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"My name is Barry Allen, and I am the fastest man alive. When I was a child, I saw my mother killed by something impossible. My father went to prison for her murder. Then an accident made me the impossible, and I became the Flash. I used my powers to find the man responsible for my mother's death. I thought I would finally get justice for my family, but I failed. It's been six months since the Singularity. I'm on my own now. Decided it's better that way. Keeps the people I care about safe. There's only one thing I can do now. I run…" 

The Flash is CSI with a twist. Barry Allen (Gustin) is a police scientist working in the CSI lab of Central City. In fact, he appears to be the only staff of that unit, having pretty much the run of the lab. When he was 11 he witnessed his mother's murder amid red and yellow streaks of lightning. Within the streaks he saw a man dressed in yellow. No one believed what he saw, and his father (Shipp) has been doing time for the murder he did not commit. Young Barry was taken in by their family friend Detective Joe West, played by Law & Order's Jesse L. Martin, and daughter Iris West (Patton). When a particle accelerator at Starr Labs explodes, the dark matter wave that spreads across Central City combines with a lab accident, and Barry is bestowed with incredible speed. Unfortunately, he was not the only one affected. Other people received various other powers and are referred to here as Meta Humans.

"Six months ago The Arrow died. But what he stood for didn't. It lived on in the heroes who took up his mantle. People who believe that this city should never descend into hopelessness. Who believe although life is full of darkness, that darkness can be defeated by light. And tonight I am declaring my intention to fight with them for this city. To be a symbol of hope that The Arrow never was. I am the Green Arrow."

The first three seasons of Arrow have to almost be considered one large origin story. Oliver Queen finally takes the name that he's used in the comics for decades... The Green Arrow. Not to be confused with the same-colored Hornet or Lantern. Who the heck is this Green Arrow of whom you speak? If that's your first question, you need to go back a couple of grades and catch up with the rest of us. The comics are good place to begin, but the television universe is its own place and not tied so tightly to the DC comic book universe. Your best place to go to catch up would be the first three seasons. It'll be worth the effort, and I can get you started with those reviews found Here.

"In 2166 an immortal tyrant named Vandal Savage conquered the world and murdered my wife and child. I've assembled an elite team to hunt him throughout time and stop his rise to power. Unfortunately, my plan was opposed by the body I had sworn my allegiance to: The Time Masters. In the future my friends might not be heroes, but if we succeed, they will be remembered as legends." 

Marvel may have beaten DC to the superhero team-up film. But while Marvel continues to blow away the DC filmatic universe, DC has had its best and most brilliant successes here on television. DC Legends of Tomorrow is pretty much the first television comic book team-up, and it's a direct spinoff from both Arrow and The Flash shows. In fact, Warner should have delayed this release until after those shows showed up at your video store. It's in the early episodes of The Flash, and particularly Arrow, that this show has its setup. That works out even more crucially as the end of this 16-episode season leads directly into the season finale for Arrow, creating a bit of a spoiler alert if you haven't watched those shows.

"The bad guys in this town are changing. They're not playing by the old rules, or any rules. We need every measure at our disposal, and I'm not just talking more guns..."

The first season of Gotham was pretty much a straight criminal story told in a film noir environment where just a hint of the future comic book heroics is uncovered. The bad guys were pretty much standard mob guys. Were they eccentric? Yes. There were really no meta-humans or gadgets to speak of. This season we get a flood of the more familiar kinds of villains you know so well from this universe.

The Vampire Diaries is finally living up to its name. Elena is asleep until Bonnie dies, so the characters have promised to keep a record of all the goings on in Mystic Falls and with their lives. And there's a lot to write about. Mystic Falls has been evacuated so that Lily and her family of heretics won't kill everybody in town. They're living in the Salvatore mansion, and Carolyn is carrying twins that don't really belong to her. And Damon...he's just being...Damon. All of them are either trying to steal or running away from something called The Phoenix Stone. Elena's going to have a lot of catching up to do, and so do you if you haven't been watching all along.

What is Mystic Falls? Who the heck are Damon and Elena, you ask? Bonnie? You've got questions. We've got answers, but not here. You've heard me say this before, and it's become more and more true of television shows these days. If you don't know what I'm talking about, you're just not ready for Season 7 of The Vampire Diaries. But you are in luck. You can check out my reviews for the previous seasons here: Vampire Diaries Reviews. Then you can pick them up and start a mega-marathon session. Once you're up to speed, join us back here for the next thrilling installment.

"When people see that red cape, they expect to see a certain someone. Someone they know. But this isn't his story. It's mine." 

