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Many times when we watch films for the first time, we get distracted.  Maybe it's a pretty girl, money issues, or perhaps you had something else on your mind that's hurting your focus.  Whatever it is, it can really change your interpretation of a movie in a positive or negative way.  One such movie for me is Mystery Men when I saw it in early 2000.  Back when rentals were a thing, I remember renting this film and being distracted completely by someone who shall remain nameless.  I barely liked the movie and didn't really watch it again until many years later only to realize I liked the film far more than originally thought.  Four or five times later, I revisit the film again, this time in glorious 4K.  Let's see how it does.

Thunder is rumbling, and we have arrived in the futuristic Champion City.  A place of superheroes and supervillains.  The scene is a private party with some rich senior citizens.  All of a sudden, Big Red (played by Artie Lange) runs in with his gang of bad guys to rob the place.  They steal everything in sight; nothing is safe, not even a prosthetic arm.  But just when you think nothing can save these wealthy elderly members of society, we have a few heroes who might save the day.

Favorite movies are usually easy to come back to.  It's a familiar song, stars you feel at home with, and even if you recite all the lines by heart, you can find something new to come back to.  In the case of Planes, Trains, and Automobiles, even though I had seen the movie probably around a dozen times or more, I was lured by the promise of new deleted and extended scenes but also a 4K-quality picture.  But as with life, you don't always get everything you want.  Let's take a look.

Please note that portions of this review came from my 2011 article on the Blu-ray, and I have improved on it where possible (and it makes sense to).  

"You think we just work at a comic book store for our folks? This is just a cover. We're dedicated to a higher purpose. We're fighters for truth, justice, and the American way."

In the 1980's The Two Corey's became somewhat of a Hollywood fad and worked well to bring the teens out to the movies. They did eight films together, and it all started with The Lost Boys. The guys' paths had crossed several times, with both being up for some of the same parts. But it wasn't until this film that they actually met, became friends, and started a trend. Unfortunately, times would not go well for either Corey. The life would take its toll, and Corey Haim died at a too-young 38 in 2010. Corey Feldman would not do much better. His own experience with sexual abuse in the industry bought him a hard time getting roles for a while, as the industry wasn't too happy that he was opening up these Hollywood closets. He turned it into a cause and has worked to help others in that same situation. He was literally a decade or so ahead of his time. Today these accusations are taken much more seriously, and he's been more than vindicated over the years. But it all began with The Lost Boys, a film that made vampires more fun and kid-friendly. Now Warner Brothers has brought it out in UHD Blu-ray in full glory 4K.

1982.  I was seven years old, and my mother, who loved horror movies, wanted to take me to see Poltergeist.  Unfortunately, around this time, my dad was usually on the road, and so there was no one really there to say maybe we shouldn't.  Honestly, even if my father was there and did say no, I doubt my mom would have listened.  It was PG; how bad could it be? In the next two hours, I was treated to something that resonates with me to this very day. From the moment I heard "They're Here", I knew I would never see static on televisions the same way.

Please note that parts of this review are borrowed (story, critique, special features) from the 2007 DVD review I did 15 years ago.  However, where possible I am enhancing what I wrote, as I think I write better these days. Maybe I have lost a touch of my creativity, but that's a story for another day. 

"There are certain rules that one must abide by in order to successfully survive a horror movie."

No one knew those rules better than Wes Craven. He helped to create them, after all. Starting in 1972 with the cult favorite The Last House On The Left, he followed that just two years later with The Hills Have Eyes, which led to a sequel. But it wasn't until a decade later that he would deliver his masterpiece and most successful franchise, Nightmare On Elm Street. Wes Craven introduced the world to Freddy Krueger, and our dreams have never been quite the same since. While others attempted to reproduce the same results with many sequels, it was Craven himself who put Freddy to bed with New Nightmare exactly 10 years after his birth. A remake never got much traction, and Wes Craven's place in horror history was assured. In 1996 he decided to take one more stab at the slasher genre and delivered one of the best films to look directly back at the audience and celebrate the genre. Scream was another hit and another franchise staple. He took a then relatively unknown cast and made them household names with future amazing careers and decided that it was time to also poke a little fun at himself and his colleagues. The result was four films and an upcoming kind of reboot/sequel after a three-year television series examined the material. More importantly, it led to an entire sub-genre of films that include the Scary Movie franchise and others. Now, just in time for the holidays and the new film, you can see Scream in 4K with this UHD Blu-ray release.

