Posted in: Disc Reviews by Gino Sassani on September 1st, 2015
"Once upon a time, there was a majestic king, who lived with his noble brother in a colorful kingdom where music and art were celebrated. The king did not foresee having a child, but he lived in an enchanted land where all things were possible. In time, he was blessed with a beautiful baby daughter for whom he wished only peace and happiness. Still, the king had demons who pursued him."
If you're a fan of The Vampire Diaries, you need no introduction to Klaus Mikaelson and his family of original vampires. They were cursed by a powerful witch, their mother, to live forever as vampires. Klaus was her bastard son and also a werewolf. His cruelty and brutality are a millennium-long Grand Guignol of the most graphic kind. Can you build a spinoff show around a creature who has pretty much been the vicious villain of the mother show? That was my biggest question going in. The answer was a very resounding yes.
Posted in: Disc Reviews by Gino Sassani on August 28th, 2015
So what will you be doing when the zombie apocalypse finally hits? Will you be fighting endlessly to survive? Will you be hoarding food and supplies? Will you be seeking out other survivors and band together? Maybe you'll just hole up somewhere and try and wait it out. Me? I'm going to find a solid generator, a high-definition television, an Oppo Blu-ray player, and all of The Walking Dead season sets I can get my hands on. You could consider it survival training, but I'm going to binge-watch one of the most unique shows in television history. Come to think about it, that's not all that different from what I'm doing now. I'm not going to let a little thing like the end of civilization keep me from catching the latest episodes. Now that's what I call must-see TV.
The first thing you should know about The Walking Dead is that it's unlike any television series you have ever seen before. The images here are intense, and the crew has been given a blank check to create this vision without the burden of censors looking over their shoulders. There are plenty of blood-and-gore effects that rival any of the Hollywood zombie films you've seen in the last few years. The makeup effects are handled by the very capable hands of KNB and supervised personally by Greg Nicotero (the N from KNB). KNB isn't treating this like a television production, and while I personally get tired of the cliché about making a movie each week, this one lives up to the hype. They aren't doing anything different here than they would do for a big-budget film. The zombies look incredible, and the effects are completely first-rate.
Posted in: Disc Reviews by Gino Sassani on August 17th, 2015
"Welcome to The Knick."
The Knick is the fictional Knickerbocker hotel in 1900 New York. It's a hospital that was once part of an affluent neighborhood but now finds itself in an area falling to poverty. Still it's a place where innovations are being made on a daily basis, thanks to an inspired group of doctors led by Dr. J.M. Christiansen (Frewer) and his relentless search to find ways to decrease the mortality rate in surgery patients. So the hospital continues to have a great reputation, even if the local poverty is now causing The Knick to lose money, something the board of directors is looking to turn around.
Posted in: Disc Reviews by Gino Sassani on August 17th, 2015
"We are being watched. The government has a secret system. A machine that spies on you every hour of every day. I designed the machine to detect acts of terror, but it sees everything. Violent crimes involving ordinary people. The government considers these people irrelevant. We don't. Hunted by the authorities, we work in secret. You'll never find us. But victim or perpetrator, if your number is up, we'll find you."
The premise of Person Of Interest was turned on its head in season 3. If you are new to the show, don't even think about starting here. But if you're caught up, you know exactly what I'm talking about. A new rival machine named Samaritan has gone operational. The library has been abandoned, and our team has had to take new identities to trick the machine. For the start, they are invisible, but if they get noticed, Samaritan will eliminate them as threats to its survival. It's an apt designation, because they are, indeed. It's a war between two gods, we are reminded throughout. And the stakes are higher than they've ever been on the show. So I received a new number to investigate. It's the fourth season of Person Of Interest, and it's out now on Blu-ray. And this is what I found out.
Posted in: Disc Reviews by Gino Sassani on July 14th, 2015
"What you're talking about is a one-way street, you understand? Once you start there is no going back."
Ah, but there is going back if you're watching Kill Me Three Times. I don't necessarily mean that you'll want to watch the film over again (you might). Kill Me Three Times is a bit of a collection of vignettes that continue to circle back upon each other. Each time you get a different perspective or a bit of new information is unveiled. For those of you who insist on a linear logic to your films, this one's not for you. In fact, those of you who insist on logic at all might not quite get this one.
Posted in: Disc Reviews by Gino Sassani on July 6th, 2015
"During the long, dark period of the Great Wars, an elite class of soldier rose from battle. Their unbreakable code was simple: possess a noble heart of courage, right conduct, and absolute devotion to one's master. From out of those years of bloodshed an empire would emerge. Its power would assimilate persons of every color, creed, and faith. This uncontested rule eroded the traditions of the great knights... but not for all."
