Posted in: Disc Reviews by Archive Authors on January 18th, 2016
Everest is an existential film. It could be one of the most beautiful travelogues you've ever seen, but it is far more than that. Its beauty and majesty are perfectly enhanced by 3D, but the true significance has to do with the mysteries of the soul. What drives men to do things that they have no business doing? What makes them climb a mountain whose summit is at the height that 747 jets fly? The old answer that is always used is, “Because it's there”. Obviously, the reasons run much deeper. There is a void in many people that they can only fill by doing the impossible. They look for accomplishments and knowledge that will hopefully give life meaning. Everest is the true story based on the book by Jon Krakauer, Into Thin Air. Krakauer also wrote Into The Wild, which became the 2007 film of the same name about a lone young man who hiked endlessly through the wilderness until he died of starvation. In both cases, these journeys for elusive truths became deadly and tragic.
The film has a expansive cast worthy of such an epic tale, including Jake Gyllenhaal (Southpaw, Nightcrawler), Sam Worthington ( Avatar, Terminator Salvation, Clash of the Titans), Josh Brolin ( Men in Black 3, Sin City 2), Jason Clarke (Terminator Genisys, Dawn of the Planet of the Apes), John Hawkes ( he Sessions, Winter's Bone), Michael Kelly, Martin Henderson, Emily Watson, Keira Knightley, Robin Wright, and Tom Goodman-Hill (Mr. Selfridge, Humans). The director, Baltasar Kormakur, has changed his style considerably to suit the material. His last film with Denzel Washington and Mark Wahlburg, 2 Guns, was a Michael Bay-type, over-the-top action extravaganza. 2 Guns was ridiculous. Everest is a pristine visual masterpiece. He shows the events that occurred on the great mountain in 1996 with a documentary-like rigor as well as totally capturing the grandeur of the location. But the ultimate question remains. Why?
Posted in: Disc Reviews by Gino Sassani on November 11th, 2015
"Different, entirely."
I have been a fan of Sherlock Holmes since I was a kid. Mixed amidst those Universal horror films I watched with my Pop on weekend chiller shows was an occasional Universal Holmes film with Basil Rathbone as the master of deduction. Soon followed the Doyle books, and a new world was opened for me forever. Since those days we have seen every kind of incarnation of the character possible, or so I thought. I've seen Holmes as a child in Spielberg's Young Sherlock Holmes. There have been several comedies and even a musical or two. Robert Downey Jr. has turned him into an action hero, and Benedict Cumberbatch has brought him into the modern world. I even remember Larry Hackman's television version of a motorcycle cop who has a head injury and believes he's the famous detective, gaining the requisite deductive skills in the process. It was called The Return Of The World's Greatest Detective. Star Trek fans reveled in Data's immersion in the detective's world, even bringing back his infamous nemesis as one of The Next Generation's more sympathetic bad guys. But in all of these incarnations I have never seen anything as truly remarkable as Mr. Holmes. It is most decidedly something different entirely.
Posted in: Disc Reviews by Gino Sassani on November 5th, 2015
"Be grateful for your gifts. They are all around you."
This is the gift that has been giving for 20 years. It's a bit hard to believe that it was all the way back in 1996 that we had our first adventure with Pixar's imaginative Toy Story. Since that time we've had two solid theatrical sequels and now a second television/video short. It's a bridge to the fourth theatrical film on its way. But that's still a couple of years down the road, so it's rather nice to be able to spend some time, no matter how brief, with the gang we fell in love with nearly 20 years ago. The Toy Story That Time Forgot is just that warm reunion we needed. It'd intended as a Christmas special, and it just may make those new Christmas tree lights shine a little brighter this season.
Posted in: No Huddle Reviews by J C on October 14th, 2015
“We'll get hit again...and it's going to be a bigger monster.”
The character who utters these words in San Andreas is referring to an impending earthquake that could literally rip California apart. But he could just as easily be talking about the summer movie season, when audiences who have just been rocked by a catastrophic quake have to deal with something called “Indominus Rex” a mere two weeks later. San Andreas almost certainly won't end up as the biggest bully on the Hollywood block, but it's a big, dumb, fun disaster flick the whole family can enjoy.
Posted in: Disc Reviews by Gino Sassani on September 29th, 2015
"To understand what I'm about to tell you, you need to do something first. You need to believe in the impossible. Can you do that? Good. Because all of us, we have forgotten what miracles look like. Maybe because they haven't made much of an appearance lately. Our lives have become ordinary. But there is someone out there who is truly extraordinary."
It's become so much easier to believe in the impossible in recent years. The guys over at Marvel have created an amazing theatrical universe where we escape into the comic book world of heroes at least a couple times a week. DC hasn't managed to wow us in our theater seats so much recently. What they have been able to do is deliver hours of wonderful escapism television every week. That's where the DC miracles are happening, first on Arrow and now Gotham and... The Flash. This is the decade when comic book pages truly come to life before our very eyes.
Posted in: Disc Reviews by Gino Sassani on September 24th, 2015
"My name is Oliver Queen; after five years in hell, I have come home with only one goal, to save my city. Now others have joined my crusade. To them, I'm Oliver Queen. To the rest of Starling City, I'm someone else. I am something else."
