Posted in: Disc Reviews by J C on August 18th, 2017
Reboots are all the rage in Hollywood, in case you haven't heard. Even a relatively low-key property like the Diary of a Wimpy Kid Cinematic Universe series isn't immune. Based on the wildly popular books by author Jeff Kinney, the first three movies featured the same core group of likable actors and become rock solid hits made on modest budgets. So you can understand why Fox would want to keep the series going, even if original star Zachary Gordon became too old to play the perpetually put-upon (and middle school-aged) Greg Heffley. This latest offering features an all-new cast, but too much of the same cringeworthy and juvenile humor; it'll make you wish someone had hidden the reset button from this franchise.
“If there's one thing I've learned from my years of being a kid, it's that you have zero control over your own life.”
Posted in: Disc Reviews by J C on June 21st, 2017
“We should not be fighting for segregation, we should be fighting for equality.”
That’s the sort of rousing statement any random politician on the campaign trail might use to rile up a crowd of supporters at a pep rally. And even though those words are spoken here by a man in the midst of heavy political turmoil, the beauty of A United Kingdom — a straightforward but nevertheless impactful fact-based drama about forbidden love — is that they are actually born out of an intensely personal conflict.
Posted in: Disc Reviews by J C on June 8th, 2017
“Who could ever learn to love a beast?”
Although it’s not quite a tale as old as time, people around the world have been enchanted by the story of “Beauty and the Beast” for centuries. The French fairytale was first published in 1740 and has subsequently spawned everything from a classic 1946 big-screen romance to Ron Perlman. Still, the most popular iteration of this story is Disney’s beloved 1991 animated musical, which helped solidify the Mouse House’s cartoon revival and serves as the most direct inspiration for this dazzling live-action adaptation. Then again, the fact that this new version is essentially a pretty close copy of a copy takes some of the bloom off this particular rose.
Posted in: Disc Reviews by Gino Sassani on June 7th, 2017
"Good morning, young prince."
The forest is alive with the news. It travels from tree to tree, from animal to animal. A new prince has been born, and the creatures of the woods gather to welcome the young fawn. His name is Bambi, and he soon wins the hearts of the entire population of the forest. From his first attempts to stand on his wobbly legs to his discovery of the things that surround him in this brand new world, Bambi takes us on an emotional journey through the circle of life.
Posted in: Disc Reviews by Brent Lorentson on May 8th, 2017
When The Ring (2002) first came out, if you looked hard enough you could still find movies on VHS, so the thought of a mysterious tape that kills you seven days after watching it wasn’t so entirely farfetched. Now that we are in 2017, if someone were to find a mysterious VHS tape, well, they’d be out of luck for the most part, since I’d wager most of the US population no longer has a VCR. But Hollywood won’t let this stop their successful franchise from moving forward, even though it’s been 12 years since The Ring Two, this weekend is the release of the third film in the series, and quite frankly, I have to wonder if anyone really wanted this.
Samara is back, and she is hungry to take the lives of anyone foolish enough to watch the video, and as the film opens we’re in a plane along with a passenger who has seen the film and only has minutes to go before his seven days are up. While this is a fun scene that gave me hope for what would continue, I couldn’t help but feel that the scene was perhaps a throwaway sequence from Final Destination. Then, oddly enough, the film seems to start again, two years later when we see Gabriel (Johnny Galecki), a college professor, purchasing an old VCR. Once Gabriel gets to his apartment, he gets a surprise when he discovers a tape with the words “Watch Me” written on it. Just like all foolish characters in horror films, he watches the film and immediately gets the phone call.
Posted in: Disc Reviews by Brent Lorentson on April 12th, 2017
The trouble with most holiday films is that once the holiday passes, there is about another year of waiting till it seems right to put the film on again. Everyone knows about A Christmas Story and Polar Express, but really, the staple holiday films are sparse, but they are great. Every year, despite the high probability to fail, studios churn out some holiday films in the hopes that one of these attempted swings will turn out to be a box office giant. I believe it’s safe to say that there hasn’t been a holiday hit for a while, but despite the long odds, Office Christmas Party comes out strong with a big cast and raunchy intentions. Is it enough to lure people into the darkened Cineplex or have you want to go out to Netflix or Redbox to cure those holiday fever blues?