Last Knights is an ambitious direct-to-video production. It sports a rather elite class of actors headed by Morgan Freeman, who adds a ton of gravitas to any role he plays. The sets and computer-generated extensions provide the film a rather stirring environment in which to tell an epic tale that owes more than a little to the classic Ronin 47 story. The snow-driven locations in the Czech Republic provide that final sweet element that takes this film far above the usual kinds of films we find in the direct-to-video market.
Posted in: Disc Reviews by Archive Authors on June 2nd, 2015
The town of McFarland, California is North of Los Angeles and South of San Jose. More specifically, it is near Bakersfield and not too far south of Fresno. San Diego is practically spitting distance from Tijuana. I say this because much of California is alien to me. The movie McFarland, USA is about delving into the realities of California. Forget that this is a feel-good sports movie for a minute. This is a movie about the Latino experience from a true story about a coach from 1987, but the film updates some of the changes that have taken place since then. Today Latinos make up 39% of the population of California, making them the largest segment of California society. It is no secret that the trends toward America becoming predominantly Latino are still a ways off, but very real. The point is that America is changing, so get used to it. We are all Americans.
This film is very positive and inspiring, but often in ways that are unexpected. It is about how we can find value in the most unexpected places, and the new America is just as proud and strong. It is about hard-working people who are among the poorest in the country who can been seen as a reserve of unexpected strength.
Posted in: Disc Reviews by Gino Sassani on May 19th, 2015
"As you know, in less than two hours liquor will be declared illegal by decree of the distinguished gentlemen of our nation's Congress. To those beautiful, ignorant bastards. Rest assured that, dry though the country may be, I am in the midst of concluding arrangements that will keep Atlantic City wet..."
HBO has finally released a full series set of Boardwalk Empire on Blu-ray. This is an HBO trend that has gone full tilt in the last year, seeing such hits as The Sopranos, True Blood and soon The Wire all coming in wonderful full-series releases. They look great on your video shelf. Together they create a tremendous number of hours of quality television. I love having it all in one place. If you're new to the show, what better time to climb on board? Here's a primer on what you're going to see. I almost envy you folks who will watch it all for the first time in one sweep.
Posted in: Disc Reviews by Archive Authors on March 31st, 2015
Most movies are just not very good. Lots of money goes into turning out boring, repetitive garbage. You watch it and then dispose of it and make room for the next thing. There are some who do more, but the more you do, the greater the risk. Most filmmakers are not given the freedom to take really big risks, but someone who has been given the opportunity to take the big risk is Christopher Nolan. Interstellar is $165,000,000 gamble shooting for the moon. Actually Nolan is shooting for something way past the moon. He wants to take us to another galaxy. There is so much speculative science in this film that it is mind-boggling. The cutting edge of real science is, frankly, getting crazier and crazier. The average person really has no idea how crazy, but Interstellar is going to try to show us just how crazy. The true nature of some of the elements of the theory of relativity and other related theories is that they defy all logic.
One of the most important things in Interstellar is its attempts to deal with some of the properties of time. The laws of physics tell us time acts differently in different situations. In this movie time rules everything in people's lives, but the main character is given the power to do something with time that most of us don't even imagine. It's important to know some of these situations are described in actual scientific theory. In fact, real science is getting closer and closer to God all the time. Most people who don't believe in God don't expect science to contradict that way of thinking. Interstellar doesn't talk about God, but it comes close to doing something similar. It is science's contention to state statistically there are millions of planets with intelligent life out there. Some of those intelligence forces will seem like God to us. This is simple science, but people have such a wide range of beliefs that no one will ever agree on what is the truth. The reason we don't agree is because mankind is just not smart enough to have real answers.
Posted in: Disc Reviews by Brent Lorentson on February 26th, 2015
Despite being a fan of just about everyone involved with Horrible Bosses, I was more than a little disappointed by the first film. It wasn’t awful or unwatchable by any stretch of the imagination, but I felt with a cast like Jason Bateman, Charlie Day, and Jason Sudeikis, it just should have been better. But the movie gods have spoken and decided that the first film performed well enough that it deserved a sequel. What worked for the first film was the idea behind finally having enough of your bosses and being pushed to the point where murder seems like a viable option. We’ve all had bosses at some point that pushed our buttons to the point that these thoughts may enter our daydreams, so a movie that takes it to the next level will of course have its appeal. Sadly, the sequel doesn’t have that appeal.
This time around Dale (Day), Kurt (Sudeikis), and Nick (Bateman) are working together to release a new shower product, and after the trio make an appearance on a morning news broadcast they get the call from an interested investor. Rex (Chris Pine) claims to see promise in their product, as does his father Bert (Christoph Waltz). The father and son duo end up scheming the trio out of their product, which results in them going $500,000 in debt. With their options limited, the trio decides the best way to avoid going into debt is to kidnap Rex and hold him for ransom. It doesn’t take much thought to realize how bad an idea this scheme is, but the film wouldn’t be much of a comedy if this were a good scheme to begin with.
