Posted in: Disc Reviews by J C on August 18th, 2017
Reboots are all the rage in Hollywood, in case you haven't heard. Even a relatively low-key property like the Diary of a Wimpy Kid Cinematic Universe series isn't immune. Based on the wildly popular books by author Jeff Kinney, the first three movies featured the same core group of likable actors and become rock solid hits made on modest budgets. So you can understand why Fox would want to keep the series going, even if original star Zachary Gordon became too old to play the perpetually put-upon (and middle school-aged) Greg Heffley. This latest offering features an all-new cast, but too much of the same cringeworthy and juvenile humor; it'll make you wish someone had hidden the reset button from this franchise.
Posted in: Disc Reviews by J C on June 21st, 2017
“We should not be fighting for segregation, we should be fighting for equality.”
That’s the sort of rousing statement any random politician on the campaign trail might use to rile up a crowd of supporters at a pep rally. And even though those words are spoken here by a man in the midst of heavy political turmoil, the beauty of A United Kingdom — a straightforward but nevertheless impactful fact-based drama about forbidden love — is that they are actually born out of an intensely personal conflict.
Posted in: Disc Reviews by J C on June 8th, 2017
“Who could ever learn to love a beast?”
Although it’s not quite a tale as old as time, people around the world have been enchanted by the story of “Beauty and the Beast” for centuries. The French fairytale was first published in 1740 and has subsequently spawned everything from a classic 1946 big-screen romance to Ron Perlman. Still, the most popular iteration of this story is Disney’s beloved 1991 animated musical, which helped solidify the Mouse House’s cartoon revival and serves as the most direct inspiration for this dazzling live-action adaptation. Then again, the fact that this new version is essentially a pretty close copy of a copy takes some of the bloom off this particular rose.
Posted in: Disc Reviews by Gino Sassani on June 7th, 2017
"Good morning, young prince."
The forest is alive with the news. It travels from tree to tree, from animal to animal. A new prince has been born, and the creatures of the woods gather to welcome the young fawn. His name is Bambi, and he soon wins the hearts of the entire population of the forest. From his first attempts to stand on his wobbly legs to his discovery of the things that surround him in this brand new world, Bambi takes us on an emotional journey through the circle of life.
Posted in: Disc Reviews by Brent Lorentson on May 8th, 2017
When The Ring (2002) first came out, if you looked hard enough you could still find movies on VHS, so the thought of a mysterious tape that kills you seven days after watching it wasn’t so entirely farfetched. Now that we are in 2017, if someone were to find a mysterious VHS tape, well, they’d be out of luck for the most part, since I’d wager most of the US population no longer has a VCR. But Hollywood won’t let this stop their successful franchise from moving forward, even though it’s been 12 years since The Ring Two, this weekend is the release of the third film in the series, and quite frankly, I have to wonder if anyone really wanted this.
Posted in: Disc Reviews by Brent Lorentson on April 12th, 2017
The trouble with most holiday films is that once the holiday passes, there is about another year of waiting till it seems right to put the film on again. Everyone knows about A Christmas Story and Polar Express, but really, the staple holiday films are sparse, but they are great. Every year, despite the high probability to fail, studios churn out some holiday films in the hopes that one of these attempted swings will turn out to be a box office giant. I believe it’s safe to say that there hasn’t been a holiday hit for a while, but despite the long odds, Office Christmas Party comes out strong with a big cast and raunchy intentions. Is it enough to lure people into the darkened Cineplex or have you want to go out to Netflix or Redbox to cure those holiday fever blues?
Posted in: Disc Reviews by Gino Sassani on April 6th, 2017
Let me tell you a few things about movie reviewers. We're the kind of people who love watching movies. We spend entirely too much time doing so, and we can find some entertainment even in a bad film. We're the kind of folks who don't ask what's playing when asked if we want to go to the movies. The answer is always yes. When someone applies to write for Upcomingdiscs, one of the first things I tell them is that they have to watch a movie all the way through...no matter how bad it might be. I've always been the kind of person who could do that. I've watched some stinkers in my day, and I never once left a film until the ending. Sure, there have been a couple of times I was tempted. I've had a few painful experiences. No film has ever put me to the test as much as Why Him? Halfway through the movie I was asking Why me?
Posted in: Disc Reviews by Gino Sassani on April 5th, 2017
"You have to start somewhere."
I could sense a great disturbance in the Force. I could not quite put my finger on the reason, but there appeared to be much to worry about with the debut of the first ever Star Wars film that was not one of the driving episodes in the epic story of the Skywalker family and friends. There was worry that Disney might have been pushing their luck with these sidetrack stories. The Force Awakens was very good, but should the Mouse House really be tempting fate with such "filler" material? Then there were the disturbing reports that the film required so many rewrites that as much as $5 million had been spent on the services of Tony Gilroy to provide those touch-ups.
Posted in: Disc Reviews by J C on March 22nd, 2017
“Some people build fences to keep people out, and other people build fences to keep people in.”
In its transition from stage to screen, Fences — the Pulitzer Prize-winning play by the late August Wilson — doesn’t venture far beyond the Maxson household. And that’s precisely the point: director/star Denzel Washington isn’t overly concerned with masking the story’s stage origins. The existential claustrophobia that the characters in the play have been carrying their entire lives is right up there on the cramped screen.
Posted in: Disc Reviews by J C on March 16th, 2017
- “OK, first, I'm not a princess...”
- “If you wear a dress and you have an animal sidekick, you're a princess.”
Disney Animation's 1990s renaissance was followed by an early 21st century lull for its non-Pixar offerings. The princess-centric formula was played out, so Disney pivoted and started doing things like giving Rapunzel and Eugene Flynn Rider equal billing in 2010's Tangled and making Frozen (which would've definitely been called “The Snow Queen” in the '90s) a story about sisterly love as opposed to happily ever after. One of the things I love about the outstanding Moana is that it offers a refreshing, thoughtful and exhilarating new approach to the classical Disney princess formula.
