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And you thought the '80s were dead.”

The tongue-in-cheek tagline for this film is the first of many signs that this throwback slasher flick doesn't take itself too seriously. I've always thought the best parodies are the ones that show genuine affection, rather than superiority, toward the genre they're mocking. Lost After Dark sometimes wobbles as it walks the tricky tightrope between homage and legit horror movie, but there's no doubt the filmmakers enjoyed their many sleepless nights with the likes of Michael Myers, Jason Vorhees, Leatherface, and more.

"An early computer command that sent the machine into a race condition, forcing all instructions to compete for superiority at once. Control of the computer could not be regained."

That command? It's Halt And Catch Fire. Television is very much like that. So many shows out there are competing for your attention. Even on the same network there's often competition for the resources of the studios and the sponsors who provide the paydays. Now AMC has added another original series to compete for your attention...and precious time. You guessed it. Halt And Catch Fire. Does it work? Let's find out. 

Imagine the horror of being asleep and then suddenly you wake up, paralyzed.  Your eyes flutter frantically about as you struggle to move, but nothing will budge.  From the corner of your eye you see movement.  You’re not alone, and the person who is in the room with you is ready to kill you. This is the hook Echoes attempts to use to suck the viewers in.  As a psychological thriller about sleep paralysis, it’s unfortunate that the only suspense the film manages to deliver on is just when the film will finally come to its painfully boring conclusion.

Anna (Kate French) is a struggling writer working on getting her first screenplay sold. She’s eager to break into the industry and get her script shown to the big Hollywood players, but her agent/boyfriend has second thoughts.  Paul (Steven Brand) decides to take Anna out to his desert retreat where the two can be alone together and where Anna plans to get more writing done.  Only instead of worrying about her script, it’s her intense nightmares that lead to her restless nights.

The longest-running crime dramas tend to be “case of the week” mysteries where the perp is comfortably caught within the hour. It’s a formula for sure, but it’s one that’s easy to replicate and works quite well if you have the right talent and personalities involved. In reality, of course, there are many cases when the crook isn’t captured before the end credits…or ever. The accompanying anger and uncertainty is much trickier (and messier) to convey dramatically. The Missing — a limited series from England that aired on Starz — isn’t the first show to tackle that territory, but it’s certainly a compelling recent example.

“It’s no use going back to yesterday because I was a different person then.”

"I'm Leonardo da Vinci. Revolutionary painter, artist and visionary, of the Republic of Florence."

The term “Renaissance man” is often used to describe a person who has a very wide range of interests in which they have become quite skilled. It's taken from the traits of the many artists, innovators and writers of the 15th century. And while the term might well apply to any number of such historical figures, there is none for whom it is more apt than Leonardo DaVinci. 

“How the hell did this happen? I mean, I’m on the other side of the planet, and people know who I am and they’re laughing at my jokes.”

Despite his status as one of the biggest draws in stand-up comedy, Jeff Dunham really does seem taken aback by his success. On one hand, you wouldn’t necessarily expect a ventriloquist to be one of the hottest names in comedy in 2014. Then again, the hard work and precision he has put into his act is evident every time he takes the stage. For his latest comedy special, Dunham packed up his puppets and took his show on the road like never before.

It’s been quite some time since The Chappelle Show went off the air, and it would appear Comedy Central has finally found its replacement.  I wouldn’t go so far as to say the show is on the same par, but what Keegan Michael Key and Jordan Peele bring to the small screen is something that has piqued my interest and shows some potential.  Both Key and Peele got their big break from working on the sketch comedy show MADtv, and it would seem they are taking their talents and what they learned to bring us something that is a little familiar but still fresh and keeps its audience laughing.

The biracial pair takes chances with their show which is a hybrid of live bits in front of an audience and filmed sketches.  Whether they are poking fun at Django Unchained, racial stereotypes or Latino gangsters, Key and Peele manage to keep it entertaining.

Sibling filmmakers Howard J. and Jonathan Ford seem to be huge believers in the “Location, location, location” real estate adage. The duo — collectively known as The Ford Brothers — previously made The Dead, which was billed as “the first zombie road movie set against the spectacular scenery of Africa.” I actually wasn't a fan of that flick, but saw enough technical skill and enough potential in the concept to make me curious about a follow-up. With The Dead 2: India, the Ford Brothers have once again transplanted old-fashioned zombie thrills to an exotic, under-explored location. Only this time, they brought a story and more engaging performers along for the trip.

The Dead 2: India features an all-new cast and a plot that is mostly unrelated to its predecessor. (The most we get are radio transmissions that allude to the African zombie crisis from the first film.) This time around, the action follows American turbine engineer Nicholas (Joseph Millson), who finds himself hundreds of miles away from pregnant girlfriend Ishani (Meenu) when the zombie epidemic begins to spread through India. Ishani and her family — including disapproving father (Sandip Datta Gupta) — find themselves trapped near the slums of Mumbai as Nicholas fights his way to the city with the help of a young orphan named Javed (Anand Krishna Goyal, making a nice feature film debut).

"Oh boy, zombie apocalypse!"

No, it's just South Park. But it has invaded pop culture as much as zombies have over its amazing 18-year run. Trey Parker and Matt Stone have been walking a tightrope for over 18 years now, and it just doesn’t get old. One of the reasons the show doesn’t grow stale is their ability to make such a quick turnaround on current events. Because the show takes literally days to write and produce, they are quite often always the first to address an issue. They had an election-night episode on literally the next day in last season. That means the ideas stay as fresh as the headlines.

"Spartacus' mongrel horde has swelled with each passing victory since Glaber's defeat at Vesuvius. They added thousands to rank liberating the mines of Lucania. Slaves across the Republic, humble and grateful to their masters for so many years, have broken to treachery in the wake of the ever-expanding legend of Spartacus."

Starz has had a pretty good run with their Spartacus series. Coming off the style of blood and violence that was popularized with Zach Snyder's 300, Spartacus brought that comic book/graphic novel intensity to television. The presentation was both original and effective for a television series. Instead of presenting a typical ongoing story, Starz used a serialization method that made each season a separate collection of shows while maintaining the continuity that fans could appreciate and follow.