T.J. Miller plays Clay, a childlike CEO who has a big heart for his company and his employees. He’s the likeable boss everyone wants to have, but really, you just can’t picture him ever successfully running a business. As Clay’s right hand man is the serious face of the corporate branch, Josh (Jason Bateman), who has just finalized his divorce in time for the holidays. There is a fun chemistry between Miller and Bateman that seems to fizzle after the first quarter of the film because for some reason there was a need to create romantic tension between Josh and Tracey (Olivia Munn), one of the heads in the tech department. Right out of the gate this film feels familiar and uninspired, as though it served no other purpose than to be a paycheck for all involved. Miller has moments in the film but simply is never given much to really work with.
Posted in: Disc Reviews by Gino Sassani on April 6th, 2017
Let me tell you a few things about movie reviewers. We're the kind of people who love watching movies. We spend entirely too much time doing so, and we can find some entertainment even in a bad film. We're the kind of folks who don't ask what's playing when asked if we want to go to the movies. The answer is always yes. When someone applies to write for Upcomingdiscs, one of the first things I tell them is that they have to watch a movie all the way through...no matter how bad it might be. I've always been the kind of person who could do that. I've watched some stinkers in my day, and I never once left a film until the ending. Sure, there have been a couple of times I was tempted. I've had a few painful experiences. No film has ever put me to the test as much as Why Him? Halfway through the movie I was asking Why me? The answer is that I'm the only reviewer here capable of running UHD 4K Blu-rays. I should have known there would be a cost, and Why Him? was a steep one.
The plot is a promising one that quickly becomes so improbable that the plot value is completely lost in a downward-spiraling parade of bad behavior. It all starts at the 55th birthday of Ned Fleming, played quite painfully by Bryan Cranston. He's the founder of the family printing business with many loving employees who are gathered as son Scotty (Gluck) delivers a video testimonial to the patriarch. Daughter Stephanie (Deutch) is away at college but joins the event via Skype. It's all a typical love-fest until her boyfriend Laird (Franco) shows up in the background pulling down his pants and dancing a genital gig for the shocked viewers. It's almost Christmas, so Stephanie decides to invite the family to California to meet the previously-secret boyfriend, and things just get worse from there.
Posted in: Disc Reviews by Gino Sassani on April 5th, 2017
"You have to start somewhere."
I could sense a great disturbance in the Force. I could not quite put my finger on the reason, but there appeared to be much to worry about with the debut of the first ever Star Wars film that was not one of the driving episodes in the epic story of the Skywalker family and friends. There was worry that Disney might have been pushing their luck with these sidetrack stories. The Force Awakens was very good, but should the Mouse House really be tempting fate with such "filler" material? Then there were the disturbing reports that the film required so many rewrites that as much as $5 million had been spent on the services of Tony Gilroy to provide those touch-ups. There were reports of extensive reshoots, and all of this was enough to have Star Wars fans worried. We needn't have wasted the stress or time. Not only is Rogue One: A Star Wars Story just fine, it's better than fine. It's actually a very good movie.
Posted in: Disc Reviews by J C on March 22nd, 2017
“Some people build fences to keep people out, and other people build fences to keep people in.”
In its transition from stage to screen, Fences — the Pulitzer Prize-winning play by the late August Wilson — doesn’t venture far beyond the Maxson household. And that’s precisely the point: director/star Denzel Washington isn’t overly concerned with masking the story’s stage origins. The existential claustrophobia that the characters in the play have been carrying their entire lives is right up there on the cramped screen.Fences is set in 1950s Pittsburgh and centers around Troy Maxson (Washington), a boisterous former Negro League baseball player who works as a garbage collector alongside best friend Jim Bono (Stephen Henderson). Troy shares a home with Rose (Viola Davis) — his wife of 18 years — and their son Cory (Jovan Adepo), who is being recruited to play college football. The other people in Troy’s orbit include Lyons (Russell Hornsby) — Troy’s musician son from a previous relationship who has a penchant for visiting on his father’s payday — and Gabriel (Mykelti Williamson), Troy’s mentally disabled younger brother who also lives in the neighborhood. Gabriel was previously under Troy’s care after suffering a head injury in World War II; Troy used the subsequent government payout to buy his family’s house.
Posted in: Disc Reviews by J C on March 16th, 2017
- “OK, first, I'm not a princess...”
- “If you wear a dress and you have an animal sidekick, you're a princess.”
