie movies or television series. I am not a particular fan of The Walking Dead or The Night of the Living Dead.  I do allow exceptions for, say, the Resident Evil series, or perhaps something funny like Shaun of the Dead.  So the first time I saw Paranorman probably about half a dozen years ago, I wasn't expecting much.  Thankfully I did not let my biases creep in, and to be honest, quite enjoyed myself.  So I was very excited when I saw the 4K slide across my desk.  Let's dive in.

This is a feature presentation.  We join a horror movie already in progress.  There are monsters, lost of squishy stuff, and some bloodcurdling screams.  Then the zombie goes munch munch on the brain matter of the blonde heroine.  Rumor was that it was far from satisfying.

LAIKA Films has produced some amazing movies which have elevated the wonderful world of stop motion animation.  Paranorman, Boxtrolls, Kubo and the Two Strings, and Missing Link (all underappreciated by mainstream movie audiences).  But one movie stands above those fine films and is the one for LAIKA that started it all.  Coraline.  Today, I received the Steelbook edition (along with Paranorman) in brilliant 4K.  I can hardly contain myself.  Let's take a look.

As the credits start to roll, we see a doll being undressed as well as un-stitched.  Then that doll is filled up with sand and re-stitched.  A couple of buttons are carefully selected and hair is sewn-in.  It is finally thrust into the world.  Hey, that kinda looked like Coraline, who we will meet shortly.

I think I see your problem. You have this list. It’s a list of people you need/want to buy a Christmas gift for. The trouble is that they’re into home theatre, and you don’t know Star Trek from Star Wars. You couldn’t tell a Wolf Man from a Wolverine. And you always thought that Paranormal Activity was something too kinky to talk about. Fortunately, Upcomingdiscs has come to the rescue every Christmas with our Gift Guide Spotlights. Keep checking back to see more recommendations for your holiday shopping. These gift guides ARE NOT paid advertisements. We take no money to publish them.

"Maycomb was a tired old town, even in 1932 when I first knew it. Somehow, it was hotter then. Men's stiff collars wilted by nine in the morning; ladies bathed before noon, after their 3 o'clock naps, and by nightfall were like soft teacakes with frosting from sweating and sweet talcum. The day was twenty-four hours long, but it seemed longer. There was no hurry, for there was nowhere to go and nothing to buy ... and no money to buy it with. Although Maycomb County had recently been told that it had nothing to fear but fear itself ... That summer, I was six years old."

"It's opening up all kinds of doors."

Alcatraz Prison was one of the country's most secure facilities for over 60 years. It was built on a rocky island off San Francisco. You couldn't dig through the rock, and the surrounding ocean was cold and heavily populated by sharks big enough to feed off the plentiful seal population. For 60 years no one had successfully escaped the prison. That record was broken in June of 1962 when three inmates, brothers Clarence and John Anglin, escaped with Frank Morris, who was believed to have masterminded the plot. Sixty years later the case remains officially open, and no one knows what happened to the three men. In 1963 J. Campbell Bruce wrote a non-fiction book called Escape From Alcatraz. The book attempted to document all of the serious attempts to escape the prison, which of course included the 1962 escape. The book also called attention to some of the conditions of the prison and was a part of the reason it shut down completely just a year after publication of the book.

"It's what people know about themselves inside that makes 'em afraid."

Clint Eastwood might have gotten his film career started with bit roles in the sci-fi classics Tarantula and Return Of The Creature, but he made his mark in Europe with Sergio Leone and his famous spaghetti westerns. He became The Man With No Name in a trilogy of films, and it would create the character of Clint as much as it would any film character. Eastwood was smart, and he used the time on those films to learn. He was observant and took in all of the technical aspects of the business of making movies, and it continues to serve him 60 years later, as Eastwood has become as much of an icon behind the camera as he ever did in front of it. His first directing job was Play Misty For Me, but he returned to those still fresh spaghetti-western roots for his second time in the director's chair and his first time directing a western. High Plains Drifter would fit nicely into the trilogy of Leone films. The character called The Stranger could very much be the same Man With No Name, and it's clear enough that he took away more than a paycheck from his time spent in Italy and Spain with Leone. High Plains Drifter would be Clint Eastwood's exclamation point on his earlier career and would take him to places I'm sure even The Stranger could have imagined. Let's just say he's earned more than a fistful of dollars. Now thanks to Kino-Lorber it's out in UHD/4K, and it's never looked better.

"Like a river flows, Surely to the sea, Darling, so it goes, Some things are meant to be ..." 

Elvis Presley is often referred to as the King Of Rock and Roll, at least to his fans. There's no denying the impact that he had on the music scene. He was the first rock and roll star, to be sure. Colonel Tom Parker, his long-time manager and partner, created many of the marketing traditions that are commonplace in the industry today. He knew the value of his star, not only as a performer, but as a brand. For the first time, a musician's image and name started to appear on everything from bath towels to women's underwear. Fans are often split on their feelings for the self-styled Colonel, but Elvis would not have become the name brand he still is today without him.