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If nothing else, The Curse of Downers Grove lives up (or rather down) to its morose title. It’s too bad because this (non-)thriller actually has a promising premise: every year, a supposed curse in the titular suburban Illinois town kills a senior at the local high school. The movie could’ve gone for darkly comic thrills or tried to construct a mystery around who the latest victim might be, to name just a couple of examples. Instead, this shoddy, inert flick squanders a variety of opportunities on the way to its preposterous conclusion.

And you thought the '80s were dead.”

The tongue-in-cheek tagline for this film is the first of many signs that this throwback slasher flick doesn't take itself too seriously. I've always thought the best parodies are the ones that show genuine affection, rather than superiority, toward the genre they're mocking. Lost After Dark sometimes wobbles as it walks the tricky tightrope between homage and legit horror movie, but there's no doubt the filmmakers enjoyed their many sleepless nights with the likes of Michael Myers, Jason Vorhees, Leatherface, and more.

"An early computer command that sent the machine into a race condition, forcing all instructions to compete for superiority at once. Control of the computer could not be regained."

That command? It's Halt And Catch Fire. Television is very much like that. So many shows out there are competing for your attention. Even on the same network there's often competition for the resources of the studios and the sponsors who provide the paydays. Now AMC has added another original series to compete for your attention...and precious time. You guessed it. Halt And Catch Fire. Does it work? Let's find out. 

Imagine the horror of being asleep and then suddenly you wake up, paralyzed.  Your eyes flutter frantically about as you struggle to move, but nothing will budge.  From the corner of your eye you see movement.  You’re not alone, and the person who is in the room with you is ready to kill you. This is the hook Echoes attempts to use to suck the viewers in.  As a psychological thriller about sleep paralysis, it’s unfortunate that the only suspense the film manages to deliver on is just when the film will finally come to its painfully boring conclusion.

The longest-running crime dramas tend to be “case of the week” mysteries where the perp is comfortably caught within the hour. It’s a formula for sure, but it’s one that’s easy to replicate and works quite well if you have the right talent and personalities involved. In reality, of course, there are many cases when the crook isn’t captured before the end credits…or ever. The accompanying anger and uncertainty is much trickier (and messier) to convey dramatically. The Missing — a limited series from England that aired on Starz — isn’t the first show to tackle that territory, but it’s certainly a compelling recent example.

"I'm Leonardo da Vinci. Revolutionary painter, artist and visionary, of the Republic of Florence."

The term “Renaissance man” is often used to describe a person who has a very wide range of interests in which they have become quite skilled. It's taken from the traits of the many artists, innovators and writers of the 15th century. And while the term might well apply to any number of such historical figures, there is none for whom it is more apt than Leonardo DaVinci. 

“How the hell did this happen? I mean, I’m on the other side of the planet, and people know who I am and they’re laughing at my jokes.”

Despite his status as one of the biggest draws in stand-up comedy, Jeff Dunham really does seem taken aback by his success. On one hand, you wouldn’t necessarily expect a ventriloquist to be one of the hottest names in comedy in 2014. Then again, the hard work and precision he has put into his act is evident every time he takes the stage. For his latest comedy special, Dunham packed up his puppets and took his show on the road like never before.

It’s been quite some time since The Chappelle Show went off the air, and it would appear Comedy Central has finally found its replacement.  I wouldn’t go so far as to say the show is on the same par, but what Keegan Michael Key and Jordan Peele bring to the small screen is something that has piqued my interest and shows some potential.  Both Key and Peele got their big break from working on the sketch comedy show MADtv, and it would seem they are taking their talents and what they learned to bring us something that is a little familiar but still fresh and keeps its audience laughing.

Sibling filmmakers Howard J. and Jonathan Ford seem to be huge believers in the “Location, location, location” real estate adage. The duo — collectively known as The Ford Brothers — previously made The Dead, which was billed as “the first zombie road movie set against the spectacular scenery of Africa.” I actually wasn't a fan of that flick, but saw enough technical skill and enough potential in the concept to make me curious about a follow-up. With The Dead 2: India, the Ford Brothers have once again transplanted old-fashioned zombie thrills to an exotic, under-explored location. Only this time, they brought a story and more engaging performers along for the trip.

"Oh boy, zombie apocalypse!"

No, it's just South Park. But it has invaded pop culture as much as zombies have over its amazing 18-year run. Trey Parker and Matt Stone have been walking a tightrope for over 18 years now, and it just doesn’t get old. One of the reasons the show doesn’t grow stale is their ability to make such a quick turnaround on current events.