Of course, that "someone" they know is Superman. This is the story of Supergirl. We've seen her story on both the big and small screen, as well. Helen Slater put on the tights and skirt in the Richard Donner film made during the Christopher Reeves Superman years and meant to tie into that filmactic universe. When television told the story of a young Clark Kent in Smallville, it was only natural that his famous cuz would show up there. This time it was Laura Vandervoort who played the Kryptonian. It's nice to see that the new version of Supergirl pays homage to both previous incarnations of the character. Both Slater and Vandervoort have roles in the series that rise a bit above the cameo level.

"Everything just feels so out of control. I don't remember who I am. Who I was. Whatever life I had is gone. Shattered into a million tiny pieces. Sometimes it's hard to breathe."

I have to credit Blindspot's creator Martin Gero with providing one of the more memorable moments on television with the opening minutes of the series. Unfortunately, by the time we saw the pilot that image was already ruined by the countless spots used to promote the show's premiere. We see a police officer in Times Square approach a bag with a sign on it that asks the FBI be alerted. The cop approaches the bag a bit frightened it might be a bomb and blow up on him at any time. It could have been a nice iconic moment when he opens the bag to reveal a naked woman who is covered with tattoos. She is shivering as the camera pulls back to reveal the emptied Times Square. A wonderful moment that we already saw a thousand times before the pilot aired. NBC just couldn't help themselves, and they denied us that experience in context of the series premiere.

"A long time ago in a galaxy far far away..."

It sure does seem like it was a long time ago since Star Wars was actually very good. It doesn't matter if you thought Empire or Jedi was the last good film; few people that I've encountered mentioned the more recent trilogy in the same sacred breath as those original films. Star Wars gave us swashbuckler adventure in the spirit of the early serials. Then it was about a mythical epic story that swept a generation into its colorful universe. What George Lucas created in the late 1970's will never die. But before long it became more about the creator and less about engaging the fans. The attitude turned into "this is my franchise and I'll do whatever the heck I want to do with it." First he changed elements of the first films, most notably the "who shot first" controversy over Han Solo and Greedo. It was as if Lucas was truly feeling like God now. Lucas giveth, and Lucas taketh away. The prequel trilogy was all about getting theaters to change to digital and presenting films that shouted wildly, "Look at me". Many scenes were so crowded with visuals that it wasn't even possible to take it all in. The technology began to overshadow the story. And it was always made worse that Lucas didn't seem to care at all what we thought. Star Wars no longer belonged to us.

When Vikings Season 1 first arrived a couple of years ago, I have to admit I was pretty excited. I was particularly eager to see footage from their very first game. Fran Tarkenton came off the bench, and the Vikings went on to become the first expansion team ever to win their very first game. OK, as Baby, our shepherd/chow mix dog film reviewer would say: I made that last part up. You'd have to have been living under a pretty isolated rock to have missed all of the buzz over the History Channel's drama series Vikings. Now season 3 is out on Blu-ray, and it's certainly a season to remember.

This is quite a step up for the History Channel folks. They've certainly produced a great number of historical dramatizations and documentaries, but nothing they've ever done before compares with this series. We used to review a ton of their stuff here for years, so you know I've liked a lot of the things they've done. But Vikings puts them in a totally new stratosphere. This is historical drama that you've only seen before in the likes of Rome or The Tudors. Of course, there's a very good reason for that. Michael Hirst created the series and is the creative force behind it. He served the same positions on The Tudors. That puts expectations here very high, and the show has met or exceeded them all.

The Intern tackles a pretty important issue. Age gaps are the elephant in the room that no one wants to acknowledge. The issue is confusing to address, because a lot of people don’t even know what age group they belong to or don’t care. But the differences are very real, and they cause enormous alienation and division. Baby Boomers and Millennials are two examples which are represented here by Robert De Niro and Anne Hathaway, who has a daughter starting the first grade, so another age group is represented. To be clearer, Baby Boomers are born between 1946 to 1964, Generation X 1965 to 1980, Generation Y/Millennial 1981 to 2000 and Generation Z/Boomlets after 2001.They are all categorized as having their own issues and identifying traits. You noticed I didn’t mention anyone over 70, and that’s because they don’t matter. In fact, Baby Boomers don’t matter. I don’t agree with that at all, but that is the tendency and thrust of modern culture. This is a complicated matter, so I’ll have to leave it there and move on to discussing this movie. The movie addresses this issue.

Jules (Hathaway) started an internet company that markets clothes, and after 18 months, it has become fantastically successful. Ben (De Niro) is a 70-year-old retired widower who wants to keep busy. He gets a job as an intern for Jules. His work ethic, competence, and experience become indispensable.