That someone, that something more ...that something else is the DC Comics character Green Arrow. Not to be confused with the same-colored Hornet or Lantern. In season 2 Oliver Queen finally shed the name and reputation of the Hood or Vigilante. He vowed not to kill, and he no longer has the list to guide him. His job now is to go after any bad guys in Starling City. In season 3 that job will get a lot harder to do while still keeping his vow. You can say that things get a lot more personal and that season 3 of The Arrow is all about family. And, you can bet that not everyone is getting out alive. Those who remain will be forever changed. That much is certain.
Posted in: Disc Reviews by Gino Sassani on September 23rd, 2015
Finally a situation comedy for geeks. Ever since Urkel went from being a one-off character on Family Matters to the star of the show, the geeks have been looking for their own series. With The Big Bang Theory you get plenty of geek factor with a healthy dose of laughter. I honestly haven’t laughed this much at a situation comedy in decades. Meet Sheldon Cooper (Parsons). He’s a brilliant young scientist working at a Pasadena university. His field was string theory but now he's shifted to dark matter. He’s one of those young prodigy guys who likely graduated from college and then went home to get his diapers changed. Sheldon insists on tight structure and is uncomfortable outside of a highly structured environment. He’s insecure and can’t stand confrontation. He also, of course, believes he’s the smartest guy on the planet. He’s a huge comic and science fiction fan who envisions himself a young Lex Luthor. His girlfriend Amy (Bialik) is a behavior scientist. The two have a relationship based on a contract and have to negotiate even when they can kiss.
His roommate Leonard (Galecki) is also a gifted member of the school’s staff. Leonard is about the most normal one of the group and actually has a steady girl in next-door neighbor Penny (Cuoco). Penny now works as a sales rep for a pharmaceutical company and finds she's doing well. Unfortunately, they cut her hair off this year, and it isn't a good look at all. She’s not the sharpest tool in the box, but she can often teach the boys a thing or two about the real world.
Posted in: Disc Reviews by Gino Sassani on September 21st, 2015
"'Tis the season for Demon Dean."
It's almost like some twisted holiday season. Each season finds the Winchester Brothers in some way divided following an apocalyptic event. The world might be saved once again, but Either Dean or Sam is in Hell or Purgatory. One might be living in an alternate reality or just in a coma. This season starts with the tradition very much alive as the Mark of Cain has finally turned Dean into a demon, albeit one who loves to do bad karaoke. His partner in crime isn't his brother Sam, but the King Of Hell himself, Crowley. What a jolly mess this has turned out to be. Now we have another full season on Blu-ray to try and work this thing out. But can Dean be returned to human form, and can the Mark of Cain be removed without... you know... starting another apocalypse? Probably not, but at least the ride ought to be a blast...sometimes literally. It's Supernatural, and it's a milestone 10th season, and it's available now.
Posted in: Disc Reviews by Gino Sassani on September 16th, 2015
Gotham City. You know the name just as you know the names of Metropolis and Smallville. These are important places in the DC comics universe that have existed as part of modern American mythology since the 1930's. Warner Brothers has decided to tackle Gotham in much the way it spent 10 years bringing us to Smallville. But there is a decided difference to be found here. Smallville was indeed the origin story of Superman, and while the obvious answer might be that Gotham serves the same role for Batman, I found that to be a bit of an oversimplification. This is not the origin story for Batman, and while many of the future major villains from that universe take their first baby steps here, this is not their origin story either. This is an origin story for the city of Gotham itself. Unlike many heroes, Batman was a product of his environment. This is the story of how one city devolved so badly that a hero like Batman was necessary. What we see taking shape here is a place where a certain Dark Knight can thrive and spread his wings.
That means the city itself is the most important character of the show. To make that effective over a season of stories, the city must be created with a kind of style and atmosphere that would set it apart. While there are certain aspects of this Gotham City that owe to Tim Burton's style that set the mood for the first four films, there are also aspects of Nolan's gritty city here as well. It's at once familiar, but this is also unlike any city you've seen on television before. It exists out of place or time. There are cell phones, but not really computers. Detectives look through old newspaper stories on microfilm projectors. Some of us remember the days you had to do that at your local library. The cars are mostly from the 1970's, while the building decor and costumes appear more at home in the 1940's. It's an industrial city, but one where whatever industry once thrived here has long gone away. For something conceived in the original four-color world of comic books, this is a dark and colorless place for the most part. The only thing that's missing is the "abandon hope all ye who enter" sign at the city limits.
Posted in: Disc Reviews by Jeremy Butler on September 14th, 2015
“All these years you’ve lived, but you’ve never had a life.”
Every woman’s fantasy: to remain young and beautiful forever. That is the fantasy, if I am not mistaken, correct? Well, women will be treated to the cost of said fantasy in The Age of Adaline, which shows the other side of the coin of the coveted fantasy. In my experience there are two fantasies that are popular among young ladies. The one mentioned above, and the opportunity to love, marry, and grow old with someone who loves them unconditionally. The Age of Adaline shows the latter is not possible with the former.