"No one would have believed in the middle of the 20th century that human affairs were being watched keenly and closely by intelligences greater than man's. Yet, across the gulf of space on the planet Mars, intellects vast and cool and unsympathetic regarded our Earth with envious eyes, and slowly and surely joined their plans against us. Mars is more than 140 million miles from the sun, and for centuries has been in the last status of exhaustion. At night, temperatures drop far below zero even at its equator. Inhabitants of this dying planet looked across space with instruments and intelligences that which we have scarcely dreamed, searching for another world to which they could migrate." 

War Of The Worlds is perhaps one of the most iconic and often infamous science fiction works in literature history. The book by H.G. Wells was published in 1889 but would not see a feature film version for quite some time. Cecil B. DeMille worked with Paramount to obtain the rights from Wells in the mid 1920's. He appeared to appeal to Wells himself, who was a fan of DeMille's work, and the rights were purchased. But the film fell on hard times. On Halloween in 1938 Orson Welles, no relation, produced his famous radio drama of the story. While there were stories of people killing themselves because they believed it was a real radio broadcast of a Martian invasion, most of those stories are myth. It did cause panic, but only because folks ignored the many times the show announced that it was a radio drama. But interest spiked to do the long-dormant film. DeMille approached Welles to do the film, believing that the hysterics from the radio broadcast would make him a natural for the film. When Welles refused, he turned to Alfred Hitchcock, who also turned down the property. Finally George Pal agreed to do the film in the 1950's but soon ran into trouble. You see, the rights were obtained so long ago that they were exclusively for a silent film. The estate of the author was so pleased with Pal as the choice to produce that they fixed the details, and the film was finally released in 1953. It has become a classic in the decades that followed.

"For those of you who are wondering who this fella here is, I am the legendary Colonel Tom Parker. I am the man who gave the world Elvis Presley. Without me, there would be no Elvis Presley. And yet, there are some who'd make me out to be the villain of this here story. No, no, I didn't kill him. I made Elvis Presley. Nothing all those muckrakers said in their books was true. Me and Elvis, we was partners. It was Elvis the Showman and the Colonel the Snowman. I always knew I was destined for greatness. As an orphan, I ran away to the carnival, where I learned the art of the "snow job," of emptying a rube's wallet while leaving them with nothing but a smile on their face. But a carnival act that would get you the most money, the most snow, had great costumes and a unique trick, that gave the audience feelings they weren't sure they should enjoy. But they do. And I knew if I could find such an act, I could create the greatest ... show ... on ... Earth."

Rock bio-pictures have been pretty hot as of late. It really started with the exceptionally done Bohemian Rapsody that chronicled the rise of the band Queen, and more its flamboyant front man, Freddie Mercury. In its wake have come lesser films that have still performed well at the box office, like Elton John's Rocketman, which turned out to be more fantasy than bio-film. With a subject like Elvis, it's really hard to go wrong. He's one of the most successful brands in rock history, and make no mistake. He was a brand. He was also more than just a flash of style. Elvis Presley is often referred to as The King Of Rock And Roll, at least to his fans. There's no denying the impact that he had on the music scene. He was the first rock and roll star, to be sure. Colonel Tom Parker, his long-time manager and partner, created many of the marketing traditions that are commonplace in the industry today. He knew the value of his star, not only as a performer, but as a brand. For the first time, a musician's image and name started to appear on everything from bath towels to women's underwear. Fans are often split on their feelings for the self-styled Colonel, but Elvis would not have become the name brand he still is today without him. That doesn't take away the selfish way that Parker turned Elvis into his private meal ticket, paying attention to his own needs more than those of his star. But no one marketed a brand like Parker did in the days before Elvis. One of those brand expansions tapped into Elvis's own boyhood fantasy. Elvis had worked as an usher at a local movie theater as a teen. He's often related that he would linger in the auditoriums, watching those movies and fantasizing that he was James Dean or Marlon Brando, two of his idols. With the help if Colonel Parker, Elvis would get to see that dream become a reality. The King was to expand his realm to include the movie business and Hollywood. No experience? No problem. After all, if Elvis could go from failing music in high school to becoming the highest paid musician on the planet, he could certainly tackle the world of acting. And he did just that. And that's really the first "issue" with the film. It might be called ELVIS all in caps, but this is really Colonel Tom Parker's story, and in case you have any confusion on that score, it will become clear soon enough. You see, the entire film is narrated by Parker and told from his unique point of view.

“Bend, never break.” 

Of the DC animated movies, I’d rate this one as quite possibly my favorite of them all. Now when you consider that there are around 47 films created with another five films planned, that is quite the accomplishment. When it comes to Batman: The Long Halloween, the element that I really enjoyed is the mystery portion of it. It felt more like a detective story than a superhero movie. This was also the element that I most enjoyed about the Matt Reeves helmed live action film, The Batman. Not surprising that I identified with this aspect, as the 13-issue limited series that this film was adapted from was also one of the inspirations for the Reeves film. This animated film, like the comic it is adapted from, is centered on Batman efforts to identify and stop a serial killer known as Holiday. Holiday appears to be engaged in a war against the Falcone and Maroni organized crime families. Notably, the film also ties into the events that transform Harvey Dent into Batman's enemy, Two-Face. Contributing to the success of this adaptation, would be the top-notch cast of voice actors, some repeats from another animated films and a couple of fresh faces. Jenson Ackles, who was last voiced Jason Todd for the Under the Red Hood animated film, upgraded to voice Bruce Wayne this time around. Batman staple Alastair Duncan, who has voiced Alfred Pennyworth in at least four other Batman properties, returns to voice the character for a fifth time. Then there is Troy Baker, who has voiced multiple Batman characters to include the bat himself, as well as multiple members of the Dark Knight’s rogue’s gallery across film, television, animation, and video game installments. This outing, he lends his talents to voice the Joker. Rounding the cast are fresh faces: Josh Duhamel as Harvey Kent/Two-Face, Billy Burke as Commissioner James Gordon, Titus Welliver as Carmine Falcone, and most notable the late Naya Rivera as Selina Kyle/Catwoman.

"Space ... the final frontier. These are the continuing voyages of the Starship Enterprise. Its ongoing mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before!"

From the moment of the first UHD releases, I have had a wish list of films I wanted to see in 4K. Most of them have finally reached my home theater video shelf, but there remain a few elusive titles that I am still waiting for. Paramount is doing a great job. The Star Trek wait is somewhat over. I say somewhat because this new release from Paramount contains the films not included in the first release: Star Trek: The Motion Picture - Director's Edition, Star Trek V: The Final Frontier and Star Trek VI: The Undiscovered Country. But it does not include The Next Generation films.

Mamoru Hosoda's directing career basically started with the world of Digimon where he directed a few shorts, episodes and even the original Digimon movie.  But where he really started to show off his directing chops was Samurai Champloo which has been often cited as one of the greatest anime shows right up there with Cowboy Bebop.  It would then continue with the first film that he could truly call his own in the Girl Who Leapt Through Time.  From there, Hosoda could have been content at that point but he would go on to direct more and more animated classics.  Today, we take a look at Hosoda's latest film, Belle and I don't think any fan would be disappointed with this one.

Welcome to the World of U.  U is the Ultimate Virtual Community and was created by 5 Sages called the Voices.  They preside over the intellect of the community of five billion users.  Just use the App and plug in.  An avatar is called "AS" and the virtual world will create this avatar based on your biometrics.  It is another reality, another you.